This is a biography of Hensley Henson, one of the most controversial religious figures in England during the late nineteenth and early twentieth centuries. This book examines Henson's education at Oxford University and describes the highlights of his career as pastor of Ilford and Barking Church, as canon of Westminster Abbey, and as bishop of Hereford and Durham. It explores his involvement in political issues and his controversial views on such issues as divorce, the Italian invasion of Abyssinia, and the anti-Semitic policies of Nazi Germany.

Spanish America has produced numerous "folk saints" -- venerated figures regarded as miraculous but not officially recognized by the Catholic Church. Some of these have huge national cults with hundreds -- perhaps millions -- of devotees. In this book Frank Graziano provides the first overview in any language of these saints, offering in-depth studies of the beliefs, rituals, and devotions surrounding seven representative figures. These case studies are illuminated by comparisons to some hundred additional saints from contemporary Spanish America. Among the six primary cases are Difunta Correa, at whose shrines devotees offer bottles of water and used auto parts in commemoration of her tragic death in the Argentinean desert. Gaucho Gil is only one of many gaucho saints, whose characteristic narrative involves political injustice and Robin-Hood crimes on behalf of the exploited people. The widespread cult of the Mexican saint Nino Fidencio is based on faith healing performed by devotees who channel his powers. Nino Compadrito is an elegantly dressed skeleton of a child, whose miraculous powers are derived in part from an Andean belief in the power of the skull of one who has suffered a tragic death. Graziano draws upon site visits and extensive interviews with devotees, archival material, media reports, and documentaries to produce vivid portraits of these fascinating popular movements. In the process he sheds new light on the often fraught relationship between orthodox Catholicism and folk beliefs and on an important and little-studied facet of the dynamic culture of contemporary Spanish America.

A sigil is an intensely powerful magickal tool that any modern witch should consider adding to their repertoire. Sigils can help manifest your desires, ward off evil, and add deeper levels of meaning to your spells. You don’t have to be an artist to create a sigil—anyone can do it. Sigil Craft is Lia Taylor’s must-have guide to creating sigils, including step-by-step instructions using various methods including the Magic Square and Austin Osman Spare, as well as an overview of sigils throughout history, from Agrippa to modern chaos magick, from medieval grimoires and prehistoric cave paintings to the graphic novels of Grant Morrison. Taylor shares how to charge your sigils, incorporate them into your creative endeavors, and heighten the power of your sigils through the shoaling technique. This immensely useful book is fully illustrated with Taylor’s art, and is a fascinating guide to an increasingly popular practice. 

In Spirit Song: Afro-Brazilian Religious Music and Boundaries, ethnomusicologist Marc Gidal explains how and why a multi-faith community in southern Brazil uses music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Spirit Song will be the first book in any language about the music of Umbanda and its close relative Quimbanda-twentieth-century fusions of European Spiritism, Afro-Brazilian religion, and Folk Catholicism-as well as the first publication in English about the music of the African-derived Batuque religion and "Afro-gaucho" identity, a local term that celebrates the contributions of African descendants to the cowboy culture of southernmost Brazil. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the use of music to reinforce, bridge, or blur boundaries, whether for personal, social, spiritual, or political purposes. The Afro-gaucho religious community uses music and rituals to varisuly promote innovation and egalitarianism in Umbanda and Quimbanda, whereas it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations have also used the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. Gidal explains these points by describing and interpreting spirit-mediumship rituals and their musical accompaniment, drawing on the perspectives of participants, with video and audio examples available on the book's companion website. The first book in English to explore music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

