Patti Smith is one of pop culture's true originals. The 1975 release of her debut album Horses signalled the start of a career full of passionate commitment, abrupt gear changes and unlikely collaborations which continues to flourish well into the 21st century.Nick Johnstone, respected music journalist and long time fan, unravels the story of the girl from Chicago who mixed poetry, underground theatre, jazz and rock, and who played a key role in shaping the New York punk scene of the mid-Seventies. From the home town experimental poems through street performance in Paris to high times in New York's Chelsea Hotel, from the quiet years in suburban Detroit with husband Fred 'Sonic' to her ascension to iconic status, the Patti Smith story is full of unexpected twists and turns. Nick Johnstone makes fascinating sense of a complex creative and produces a compelling insight into the life and times of a woman who has always refused to compromise. Arthur Rimbaud, Robert Mapplethorpe, Sam Shepherd and Bruce Springsteen are just a few who have become associated with the Patti Smith legend. She has toured with Bob Dylan, opened for the New York Dolls and duetted on record with R.E.M., written songs for movies and still produces albums off arresting originality.

(Berklee Methods). The Berklee in the Pocket Essential Songwriter is an accessible reference guide that will quickly lead songwriters to ideas that are at the heart of countless hit songs. The tips and strategies jam-packed into this concise guide will help you tackle writer's block and gain fresh insight into the songwriting process. Includes: the 17 chord progressions that are at the heart of the most popular hit songs, guitar charts and keyboard chords showing how to play progressions in all 12 keys, tips to customize essential chord progressions to suit your own songs, contact info for businesses and organizations most important to the working songwriter, and more

In January 1969, the Beatles abandoned the familiar confines of EMI Studios on Abbey Road by rehearsing at Twickenham Film Studios and recording an album's worth of songs in the basement and on the roof of Apple's Sevile Row headquarters. The Beatles began recording sessions with three different producers-Glyn Johns, George Martin, and Chris Thomas alternating at the helm. After this erratic start to the year, the group decided it was time to get back to where they once belonged. That July, the Beatles returned to Abbey Road, where seven years earlier they had their first recording session with George Martin. The band recaptured the magic and camaraderie that was missing during the January sessions, and the resulting album, Abbey Road , quickly topped the charts in both the UK and the US. Although the group's January 1969 recordings would eventually be issued on Let It Be in May 1970, Abbey Road would be the last album recorded by the Beatles. This latest book in Bruce Spizer's Beatles album series covers all of the records released by the Beatles in 1969, from "Get Back" onward.

Passionate about music from childhood and much-respected as a teenage guitarist in his native Birmingham, Jeff Lynne rose through the ranks of various semi-professional local groups to become the frontman of the critically acclaimed Idle Race in the late '60s. From there he joined the ever-popular Move, then helped form the groundbreaking Electric Light Orchestra. After co-founder Roy Wood left in 1972, Lynne turned what had been a struggling rock and classical fusion into one of Britain's most consistently successful and popular acts. Following a run of hit singles, albums, and sell-out concerts throughout the world, he laid the group to rest in 1986 and combined a solo career as an artist and producer with membership of the ultimate supergroup, the Traveling Wilburys. His production credits include Roy Orbison, Tom Petty, Del Shannon, George Harrison, and even the Beatles on their two final singles in the mid-'90s. Jeff Lynne: The Electric Light Orchestra, Before and After is the first-ever biography of one of the most prolific and highly regarded performers of the last fifty years.Rich in backstage anecdotes of overheated orchestras, frontmen rivalries, tour mishaps, cross-group partnerships, unlikely collaborations, and self-imposed exile from the stage in the quest for inspiration, this book will leave fans and general readers delighted and inspired by a career at the epicentre of twentieth-century rock.

Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, and updated to include all of his most recent work including the 2020 release of his 39th album, Rough and Rowdy Ways, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

Peter Doherty's is the last of the great rock 'n' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic. Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows. With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelled nights, his time in prison and tendency for self-destruction. With his trademark wit and humour, Doherty also details his childhood years, key influences, pre-fame London shenanigans, and reflects on his era-defining relationship with Libertines co-founder Carl Barat and other significant people in his life. There is humour, warmth, insight, baleful reflection and a defiant sense of triumph. A Likely Lad is Doherty's version of the story - the genuine man behind the fame and infamy. This is a rock memoir like no other.

In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture - Hendrix burning his guitar at Monterey - has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff's photographic career. Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar. In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician.

Heavy metal is a violent, head-bashing music complete, in its live performances, with its own arena of rage and celebration, the mosh pit. It is a music in the red corner of society, loud, angry, and, to a well-tuned ear, practically intolerable. And yet, the art form radiates a message about American adolescents well worth examining and comprehending: Its devotees, primarily adolescent boys, are alienated from their world and angry about its future. Heavy metal speaks throbbingly the message of rage, loneliness, and cynicism.In this sensitive book, Jeffrey Jensen Arnett synthesizes the stories and experiences of seventy male and thirty-eight female "metalheads" in a successful attempt to understand the often crippling results of a society and an image of the nuclear family steeped in conformity, self-denial, and obedience. The vacuum such an atmosphere creates in the individual can be temporarily obliterated by a heavy metal concert, which Arnett sees as a substitute manhood ritual. This conclusion is just one of the many striking hypotheses the author advances in this dynamic study of a music and its followers.Of the one hundred metalheads interviewed for this volume, ten have allowed themselves to be profiled in depth--the reader becomes fully acquainted with Jack, for instance, and with the multiple crosses decorating his body, his black rose tattoo, and his tumultuous family life; or with slim and well-groomed Jean dressed entirely in black, her favorite color, and wearing the temperament of withdrawal.This is a unique study filled with compassion for a disenfranchised subculture and the respect to want to understand it.

In Breaks in the Air John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.

In 1996 Tupac Shakur, one of the most talented artists of his time, was murdered by an unknown gunman. Fred L. Johnson and Tayannah Lee McQuillar examine the theories surrounding his death and the story of Tupac's lost legacy in this definitive biography.

For millions, Shakur gave voice to their stories, but there was also another side to him, revealed as his life spun out of control, as the whispered warnings from friends went unheeded and the denunciations of critics grew louder. Disturbingly, he sang and wrote about his impending death. When it came, it brought the music industry to its knees and ended an era when American rappers were leaders in using their art to speak the truth to corporate, government, and judicial power.

It didn't take long after Jimi Hendrix's death for the artist to become a myth of music. He has been surrounded by a shroud of intrigue since he first came into the public eye, and the mystery has only grown with time. Much has been written and said about him by experts and fans and critics, some of it true and some of it not; Starting at Zero will set the record straight. This is Hendrix in his own words. The lyricism and rhythm of Jimi Hendrix's writing will be of no surprise to his fans. Hendrix wrote prolifically throughout his life and he left behind a trove of scribbled-on hotel stationary, napkins and cigarette cartons. Starting at Zero weaves the scraps and bits together fluidly with interviews and lyrics revealing for the first time a continuous narrative of the artist's life, from birth through to the final four years of his life. The result is a beautifully poetic, charming and passionate memoir as smooth and memorable as Hendrix's finest songs. The pieces of Starting at Zero came together in large part because of the inspiration of Alan Douglas. Douglas first met Jimi Hendrix backstage at Woodstock, and soon after became Hendrix's producer and close friend. In creating the book he joined forces with Peter Neal, who edited Hendrix's writing with the reverence and light touch it deserved.

