About the previous edition: "Definitely succeeds as an art book, thanks to the quality of Walker's engravings; and as a collectible for Cohen fans, thanks to how well the artist captures his subject." --Foreword Reviews In Leonard Cohen, master engraver George A. Walker offers new perspectives on the life and artistic accomplishments of a poet and musician who has captivated generations for six decades and whose influence circles the globe still. Arranged chronologically, the engravings depict scenes from Cohen's many and varied creative endeavors, including poetry, novels, singing and songwriting. The book also presents portraits of some of the many famous characters who shared Cohen's life and friendship, from poets Irving Layton and Allan Ginsberg, to musicians Jimi Hendrix and Janis Joplin, and celebrated artist Andy Warhol. Best read to music, Leonard Cohen presents images of Cohen's iconic public persona alongside vivid interpretations of his ever-evolving work. The engravings compose a biographical mosaic that invites readers to contemplate the public perception of Cohen's critical and commercial acclaim. Some scenes are drawn from history, others from Walker's imagination. The images encourage us to search beyond the visual elements and to see in them a poem, a song, a meaningful turn of phrase. They urge us to consider Cohen's life and work through the lens of our own experience. Leonard Cohen was conceived as a celebration of Cohen's eightieth birthday and was first published as a limited edition of eighty copies hand printed at Walker's studio in Toronto. This revised edition has 2 additional engravings.

Weimin He's 324 ink drawings, pen sketches and woodblock prints comprise an intimate record of the progress of construction in the newly designed Ashmolean Museum that opened late last year. An unusual approach to documentation in the age of digital photography, the catalogue provides a delightful art experience for readers who will never set foot in the Ashmolean, which is the museum for the University of Oxford. Weimin has drawn workers lifting roof beams, welding metal rods and pouring cement into the mixer. He gives us behind-the-scenes portraits of museum personnel, making each individual come alive, for example, an objects conservator at her work and a researcher in the prints room at his. An artist-in-residence at the museum and an art scholar, Weimin employed Chinese drawing and woodblock printmaking methods. His portraits were drawn on pi, xuan papers or album leaves, with Chinese brushes and inks that have been used for over a millennium. Seven of the prints and the catalogue were presented to Queen Elizabeth for the museum's opening.