"Original and wide-ranging, Murphy's discerning and important study is another reminder that America is 'the nation with the soul of a church.'"
-Journal of American History
"A wide-ranging and thoughtful meditation on how the theo-political stories we Americans tell ourselves resonate with and sometimes even create the communities we inhabit. This book deserves an honored place among the oeuvre of work by political scientists and historians on the jeremiad."
-- Politics and Religion
"A significant contribution to the historical account of the role of religion in American politics."
--Perspectives on Politics
"Prodigal Nation is a careful account of how theologies function politically and deserves attention from political scientists, political theologians, American historians, and others interested in the interface of religion and culture."
--Religious Studies Review
"This highly original and wonderfully written analysis will be invaluable to anyone interested in the meaning of America." --Harry S. Stout, author of The New England Soul and Upon the Altar of the Nation
"A brilliant analysis of the American jeremiad. Elegant, powerful, hopeful, and wise - Prodigal Nation is required reading for anyone who wishes to understand the fitful history of the American spirit." --James A. Morone, author of Hellfire Nation and The Democratic Wish

The promise of land and progeny to the patriarchs-Abraham, Isaac, and Jacob-is a central, recurring feature of the Pentateuch. From the beginning of the story of Abraham to the last moment of Moses's life, this promise forms the guiding theological statement for each narrative. Yet literary and historical inquiries ascribe the promise texts to a variety of sources, layers, and redactions, raising questions about how the promise functioned in its original manifestations and how it can be used to understand the formation of the Pentateuch as a whole. Joel S. Baden reexamines the patriarchal promise in its historical and contemporaneous contexts, evaluating the benefits and drawbacks of both final-form and literary-historical approaches to the promise. He pays close attention to the methodologies employed in both documentary and non-documentary analyses and aims to bring source-critical analysis of the promise to bear on the understanding of the canonical text for contemporary readers. The Promise to the Patriarchs addresses the question of how the literary-historical perspective can illuminate and even deepen the theological meaning of the Pentateuch, particularly of the promise at the heart of this central biblical corpus.

In Marblehead Myths, Legends and Lore, author Pam Peterson recounts the oral and written accounts that Marbleheaders have handed down over the past four hundred years. Here you will find stories of magic and witches, sailors, pirates and shipwrecks. Compiled with meticulous care, Marblehead Myths, Legends and Lore offers a diverse sampling of tales from one of New England's maritime treasures.

Church-of-Englandism and its Catechism Examined, printed in 1817 and published in 1818, was part of Bentham's sustained attack on English political, legal, and ecclesiastical establishments. Bentham argues that the purpose of the Church's system of education, in particular the schools sponsored by the Church-dominated National Society for the Education of the Poor, was to instil habits of insincerity into the population at large, and thereby protect the abuses which were profitable both to the clergy and the ruling classes in general. Bentham recommends the 'euthanasia' of the Church, and argues that government sponsored proposals were in fact intended to propagate the system of abuse rather than reform it. An appendix based on original manuscripts, which deals with the relationship between Church and state, is published here for the first time. This authoritative version of the text is accompanied by an editorial introduction, comprehensive annotation, collations of several extracts published during Bentham's lifetime, and subject and name indexes.

Something Old, Something New: Contemporary Entanglements of Religion and Secularity offers a fresh perspective on debates surrounding a significant if underappreciated relationship between religious and secular interests. In entanglement, secularity competes with religion, but neither side achieves simple dominance by displacing the other. As secular ideas and practices entangle with their religious counterparts, they interact and alter each other in a contentious but oddly intimate relationship. In each chapter, Wayne Glausser focuses on a topic of contemporary relevance in which something old-e. g., the sacrament of extreme unction, Greek rhetorical tropes, scholastic theology-entangles with something new: psilocybin therapy for the dying, new atheism, cognitive science. As traditional religious knowledge and values come into conflict with their secular counterparts, the old ideas undergo stress and adaptation, but the influence works in both directions. Those with primary allegiance to secular interests find themselves entangled with aspects of religious thinking. Whether they do it intentionally or without knowing, entangled secularists engage with and sometimes borrow from older paradigms they believe they have surpassed. Glausser's approach offers a new perspective in the conversation between believers and secularists. Something Old, Something New is a book that theists, atheists, agnostics, and everyone still searching for the right label will find respectful but provocative.