`It s amazing that this style came to be. Can you imagine being a struggling musician back then? It must take an incredible amount of restraint to play that gently. Actor/comedian Fred Armisen, from his foreword to this book. Just what is `yacht rock, you ask? Perhaps the easiest description is: music that would not sound out of place being played while carousing aboard a yacht back in the good old days. But these songs were also some of the top pop gems of the 70s and 80s. And while some associate yacht rock s biggest songs with one-hit wonder artists, several of rock s most renowned artists fall under this category, too including Fleetwood Mac, the Eagles, Steely Dan, Hall and Oates, The Doobie Brothers, Toto, and more. By the early twenty-first century, yacht rock seemed to have become extinct until a comedic video series, simply titled Yacht Rock, went viral and introduced captain s hats and blazers to a whole new generation as well as the emergence of a popular cover band, the Yacht Rock Revue, and of course, Jimmy Fallon s on-air admiration of all things yacht rock. Now, yacht rock is one of the most celebrated `yesteryear styles of pop music, and has resonated with a new generation of musicians (including the Fred Armisen/Bill Hader led Blue Jean Committee and soul/funk/electronica crossover act Thundercat). But despite all the hoopla, there has never been a book that told the entire story of the genre. Until now. Featuring interviews with many of the heavy hitters of the genre, including John Oates, Kenny Loggins, and Don Felder, The Yacht Rock Book leaves no sail unturned. This is the definitive story of the yacht rock s creation, rise, chart-smashing success, fall, and stunning rebirth.

In the 1970s, as the disco tsunami engulfed America, the question, "Do you wanna dance?" became divisive, even explosive. What about this music made it such hot stuff? In her incisive history, Alice Echols reveals the ways in which disco transformed popular music, propelling it into new sonic territory and influencing rap, techno, and trance. This account probes the complex relationship between disco and the era's major movements: gay liberation, feminism, and the black freedom struggle. You won't say "disco sucks" again as disco pumps back to life in this pulsating look at the culture and politics that gave rise to the music.

The punk band D.O.A., established in 1978, is considered one of the founders of hardcore punk, alongside such other seminal groups as Black Flag and Minor Threat. Their raw, melodic sound, which drew comparisons to The Clash and The Ramones, has always been matched by the band's acute political sensibility. Known for its uncompromising and outspoken anarchist viewpoints, D.O.A. has been active on behalf of many issues, including anti-racism, anti-globalization, freedom of speech, women's rights, and the environment. Its slogan, "Talk - Action = 0," refers to the importance of artists and others who need to "walk the walk" when it comes to their politics.

After more than thirty years, D.O.A. remains as active as ever, touring internationally (including a trip to China, the first punk band to do so) and recording regularly (their thirteenth studio album was released in 2010); their fan base now spans three generations. This large-format book is a sprawling visual history of the group by lead singer and guitarist Joe Keithley--made up of vintage photographs, posters, handwritten lyrics, and other various ephemera--that offers a visceral glimpse into the hardcore life of one of the hardest-working punk bands in the business.

Joe Keithley is the founder of D.O.A. His autobiography "I, Shithead: A Life in Punk" was published by Arsenal Pulp Press in 2003; now in its third printing, it has been translated into French, German, and Italian.

Play your favorite songs quickly and easily with the Drum Play-Along Series. Just follow the drum notation, listen to the CD to hear how the drums should sound, then play along using the separate backing tracks. The lyrics are also included for quick reference. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing the pitch! Includes: Bark at the Moon * Detroit Rock City * Living After Midnight * Panama * Rock You Like a Hurricane * Run to the Hills * Smoke on the Water * War Pigs (Interpolating Luke's Wall).

Music in the Role-Playing Game: Heroes & Harmonies offers the first scholarly approach focusing on music in the broad class of video games known as role-playing games, or RPGs. Known for their narrative sophistication and long playtimes, RPGs have long been celebrated by players for the quality of their cinematic musical scores, which have taken on a life of their own, drawing large audiences to live orchestral performances. The chapters in this volume address the role of music in popular RPGs such as Final Fantasy and World of Warcraft, delving into how music interacts with the gaming environment to shape players' perceptions and engagement. The contributors apply a range of methodologies to the study of music in this genre, exploring topics such as genre conventions around music, differences between music in Japanese and Western role-playing games, cultural representation, nostalgia, and how music can shape deeply personal game experiences. Music in the Role-Playing Game expands the growing field of studies of music in video games, detailing the considerable role that music plays in this modern storytelling medium, and breaking new ground in considering the role of genre. Combining deep analysis with accessible personal accounts of authors' experiences as players, it will be of interest to students and scholars of music, gaming, and media studies.

