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Books > Religion & Spirituality
Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. In Christ Meets Me Everywhere, Michael Cameron argues that Augustine wanted to train readers of Scripture to transpose themselves into the texts in the same way he did, by the same process of figuration that he found at its core. Tracking Augustine's developing practice of self-transposition into the figures of the biblical texts over the course of his entire career, Cameron shows that this practice is the key to Augustine's hermeneutics.
Soon after 9/11, wild rumors began to spread: that Arab-Americans
were celebrating publicly, that some people had been warned, that
politicians knew all along.
Between 1920 and 1994, the Catholic Church was Rwanda's most dominant social and religious institution. In recent years, the church has been critiqued for its perceived complicity in the ethnic discourse and political corruption that culminated with the 1994 genocide. In analyzing the contested legacy of Catholicism in Rwanda, Rwanda Before the Genocide focuses on a critical decade, from 1952 to 1962, when Hutu and Tutsi identities became politicized, essentialized, and associated with political violence. This study-the first English-language church history on Rwanda in over 30 years-examines the reactions of Catholic leaders such as the Swiss White Father Andre Perraudin and Aloys Bigirumwami, Rwanda's first indigenous bishop. It evaluates Catholic leaders' controversial responses to ethnic violence during the revolutionary changes of 1959-62 and after Rwanda's ethnic massacres in 1963-64, 1973, and the early 1990s. In seeking to provide deeper insight into the many-threaded roots of the Rwandan genocide, Rwanda Before the Genocide offers constructive lessons for Christian ecclesiology and social ethics in Africa and beyond.
Constructive interreligious dialogue is only a recent phenomenon.
Until the nineteenth century, most dialogue among believers was
carried on as a debate aimed either to disprove the claims of the
other, or to convert the other to one's own tradition. At the end
of the nineteenth century, Protestant Christian missionaries of
different denominations had created such a cacophony amongst
themselves in the mission fields that they decided that it would be
best if they could begin to overcome their own differences instead
of confusing and even scandalizing the people whom they were trying
to convert. By the middle of the twentieth century, the horrors of
the Holocaust compelled Christians, especially mainline Protestants
and Catholics, to enter into a serious dialogue with Jews, one of
the consequences of which was the removal of claims by Christians
to have replaced Judaism, and revising text books that communicated
that message to Christian believers.
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Before he was a civil rights leader, the Rev. Martin Luther King, Jr., was a man of the church. His father was a pastor, and much of young Martin's time was spent in Baptist churches. He went on to seminary and received a Ph.D. in theology. In 1953, he took over leadership of Dexter Avenue Baptist Church in Atlanta. The church was his home. But, as he began working for civil rights, King became a fierce critic of the churches, both black and white. He railed against white Christian leaders who urged him to be patient in the struggle-or even opposed civil rights altogether. And, while the black church was the platform from which King launched the struggle for civil rights, he was deeply ambivalent toward the church as an institution, and saw it as in constant need of reform. In this book, Lewis Baldwin explores King's complex relationship with the Christian church, from his days growing up at Ebenezer Baptist, to his work as a pastor, to his battles with American churches over civil rights, to his vision for the global church. King, Baldwin argues, had a robust and multifaceted view of the nature and purpose of the church that serves as a model for the church in the 21st century.
A visually compelling and panoramic analysis of the eclectic culture of shamanism. Entering trance states, healing body and soul, invoking animals as spirit guides and journeying to incorporeal realms – these skills have been central to shamanism over thousands of years and across much of the world, from the Evenki shamans of northern and central Asia to contemporary Neo-Shamans of the West. Join cultural and social anthropologist Max Carocci as he explores an eclectic array of shamanic artefacts and images, decoding the symbolism and explaining their extraordinary shamanic ritual practices. Marvel at the adornments of a Siberian shaman’s coat; examine the prehistoric rock art that depicts mystical transformations of shamans into animals; and discover the psychotropic plants that open our minds to interdimensional journeys of healing and wisdom. Carocci makes the manifold meanings encoded in the forms, colours and purposes of shamanic images and objects clear, painting a vibrant and in-depth picture of shamanic cultures past and present.
Peter Annet was probably one of the most aggressive deists that the eighteenth century produced. His collection of statements on deistic principles invoked the following praise from one of his twentieth-century admirers, Ella Twyman, who compared him with Voltaire: 'these two great Deists lived in different countries, and under different conditions, there is a remarkable resemblance between them for classical knowledge, originality of thought and view-points, and, especially, for the brilliant wit and humour that flow, like sparkling sunlit streams, through the fair fields of their works.'