Biblical fiction retelling of Noah and the Ark.

Zara and Noah have walked together with the Creator for their entire lives, and they have done their best in an increasingly wicked and defiant world to raise their three sons to follow in their footsteps. It has been a challenge--and it's about to get much, much harder.

When the Creator tells her husband to build an ark to escape the coming wrath against the sins of humankind, Zara steps out with him in faith. But the derision and sabotage directed their way from both friends and extended family are difficult to bear, as is knowing that everyone she interacts with beyond her husband, her sons, and their wives is doomed to destruction. And when the ark is finally finished and the animals have been shut up inside, Zara and her family embark on an adventure that will test their patience and their faith as they await deliverance and dry ground.

Experience the story of Noah and the flood like you never have before. With bestselling and award-winning author Jill Eileen Smith as your guide, you'll never look at a rainbow the same way again.

According to legend, the language of the birds was a mystical language God used to talk with Adam and Eve when he walked with them in the garden of Eden. Amy Nemecek listens for this divine dialect as she communes with God on her walks along country roads and creek banks, through forests and hayfields. She observes the world around her with expectation, knowing that God still speaks to us as he is at work making all things new. If we have ears to hear, we can catch snippets of his grace in the watercolor silhouette of a bird, the thrum of a tractor engine, the tang of a grapefruit, the curvature of an ampersand. Amy doesn't want to miss any of it, so she remains attentive to the smooth grit of beach sand, the tendrils of a nebula, and the steady gaze of a fossil. She delights in the details, and you will too. In this collection of lyric and narrative poems, you are invited to walk with her as she reflects on larger themes of beauty, loss, motherhood, family, and vocation. She contemplates the sacredness of ordinary moments that we usually don't recognize except in hindsight. Twining through every line is an aching hopefulness that ties together her love of words, her devotion to scripture, and her deep gratitude for each of life's joys and griefs. "Rub dust on your palms, pluck the ripened sunshine, and taste this poetic grace." -Dwight Baker, president and CEO of Baker Publishing Group

Music in the California missions was a pluralistic combination of voices and instruments, of liturgy and spectacle, of styles and functions-and even of cultures-in a new blend that was non-existent before the Franciscan friars made their way to California beginning in 1769. This book explores the exquisite sacred music that flourished on the West Coast of America when it was under Spanish and Mexican rule; it delves into the historical, cultural, biographical, and stylistic aspects of California mission music during the late eighteenth and early nineteenth centuries. The book explores how mellifluous plainchant, reverent hymns, spunky folkloric ditties, "classical" music in the style of Haydn, and even Native American drumming were interwoven into a tapestry of resonant beauty. Aspects of music terminology, performance practice, notation, theory, sacred song, hymns, the sequence, the mass, and pageantry are addressed. Russell draws upon hundreds of primary documents in California, Mexico, Madrid, Barcelona, London, and Mallorca, and it is through the melding together of this information from geographically separated places that he brings the mystery of California's mission music into sharper focus. In addition to extensive musical analysis, the book also examines such things as cultural context, style, scribal attribution, instructions to musicians, government questionnaires, invoices, the liturgy, architectural space where performances took place, spectacle, musical instruments, instrument construction, shipping records, travelers' accounts, letters, diaries, passenger lists, baptismal and burial records, and other primary source material. Within this book one finds considerablebiographical information about Junipero Serra, Juan Bautista Sancho, Narciso Duran, Florencio Ibanez, Pedro Cabot, Martin de Cruzelaegui, Ignacio de Jerusalem, and Francisco Javier Garcia Fajer. Furthermore, it contains five far-reaching appendices: a Catalogue of Mission Sources; Photos of Missions and Mission Manuscripts (with over 150 color facsimiles); Translations of Primary Texts; Music Editions (that are performance-ready); and an extensive Bibliography.