If I had a name like Wyndham Wallace I would not associate or correspond with anyone with a simple name like mine. However, since you have lowered yourself to such depths, how can my old Indian heart (west not east) not respond favourably. -Lee Hazlewood, fax message to the author, Valentine's Day 1999. Lee, Myself and I is an intimate portrait of the last years of Lee Hazlewood, the legendary singer and songwriter best known for 'These Boots Are Made For Walkin', the chart-topping hit he wrote and produced for Nancy Sinatra. It begins in 1999, when Hazlewood began his comeback after many years in the wilderness, and ends with his death in 2007. In the intervening years, the author, Wyndham Wallace, became Hazlewood's friend, confidante, de-facto manager, and more, even providing the lyrics for Lee's final recording, 'Hilli (At The Top Of The World'. In the light of reissues of Hazlewood's work by the esteemed Light In The Attic label-including There's A Dream I've Been Saving: Lee Hazlewood Industries 1966-1971, an acclaimed boxed set of his work with the label he founded, LHI, as well as further releases including liner notes by Wallace-interest in Hazlewood has never been greater. Lee, Myself and I is the first book to address his life and work. Through recollections of their lengthy conversations and adventures together, Wallace captures the complex personality-charming but cantankerous, blunt but poetic-of a reclusive icon whose work helped shape the American pop cultural landscape, and who still influences countless artists today. He also sheds light on often overlooked or more obscure aspects of Hazlewood's career, including his pioneering work with Duane Eddy and Phil Spector, and the outstanding recordings he made during his self-imposed exile to Sweden in the 1970s. Lee, Myself and I is a tale of validation: both the author's and Hazlewood's. It's the story of what it's like to meet your hero, befriend him, and then watch him die.

(Artist Books). Flute solos from 18 Jethro Tull songs have been transcribed for this collection. Songs include: Bungle in the Jungle * Cross-Eyed Mary * Fire at Midnight * Look into the Sun * Nothing Is Easy * Thick as a Brick * The Witch's Promise * and more.

Adele touches the hearts of millions of people who love her for her music and share the real and honest emotion she brings to each and every song. In a cynical age, she is a phenomenon. In Adele, bestselling biographer Sean Smith talks to those close to her as he follows her astonishing journey to fame that began on the gritty streets of Tottenham. Through compelling new research and interviews, he reveals that there is far more to Adele than the superstar we all think we know. He uncovers the story of her complex family relationships; the ill-starred love affair between her mother and father; her devastation at the untimely death of her grandfather; and her seemingly unpromising future in a gang-ravaged area of South London. She found salvation at the BRIT School before a series of unhappy love affairs provided the inspiration for her record-breaking albums. He describes how she conquered America and how it all could have been ended by a dramatic vocal injury. Instead, she has made an amazing comeback and found personal happiness in a new relationship and becoming a mum. Intimate and revealing, Adele is the uplifting story of the woman with the most glorious voice in the world.

The only in-depth biographical account of the legendary lead singer of Joy Division, written by his widow. Includes a foreword by Jon Savage and an introduction by Joy Division drummer, Steven Morris. Revered by his peers and idolized by his fans, Ian Curtis left behind a legacy rich in artistic genius. Mesmerizing on stage but introverted and prone to desperate mood swings in his private life, Curtis died by his own hand on 18 May 1980. Touching from a Distance documents how, with a wife, child and impending international fame, Curtis was seduced by the glory of an early grave. Regarded as the essential book on the essential icon of the post-punk era, Touching from a Distance includes a full set of Curtis's lyrics and a discography and gig list.

Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how 'Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios.