This book presents essential algorithms for the image processing pipeline of photo-printers and accompanying software tools, offering an exposition of multiple image enhancement algorithms, smart aspect-ratio changing techniques for borderless printing and approaches for non-standard printing modes. All the techniques described are content-adaptive and operate in an automatic mode thanks to machine learning reasoning or ingenious heuristics. The first part includes algorithms, for example, red-eye correction and compression artefacts reduction, that can be applied in any photo processing application, while the second part focuses specifically on printing devices, e.g. eco-friendly and anaglyph printing. The majority of the techniques presented have a low computational complexity because they were initially designed for integration in system-on-chip. The book reflects the authors' practical experience in algorithm development for industrial R&D.

This book celebrates the 40th anniversary of the bar code and is written for those who over the years have asked the author what these bar codes are all about. It deals with why they were invented, who created them, how they are managed and used, whether they have been 'a good thing', how much longer they will last and what may replace them. It tells you how you can 'read between the lines' and 'what's in a number'. But it is not a detailed technical or historical account. It is an entertaining account full of stories and personalities designed to show that the term 'interesting bar codes' is not an oxymoron.

A systematic guide consisting of over 100 recipes which focus on helping you understand the process of 3D printing using RepRap machines. The book aims at providing professionals with a series of working recipes to help make their fuzzy notions into real, saleable projects/objects using 3D printing technology. This book is for novice designers and artists who own a RepRap-based 3D printer, have fundamental knowledge of its working, and who desire to gain better mastery of the printing process. For the more experienced user, it will provide a handy visual resource, with side-by-side comparisons of the two most popular slicers, Skeinforge and Slic3r. A basic understanding of designing and modeling principles and elementary knowledge of digital modeling would be a plus.

This beguiling book asks a set of unusual and fascinating questions - why is early Chinese printing so little acknowledged, despite anticipating Gutenberg by centuries? Why are the religious elements of early printing overlooked? And why did printing in China not have the immediate obvious impact it did in Europe? T. H. Barrett, a leading scholar of medieval China, brings us the answers through the intriguing story of Empress Wu (625-705 AD) and the revolution in printing that occurred during her rule. Linking Asian and European history with substantial new research into Chinese sources, Barrett identifies methods of transmitting texts before printing and explains the historical context of seventh-century China. He explores the dynastic reasons behind Empress Wu's specific interest in printing and the motivating role of her private religious beliefs. As Renaissance Europe was later astonished to learn of China's achievement, so today's reader will be fascinated by this engaging perspective on the history of printing and the technological superiority of Empress Wu's China. T. H.Barrett is Professor of East Asian History at the School of Oriental and African Studies, University of London. Among his books are 'Li Ao: Buddhist, Taoist, or Neo-Confucian?', 'Taoism Under the T'ang', and, with Peter Hobson, 'Poems of Hanshan'. He serves on the editorial boards of 'Buddhist Studies Review' and 'Modern Asian Studies'.

In ""Benjamin Franklin's Printing Network"", Ralph Frasca explores Franklin's partnerships and business relationships with printers and their impact on the early American press. Besides analyzing the structure of the network, Frasca addresses two equally important questions: How did Franklin establish this informal group? And what were his motivations for doing so? This network grew to be the most prominent and geographically extensive of the early American printing organizations, lasting from the 1720s until the 1790s. Stretching from New England to the West Indies, it comprised more than two dozen members, including such memorable characters as the Job-like James Parker, the cunning Francis Childs, the malcontent Benjamin Mecom, the vengeful Benjamin Franklin Bache, the steadfast David Hall, and the deranged Anthony Armbruster. Franklin's network altered practices in both the European and American colonial printing trades by providing capital and political influence to set up workers as partners and associates. As an economic entity and a source of mutual support, the network was integral to the success of many eighteenth-century printers, as well as to the development of American journalism. Frasca argues that Franklin's principal motivation in establishing the network was his altruistic desire to assist Americans in their efforts to be virtuous. Using a variety of sources, Frasca shows that Franklin viewed virtuousness as a path to personal happiness and social utility. Franklin intended for his network of printers to teach virtue and encourage its adoption. The network would disseminate his moral truths to a mass audience, and this would in turn further his own political, economic, and moral ambitions. By exploring Franklin's printing network and addressing these questions, this work fills a substantial void in the historical treatment of Franklin's life. Amateur historians and professional scholars alike will welcome Frasca's clear and capable treatment of this subject.