How can we transmit a living, personal Catholic faith to future generations? By coming to know Jesus Christ, and following him as his disciples. As we emerge from a pandemic into a post-Christian world, these are times of immense challenge and enormous opportunity for the Catholic Church in the United States. Consider these statistics:
This volume outlines the author's scepticism about the veridity of some Old Testament history and provoked an open dispute with Samuel Chandler. Many of the theological ideas presented here are embedded in innovatory and persuasive ideas about ethics, language, anthropology and epistemology.
God made your heart for love, joy, peace, and wholeness. But pastors say that more than 90% of their congregations struggle with unforgiveness - and unforgiveness can make us forget what we were made for. What if the most pervasive sin of our day is invisible, hidden deep inside our hearts? What if it affects every aspect of our lives and relationships so quietly and insidiously that most of us miss it altogether? Bruce Wilkinson believes unforgiveness is that sin. Through the teachings of Jesus, The Freedom Factor reveals the link between our suffering and our unforgiveness. But it also shows how to forgive - for real and forever. The story doesn't have to end with the pain of our wounds. Whatever happened to us happened. But the God who made your heart has shown a way past the wounds, back to the life and love that we were made for - a path toward freedom.
The new NLT Large Print Premium Value Thinline Bible, Filament-Enabled
Edition has a comfortably readable text, an attractive layout, and an
affordable price in a thin and easy-to-carry size. And while it has the
same low price of basic text Bibles, the NLT Large Print Thinline now
offers much more. It not only features a bold new design and the
trusted and much-loved New Living Translation (NLT) but also includes
the groundbreaking Filament Bible app. This app enables you to use your
mobile phone or tablet to connect every page to a vast array of related
content, including study notes, devotionals, interactive maps,
informative videos, and worship music.
Anne Murphy offers a groundbreaking exploration of the material aspects of Sikh identity, showing how material objects, as well as holy sites, and texts, embody and represent the Sikh community as an evolving historical and social construction. Widening traditional scholarly emphasis on holy sites and texts alone to include consideration of iconic objects, such as garments and weaponry, Murphy moves further and examines the parallel relationships among sites, texts, and objects. She reveals that objects have played dramatically different roles across regimes-signifers of authority in one, mere possessions in another-and like Sikh texts, which have long been a resource for the construction of Sikh identity, material objects have served as a means of imagining and representing the past. Murphy's deft and nuanced study of the complex role objects have played and continue to play in Sikh history and memory will be a valuable resource to students and scholars of Sikh history and culture.
While academic and popular studies of Buddhism have often neglected
race as a factor of analysis, the issues concerning race and
racialization have remained not far below the surface of the wider
discussion among ethnic Buddhists, converts, and sympathizers
regarding representations of American Buddhism and adaptations of
Buddhist practices to the American context. In Race and Religion in
American Buddhism, Joseph Cheah provides a much-needed contribution
to the field of religious studies by addressing the
under-theorization of race in the study of American Buddhism.
Through the lens of racial formation, Cheah demonstrates how
adaptations of Buddhist practices by immigrants, converts and
sympathizers have taken place within an environment already
permeated with the logic and ideology of whiteness and white
supremacy. In other words, race and religion (Buddhism) are so
intimately bounded together in the United States that the ideology
of white supremacy informs the differing ways in which convert
Buddhists and sympathizers and Burmese ethnic Buddhists have
adapted Buddhist religious practices to an American context.
Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."
In this book, Colleen Conway looks at the construction of
masculinity in New Testament depictions of Jesus. She argues that
the New Testament writers necessarily engaged the predominant
gender ideology of the Roman Empire, whether consciously or
unconsciously. Although the notion of what constituted ideal
masculinity in Greek and Roman cultures certainly pre-dated the
Roman Empire, the emergence of the Principate concentrated this
gender ideology on the figure of the emperor. Indeed, critical to
the success of the empire was the portrayal of the emperor as the
ideal man and the Roman citizen as one who aspired to be the same.
Any person who was held up alongside the emperor as another source
of authority would be assessed in terms of the cultural values
represented in this Roman image of the "manly man."