"Remove your sandals from your feet, for the place on which you are standing is holy ground." -Exodus 3:5 "The Holy Land is everywhere." -Black Elk The two epigraphs that preface Angela Alaimo O'Donnell's Holy Land introduce the reader to the central theme that permeates her poems: that holy places deserve to be regarded with reverence and that all places are holy places. In her afterward, the poet traces these foundational concepts to her Catholic childhood wherein religious instruction consisted largely of memorizing the Baltimore Catechism. "One of questions the Catechism poses is 'Where is God?' The answer is 'God is everywhere.' We believed this to be true. God was in church, but God was also in our house (a crucifix in every room), in the backyard, in our Buick (rosary beads swinging from the rearview mirror), at our birthday parties in the basement, and in our own bodies. And though those places may not sound very holy, they were. Because God was there. Is there." In addition to affirming this foundational belief, these poems extend the terrain, moving beyond the geographical and the physical to the temporal, the carnal, the intellectual, and the spiritual realms. They assert that our days are blessed, our bodies are blessed, our minds and souls are all blessed and sacred ground. The poet explores a broad spectrum of physical locations, beginning with poems set in the Holy Land and moving on to places closer to home, ranging from the west of Ireland to rural Minnesota, from New York City to the Texas border. She also probes the temporal spaces we occupy, experiences of death and birth, love and loss, desire and desolation that mark our human passage. The English word holy is related to the Germanic word heilig, a word that means blessed and also carries within it the idea of wholeness. Holy Land attempts to honor both the holiness and the wholeness of our world-from Gotham to Golgotha, the Bronx River to the Sea of Galilee-and to honor the holiness and wholeness of our blessed and broken humanity.

Redeem your story, redefine your creativity, and make a life that truly matters Sometimes the greatest gift you can receive is for your life to fall apart. After years stuck in a painful cycle fueled by past abuse and ongoing addiction, actor, artist, and director Blaine Hogan finally hit rock bottom. No longer able to hide behind the veneer of success or find comfort in the shadows of compulsion, Blaine was forced to look at the story his life was telling and realize he'd lost the plot. Desperate to find hope, he gave up a budding career and took a major life detour where he discovered that facing his past was the key to unlocking a new kind of creativity. In Exit the Cave, Blaine shares the stories that shaped him while exploring how our relationship to our past defines how we imagine the future and live in the present. Through powerful personal revelations, he invites you to take up the practices of radical imagination and real creativity so you can tell a better story with your life. If you've ever been stuck, addicted, ashamed, discontented, or lost, take courage--a richer, more imaginative, and meaningful life is waiting for you just outside the cave. "A tender but fierce story of survival, reckoning, and redemption. Blaine manages to somehow weave themes of acting, allegory, addiction, family, and faith into one beautifully written account of his own healing. This is the kind of story that will redeem you."--Laura McKowen, bestselling author of We Are the Luckiest "Blaine Hogan has inspired me for many years with his unique way of seeing the world. In this book you'll find a blast of inspiration and a trusty guide to help you exit the cave and enter a world that is real and beautiful and vital."--Brad Montague, New York Times bestselling author and illustrator of The Circles All Around Us, Becoming Better Grownups, and Kid President's Guide to Being Awesome