On a December day in 1885, Bill Barnes, a journeyman from the New York World, and Joe McCann, representing the New York Herald, faced off in a match race of Swifts, compositors who set type by hand, individually, letter by letter, with incredible accuracy and speed. McCann got off to a slow start, but at the end of the four-hour race, he joined shopfloor legends Clinton "The Kid" DeJarnatt and the "Velocipede" George Arensberg as a working-class hero. It was not the last race of its kind between Swifts, but already looming were changes both social and technological that would cause these gifted tramp printers to disappear.

In "The Swifts, "Walker Rumble, himself a printer and printing historian, follows the trail of these colorful compositors who became famous by winning typesetting races. Tellingly, at the same time that the most celebrated contests were taking place, technological and cultural forces were threatening the Swifts' way of life. First women printers vied for shopfloor legitimacy; then, in the mid-1880s, typesetting machines such as Mergenthaler's Linotype arrived, replacing the artisans forever.

With the spread of digital technologies at the beginning of the twenty-first century, we are experiencing a revolution in printing matched only by two previous events: Gutenberg's fifteenth-century invention of movable type and the advent of typesetting machines that replaced the Swifts. Joining narrative historians of technology such as Robert Darnton, Henry Petroski, Dava Sobel, and Ross King, Rumble tells a fascinating story that will entertain aficionados of print culture while explaining the larger cultural dislocations wrought by technological change.

This handbook gives readers a close look at the entire technology of printing very high resolution and high density integrated circuit (IC) patterns into thin resist process transfer coatingsuincluding optical lithography, electron beam, ion beam, and x-ray lithography. The book's main theme is the special printing process needed to achieve volume high density IC chip production, especially in the Dynamic Random Access Memory (DRAM) industry. The book leads off with a comparison of various lithography methods, covering the three major patterning parameters of line/space, resolution, line edge and pattern feature dimension control. The book's explanation of resist and resist process equipment technology may well be the first practical description of the relationship between the resist process and equipment parameters. The basics of resist technology are completely covereduincluding an entire chapter on resist process defectivity and the potential yield limiting effect on device production.
Each alternative lithographic technique and testing method is considered and evaluated: basic metrology including optical, scanning-electron-microscope (SEM) techniques and electrical test devices, along with explanations of actual printing tools and their design, construction and performance. The editor devotes an entire chapter to today's sophisticated, complex electron-beam printers, and to the emerging x-ray printing technology now used in high-density CMOS devices. Energetic ion particle printing is a controllable, steerable technology that does not rely on resist, and occupies a final section of the handbook."

The classic, bestselling guide to getting published

In the 20 years since it first appeared, hundreds of thousands of writers'professionals as well as beginners--have read, followed and benefited from How to Get Happily Published. This new edition adds material on making deals with publishers (and what's important), working with small publishers (and when that's preferable), capitalizing on contacts (and where to make them), deciding whether to self-publish (and how much that costs), using new electronic media (to publish; to get information, publicity, promotion and sales; and to connect with enthusiastic readers), and making your work sell better (whoever the publisher is).

Plus hundreds of new resources--books, magazines, newspapers, newsletters, groups, experts and Internet sites covering every step of the publishing process.