According to historical teaching, a Jewish man should give thanks each day for ''not having been made a gentile, a woman, nor a slave.'' Yoel Kahn's innovative study of a controversial Jewish liturgical passage traces the history of this prayer from its extra-Jewish origins across two thousand years of history, demonstrating how different generations and communities understood the significance of these words in light of their own circumstances. Marking the boundary between ''us'' and ''them,'' marginalized and persecuted groups affirmed their own identity and sense of purpose. After the medieval Church seized and burned books it considered offensive, new, coded formulations emerged as forms of spiritual resistance. Owners voluntarily carefully expurgated their books to save them from being destroyed, creating new language and meanings while seeking to preserve the structure and message of the received tradition. Renaissance Jewish women ignored rabbis' objections and assertively declared their gratitude at being ''made a woman and not a man.'' Illustrations from medieval and renaissance Hebrew manuscripts demonstrate creative literary responses to censorship and show that official texts and interpretations do not fully represent the historical record. As Jewish emancipation began in the 19th century, modernizing Jews again had to balance fealty to historical practice with their own and others' understanding of their place in the world. Seeking to be recognized as modern and European, early modern Jews rewrote the liturgy to fit modern sensibilities and identified themselves with the Christian West against the historical pagan and the uncivilized infidel. In recent decades, a reassertion of ethnic and cultural identity has again raised questions of how the Jewish religious community should define itself. Through the lens of a liturgical text in continuous use for over two thousand years, Kahn offers new insights into an evolving religious identity and recurring questions of how to honor both historical teaching and contemporary sensibility.
Damascius was head of the Neoplatonist academy in Athens when the
Emperor Justinian shut its doors forever in 529. His work, Problems
and Solutions Concerning First Principles, is the last surviving
independent philosophical treatise from the Late Academy. Its
survey of Neoplatonist metaphysics, discussion of transcendence,
and compendium of late antique theologies, make it unique among all
extant works of late antique philosophy. It has never before been
translated into English.
Ranging from the medieval period to the present day, this is a brief history of church music as it has developed through the English tradition. Described as "a quick journey", it provides a broad historical survey rather than an in-depth study of the subject, and also predicts likely future trends.
A reply to Mathew Tindal's Christianity as Old as the Creation, this text when first published provoked criticism for the author's free-thinking beliefs and led to many exchanges of opinions with other theologians.
If sexuality is inherently social, the same thing can be said about celibacy. An understanding of celibacy, argues Carl Olson, can be a useful way to view the significance of the human body within a social context. The purpose of this book is to examine how the practice of celibacy differs cross-culturally as well as historically within a particular religious tradition. The essays (all previously unpublished) will demonstrate that celibacy is a complex religious phenomenon. The control of sexual desire can be used to divorce oneself from a basic human biological drive, to separate oneself from what is perceived as impure, or to distance oneself from a transient world. Within different religious traditions there can be found the practice of temporary celibacy, commitment to long-term permanent celibacy, and outright condemnations of it. By maintaining a state of virginity, members of some religious traditions imitate divine models; other traditions do not admit the possibility of emulating such paradigms. Whether or not a religious tradition encourages or discourages it, the practice of celibacy gives us insight into its worldview, social values, gender relations, ethics, religious roles, and understanding of the physical body. Celibacy can contribute to the creation of a certain status and play a role in the construction of identity, while serving as a source of charisma. In some religious traditions, it is possible to renounce sex and gain sacred status and economic support from society. Each essay in the collection will be written by an expert in a particular religious tradition. Each will address such questions as: Why do some members of a religious community decide to maintain acelibate style of religious life? Is celibacy a prerequisite for religious office or status? Are there different contexts within a given religious tradition for the practice of celibacy? What does the choice of celibacy tell us about the human body in a particular religious culture? What is the symbolic significance of celibacy? What is its connection to the acquisition of power? What are its physical or spiritual benefits? The first collection of its kind, this book will be a valuable resource for courses in world religions, as well as a contribution to our understanding of this very widespread but puzzling human phenomenon.
The book provides an original and important narrative on the significance of canon in the Christian tradition. Standard accounts of canon reduce canon to scripture and treat scripture as a criterion of truth. Scripture is then related in positive or negative ways to tradition, reason, and experience. Such projects involve a misreading of the meaning and content of canon -- they locate the canonical heritage of the church within epistemology -- and Abraham charts the fatal consquences of this move, from the Fathers to modern feminist theology. In the process he shows that the central epistemological concerns of the Enlightenment have Christian origins and echoes. He also shows that the crucial developments of theology from the Reformation onwards involve extraordinary efforts to fix the foundations of faith. This trajectory is now exhausted theologically and spiritually. Hence, the door is opened for a recovery of the full canonical heritage of the early church and for fresh work on the epistemology of theology.
Ever since its composition in the ninth century, the use of the Veni Creator in the liturgy of Pentecost and in Christian assemblies has been constant, as one continuous, solemn invocation of the Paraclete. Its language, however, is far removed from theological discourse but inspired by symbol, image and song, by poetry and liturgy, by prophecy and living models of holiness. The author is one of the foremost specialists in the theology of the Spirit. He has the master’s art of drawing the reader by communicating his own enthusiasm for the Holy Spirit. |
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