|
|
Books > Arts & Architecture > Art forms, treatments & subjects > Prints & printmaking
Mount Fuji has long been a centerpiece of Japanese cultural
imagination, and nothing captures this with more virtuosity than
the landmark woodblock print series Thirty-six Views of Mount Fuji
by Katsushika Hokusai (1760-1849). The renowned printmaker
documents 19th-century Japan with exceptional artistry and
adoration, celebrating its countryside, cities, people, and serene
natural beauty. Produced at the peak of Hokusai's artistic
ambition, the series is a quintessential work of ukiyo-e that
earned the artist world-wide recognition as a leading master of his
craft. The prints illustrate Hokusai's own obsession with Mount
Fuji as well as the flourishing domestic tourism of the late Edo
period. Just as the mountain was a cherished view for travelers
heading to the capital Edo (now Tokyo) along the Tokaido road,
Mount Fuji is the infallible backdrop to each of the series' unique
scenes. Hokusai captures the distinctive landscape and provincial
charm of each setting with a vivid palette and exquisite detail.
Including the iconic Under the Great Wave off Kanagawa (also The
Great Wave), this widely celebrated series is a treasure of
international art history. Among only a few complete reprints of
the series, this XXL edition pays homage to Hokusai's striking
colors and compositions with unprecedented care and magnitude.
Bound in the Japanese tradition with uncut paper, Thirty-six Views
of Mount Fuji presents the original 36 plates plus the additional
10 later added by the artist. The perfect companion piece to
TASCHEN's One Hundred Views of Edo and The Sixty-Nine Stations
along the Kisokaido, this publication paints an enchanting picture
of pre-industrial Japan and is itself a stunning monument to the
art of woodblock printing.
Die hier erstmals vorgestellten Klebebande der Furstlich
Waldeckschen Hofbibliothek Arolsen fassen in z.T. gewaltigen
Folianten uber 7.000 montierte Druckgraphiken von grosser
thematischer Vielfalt - u.a. Portraits, Flugblatter, Buhnenbilder
oder Kupferstiche zum Zeitgeschehen. Jeder Band ist ein Unikat und
noch heute in seinem ursprunglichen Arrangement erhalten. Der
Bestand diente als Instrument zur aktiven Bildung und besass eine
lebenspraktische Bedeutung fur Hofhaltung und Hofkultur im
fruhmodernen Furstenstaat. Die Abfolge und Ideen des Ein- und
Aufgeklebten geben Aufschluss daruber, was Nutzer in dieser Epoche
fur wissenswert hielten und wie sie sich Wissen uber Fragmentierung
und Neuordnung verfugbar machten.
The fully revised edition of the most comprehensive and up-to-date
reference on print production
A II graphic designers and illustrators must be familiar with
the steps involved in preparing their work for publication. Now
completely revised to reflect the latest technology and trends, "A
Guide to Graphic Print Production, Third Edition" is the complete
guide to the entire process of print production, from the early
stages of conception and planning, to the technical stages of
manufacturing and off-press processing. Structured around the
graphic print production flow, essential material is included for
all aspects of the process including coverage of computers, color
management, layouts, digital images, image editing, prepress,
paper, printing, finishing and binding, legal issues, environmental
issues, and more.
A practical reference to keep at your fingertips, this new
edition: Covers the entire production process, from conception to
manufacturing to archivingCovers new topics, such as variable data
printing, sustainability, large/wide format printing, inks, and
color managementIs full color throughout, with updated images and
screenshotsIncludes sidebars offering design tips, troubleshooting
hints, and key points to consider for very stage of design
Delivering information that reflects all aspects essential for
understanding the ins and outs of digital printing, "A Guide to
Graphic Print Production, Third Edition" is an ideal resource for
students and professionals of graphic design, print production,
production technology, and visual communication.
It is rare that a story comes along that sweeps you into its heart.
Painstakingly handwritten over a three year period, it is the life
story of William Zulu, a linocut artist, highly acclaimed for his
evocative art-works. Having contracted spinal TB as a baby, William
underwent misplaced corrective surgery to his spine in his late
teens which left him paralysed and permanently wheelchair bound.
William's story is no victim's litany. It recounts with zest and
humour the events of his life, his unfolding artistic development
and the world of deep rural Africa in which he is rooted. His
artist's eye paints in the details of his world with vivid
observation. This book is full of disarming lapses, diverting
anecdotes - such as how he acquired a car in order to travel to
Jo'burg in the hope of finding there a woman who might be more
willing to love someone disabled. Weaving through the personal
narrative is a strong political consciousnesss that sketches the
fortunes of a country in violent transition, wracked by the ethnic
rivalries that overshadowed every aspect of black life in the
1980s. William Zulu's writing is informed and articulate. He has an
instinctive grasp of storytelling with pace. He conveys the
unrelenting hardship of rural life and offers a fascinating window
to the world of traditional Africa - with all its superstition,
patriarchal rigidity and prejudices on the one hand, and its
humour, shrewd observance and innovative survival strategies on the
other. Reading his work, one is left with a strong sense of the
battles for survival that pit ingenuity against lack of resources -
and of the redemptive power of 'ubuntu' demonstrated in the
kindness of strangers of all races, who extend helping hand and
heart in the midst of penury. Spring Will Come is a story that
lives up to its title.
This pack contains 500 high-quality origami sheets printed with
delicate and cheerful cherry blossom designs. These colorful
origami papers were developed to enhance the creative work of
origami artists and paper crafters. The pack contains 12 unique
designs, and all of the papers are printed with coordinating colors
on the reverse to provide aesthetically pleasing combinations in
origami models that show both the front and back. There's enough
paper here to assemble amazing modular origami sculptures,
distribute to students for a class project, or put to a multitude
of other creative uses. This origami paper pack includes: 500
sheets of high-quality origami paper 12 unique designs Bright,
vibrant colors Double-sided color 4 x 4 inch (10 cm) squares
The first comprehensive look at the origins and diffusion across
Europe of the etched print during the late 15th and early 16th
centuries The etching of images on metal, originally used as a
method for decorating armor, was first employed as a printmaking
technique at the end of the 15th century. This in-depth study
explores the origins of the etched print, its evolution from
decorative technique to fine art, and its spread across Europe in
the early Renaissance, leading to the professionalization of the
field in the Netherlands in the 1550s. Beautifully illustrated,
this book features the work of familiar Renaissance artists,
including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder,
and Parmigianino, as well as lesser known practitioners, such as
Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the
way for later printmakers like Rembrandt and Goya. The book also
includes a clear and fascinating description of the etching
process, as well as an investigation of how the medium allowed
artists to create highly detailed prints that were more durable
than engravings and more delicate than woodblocks. Published by The
Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule: The Metropolitan Museum of Art, New York
(October 23, 2019-January 19, 2020)
A highly important figure in the late eighteenth-century British
art world, John Raphael Smith was the most robust and prolific
printmaker of his time. Smith not only produced nearly 400
prints-about 130 of his own design and the others by such noted
British artists as Joshua Reynolds, George Romney, and Joseph
Wright of Derby-he was also appointed "Mezzotinto Engraver" to the
Prince of Wales and became an impresario of the print-publishing
trade. This book is the first full-length study for nearly a
hundred years of Smith's remarkable career in printmaking. Ellen
D'Oench investigates how Smith conducted his engraving and
publishing business and what his prints, drawings, and paintings
reveal about the culture and morality of the society that viewed
them. She includes a chronological catalogue raisonne with newly
discovered works, an inventory of his firm's publications, and a
catalogue of prints reproduced from his own original work. Along
with full biographical information on Smith and his activities as
an artist and publisher, D'Oench pays close attention to the
contemporary art market, its operation, and the placement of
Smith's products within it. She details Smith's fascination with
female genre subjects and his use of printed images to both exploit
and critique his culture's manners and morals. Historians of
paintings and prints, social and cultural historians, and scholars
of women's history will all find in this book an array of
delightful illustrations and interesting material. Published for
the Paul Mellon Center for Studies in British Art
A new, up-to-date edition of this popular and comprehensive
encyclopedia on printing techniques by professional artist Judy
Martin. This inspirational, visual guide offers a wealth of
information on the techniques and materials you'll need before
embarking on your printing pursuits. Starting with your equipment
and safety essentials, all the different methods of printmaking are
covered, from monoprinting, wood engraving and etching to intaglio
printing, screen-printing and more. Then, learn how to apply these
methods yourself by following the helpful, illustrated step-by-step
demonstrations inside to create your own printed pieces. There is
even advice on how to take your printmaking even further, with
suggestions on organising studio space at home or in a commercial
environment. Finally, a stunning gallery of images created by
professional printmakers, featured throughout the book provides
inspiration for your own beautiful artwork.
|
|