Although materials play a critical role in electronic packaging, the vast majority of attention has been given to the systems aspect. Materials for Electronic Packaging targets materials engineers and scientists by focusing on the materials perspective.
The last few decades have seen tremendous progress in semiconductor technology, creating a need for effective electronic packaging. Materials for Electronic Packaging examines the interconnections, encapsulations, substrates, heat sinks and other components involved in the packaging of integrated circuit chips. These packaging schemes are crucial to the overall reliability and performance of electronic systems.
Consists of 16 self-contained chapters, contributed by a variety of active researchers from industrial, academic and governmental sectors.
Addresses the need of materials scientists/engineers, electrical engineers, mechanical engineers, physicists and chemists to acquire a thorough knowledge of materials science.
Explains how the materials for electronic packaging determine the overall effectiveness of electronic systems.

This text provides an in-depth appraisal of the key environmental issues for packaging and how these considerations are increasingly affecting trends and developments in the packaging industry. It is aimed at all those concerned with the manufacture, use and distribution of packaging, including raw materials suppliers, packaging convertors, fillers, packers and retailers. In particular, it should be helpful to all management - commerical, technical or those concerned with human resources. It will also be of interest to those involved in the management of waste - local governments, waste management organizations and materials recyclers.

Cynthia Cockburn's classic work began as a study on the human impact of technological change, but ended as an exploratiion in the making and remaking of men, showing how work and technology are used by men in maintaining their control over women. It continues to offer an unparalled insight into men and trade unionism from a feminist point of view.

This book describes alternative formulations and packaging techniques for the reduction or elimination of chlorofluorocarbon (CFC) use as an aerosol propellant. Use of CFCs in specific categories of aerosols considered "nonessential" was banned by the U.S. in 1978. Recent renewed interest in further reducing worldwide production and consumption of CFCs, and other chemicals implicated in the depletion of the earth's stratospheric ozone layer, is responsible for this study, which covers currently exempted and excluded CFC aerosol applications and their alternatives.

With 3D printing advancing at an incredible pace, Make continues to lead with in-depth testing and reviews of the latest machines, newest printing software, and coolest prints and projects to create. This year's crop of printers features sleek, high-tech looks coupled with increasingly sophisticated interfaces that lower the barrier of entry to a wider range of new users. We'll show buyers how to pick the best printer for their needs, how to use it effectively, and how to fix problems when they arise. All this plus the wide-range of projects, features, and columns found in every issue of Make:--it's our annual best-seller, better than ever! In this issue: 24 Head-to-head printer reviews 10 cool prints in under 30 minutes "State of 3D Printing" overview Sneak peek at tomorrow's 3D printers Plus More Projects: 3D-printed Eyeglass frames CT-scanned skulls and medical images Nerf Blaster Sentry Turret Open-Source Smartwatch

"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."-From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.

The emergence of the book was not merely an event of world historical importance, but the dawn of modernity. In this much praised work, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, with the study of consciousness itself to root the development of printing in the changing social relations and ideological struggles of Western Europe. Now that the printed page may become a thing of the past, "The Coming of the Book" is more pertinent than ever.

William Caxton (c. 1421-1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history - their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature - remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. reproducing preexisting production methods; on another, however, it argues that these printers introduce a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. This collection will be valuable to scholars of the medieval and early modern periods and makes a significant contribution to the history of the book.

An integral overview of the theory and design of printheads, authored by an expert with over 30 years' experience in the field of inkjet printing. Clearly structured, the book presents the design of a printhead in a comprehensive and clear form, right from the start. To begin with, the working principle of piezo-driven drop-on-demand printheads in theory is discussed, building on the theory of mechanical vibrations and acoustics. Then the design of single-nozzle as well as multi-nozzle printheads is presented, including the importance of various parameters that need to be optimized, such as viscosity, surface tension and nozzle shape. Topics such as refilling the nozzle and the impact of the droplet on the surface are equally treated. The text concludes with a unique set of worked-out questions for training purposes as well as case studies and a look at what the future holds. An essential reference for beginning as well as experienced researchers, from ink developers to mechanical engineers, both in industry and academia.