This book offers the first comprehensive examination and analysis of the receipt, transmission, and interpretation of the Old Testament in the Eastern Orthodox tradition. In Orthodoxy, the Old Testament has commonly been equated with the Septuagint, the Greek version of the Jewish Bible attested by fourth- and fifth-century Christian manuscripts. As Eugen Pentiuc shows throughout this work, however, the Eastern Orthodox Church has never closed the door to other text-witnesses or suppressed interpreters' efforts to dig into the less familiar text of the Hebrew Bible for key terms or reading variants. The first part of the book examines the reception of the Old Testament by the early Eastern Orthodox Church, considering such matters as the nature of divine revelation, the paradox of the inclusion of the Jewish scriptures in the Christian Bible, and the relationship between the Old and New Testaments. Pentiuc's investigation is not limited to the historic-literary sources but extends to the visual, imaginative, and symbolic aspects of the Church's living tradition. In the second part of the book he looks at the various ways Orthodox Christians have sought to assimilate the Old Testament in the spiritual, liturgical, and doctrinal fabric of their faith community. Special attention is given to liturgy (hymnody, lectionaries, and liturgical symbolism), iconography (frescoes, icons, illuminations), monastic rules and canons, conciliar resolutions, and patristic works in Greek, Syriac and Coptic. This wide-ranging and accessible work will serve not only to make Orthodox Christians aware of the importance of the Old Testament in their own tradition, but to introduce those who are not Orthodox both to the distinctive ways in which that community approaches scripture and to the modes of spiritual practice characteristic of Eastern Orthodoxy.

It's no coincidence that one of the most asked questions on any search engine is: "Is God real?"

When life feels overwhelming, we want to know if there really is a deity who loves us, knows us, and cares about what happens to us. Join investigative journalist and former atheist Lee Strobel on a quest to determine whether we can know with confidence that God is real.

In Is God Real: Exploring The Ultimate Question Of Life, this rational exploration of the proof of God's existence, Lee investigates:

• If God is real, why is there so much suffering?
• How do we know which God is real?
• If God is real, why does he seem so hidden?
• How do recent scientific findings support the claim that God is real?
• If God is real, what difference does it make?

Recent years have seen a significant shift in the study of new religious movements. In Satanism studies, interest has moved to anthropological and historical work on groups and inviduals. Self-declared Satanism, especially as a religion with cultural production and consumption, history, and organization, has largely been neglected by academia. This volume, focused on modern Satanism as a practiced religion of life-style, attempts to reverse that trend with 12 cutting-edge essays from the emerging field of Satanism studies. Topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments that have taken place in the Satanic milieu in recent decades. The contributors analyze such phenomena as conversion to Satanism, connections between Satanism and political violence, 19th-century decadent Satanism, transgression, conspiracy theory, and the construction of Satanic scripture. A wide array of methods are employed to shed light on the Devil's disciples: statistical surveys, anthropological field studies, philological examination of The Satanic Bible, contextual analysis of literary texts, careful scrutiny of obscure historical records, and close readings of key Satanic writings. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.

The Magic of Knowing What You Want, A Practical Guide to Unearthing the Wisdom of Your Desires

Thriving as the person you were made to be requires honest examination of your deepest desires. This combination of thoughtful questions, interactive exercises, and expert advice will guide you to the root of what you want and help you experience a more aligned and expansive life.

What do you really want? It's an uncomplicated question until you try to answer it meaningfully. Whether prompted by transition, disruption, or curiosity about how to live more aligned with your values, we've all been there, feeling frozen, stuck, or lost in the fog of competing, half-baked desires, unsure how to move forward.

In The Magic of Knowing What You Want, leadership coach Tracey Gee walks you through a proven framework of identifying, clarifying, and embodying your desires. With interactive exercises, relatable case studies, and thoughtful questions, Gee helps you discover what you really want, teaches you how to turn those desires into action, and shows you that an abundant, thrilling life is closer than you think.

This incredibly practical and inspiring book is your essential guide on the road to the fully aligned, fully thriving life you were made to live.

This edition makes available for the first time a complete text and criticism of the so-called Compton Census, a count of conformists, papists and nonconformists for many of the parishes of England and Wales, which has long been of interest to demographers and ecclesiastical historians.

This book sets out to present a Christian understanding of God in terms of the fundamental category of 'God as Spirit'. It shows that such an approach offers an alternative and preferable way of interpreting the biblical revelations as compared with the traditional account in terms of orthodox trinitarian and incarnational theology.