In "The Nature of the Book," a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas--commercial, intellectual, political, and individual.
"A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."--Alberto Manguel, "Washington Times"
" A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."--D. Graham Burnett, "New Republic"
"A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."--Merle Rubin, "Christian Science Monitor"
"The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."--John Sutherland, "The Independent"
"Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."--Ian Maclean, "Times Literary Supplement"

New Directions in Print Culture Studies features new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America. The unifying questions posed and answered in this book are methodological: How can we make material, archival objects meaningful? How can we engage and contest dominant conceptions of aesthetic, historical, and literary periods? How can we present archival material in ways that make it accessible to other scholars and students? What theoretical commitments does a focus on material objects entail? New Directions in Print Culture Studies brings together leading scholars to address the methodological, historical, and theoretical commitments that emerge from studying how periodicals, books, images, and ideas circulated from the 19th century to the present. Reaching beyond national boundaries, the essays in this book focus on the different materials and archives we can use to rewrite literary history in ways that highlight not a canon of “major” literary works, but instead the networks, dialogues, and tensions that define print cultures in various moments and movements.

Reactive inkjet printing uses an inkjet printer to dispense one or more reactants onto a substrate to generate a physical or chemical reaction to form a product in situ. Thus, unlike traditional inkjet printing, the printed film chemistry differs to that of the initial ink droplets. The appeal of reactive inkjet printing as a chemical synthesis tool is linked to its ability to produce droplets whose size is both controllable and predictable, which means that the individual droplets can be thought of as building blocks where droplets can be added to the substrate in a high precision format to give good control and predictability over the chemical reaction. The book starts by introducing the concept of using reactive inkjet printing as a building block for making materials. Aspects such as the behaviour of printed droplets on substrate and their mixing is discussed in the first chapters. The following chapters then discuss different applications of the technique in areas including additive manufacturing and silk production, production of materials used in solar cells, printed electronics, dentistry and tissue engineering. Edited by two leading experts, Reactive Inkjet Printing: A Chemical Synthesis Tool provides a comprehensive overview of this technique and its use in fabricating functional materials for health and energy applications. The book will appeal to advanced level students in materials science.

Since the release of the first commercially available 3D printer in 2009, a thriving consumer market has developed, with a huge variety of kits now available for the home constructor. In their short existence, these printers have developed into capable machines able to make robust and useful objects in a wide range of materials. 3D Printing for Model Engineers - A Practical Guide provides the first truly comprehensive guide to 3D printing in the context of other creating engineering-based hobbies. It covers using 3D Computer Aided Design; 3D printing materials and best practice; joining and finishing 3D printed parts; making your own metal castings from 3D printed parts and building your own 3D printer. Filled with real world examples and applications of 3D printing, this book is based on practical experience and is the essential guide to getting the most from your 3D printer.

Symbolic Caxton is the first study to explore the introduction of printing in symbolic terms. It presents a powerful literary history in which the fifteenth century is crucial to the overall story of English literature. William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority. For Kuskin, William Caxton (1422-1491), the first English printer, becomes a unique lens through which to view these issues. Kuskin contends that recognizing the fundamental complexity inherent in the transformation from manuscript to print-the power of literature to formulate its audience, the intimacy of capital and communication, the closeness of commodities and identity-makes possible a clear understanding of the way cultural, bibliographical, financial, and technological instruments intersect in a process of symbolic production. While this book is the first to connect the contents of late medieval literature to its technological form, it also speaks to contemporary culture, wrestling with our own paradigm shift in the relationship between literature and technology.

William Caxton (c. 1421-1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history - their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature - remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. reproducing preexisting production methods; on another, however, it argues that these printers introduce a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. This collection will be valuable to scholars of the medieval and early modern periods and makes a significant contribution to the history of the book.

The volume presents a collection of articles on the use of 3D printing technology in mathematics education and in mathematics teacher training. It contains both basic research-oriented contributions as well as reflected descriptions of concrete developments for teaching. The authors of this compilation share a positive attitude towards the possibilities that the use of 3D printing technology (understood as an interplay of software and hardware) can unfold for mathematics education, but critically evaluate from a mathematics education research perspective when, where and how an application can enable an added value for the learning of a mathematical content.