Jerry Lee Lewis has lived an extraordinary life. He gave rock and roll its devil's edge with hit records like 'Great Balls of Fire'. His incendiary shows caused riots and boycotts. He ran a decade-long marathon of drugs, drinking, and women, and married his thirteen-year-old second cousin, the third of seven wives. He also nearly met his maker, at least twice. He survived it all to be hailed as one of the greatest music icons. For the very first time, he reveals the truth behind the Last Man Standing of the rock-and-roll era.

ERingo: With a Little HelpE is the first in-depth biography of Beatles drummer Ringo Starr who kept the beat for an entire generation and who remains a rock icon over fifty years since the Beatles took the world by storm. EWith a Little HelpE traces the entire arc of Ringo's remarkable life and career from his sickly childhood to his life as The World's Most Famous drummer to his triumphs addictions and emotional battles following the breakup of the Beatles as he comes to terms with his legacy.THBorn in 1940 as Richard Starkey in the Dingle one of Liverpool's most gritty rough-and-tumble neighborhoods he rose from a hardscrabble childhood a marked by serious illnesses long hospital stays and little schooling a to emerge against all odds as a locally renowned drummer. Taking the stage name Ringo Starr his big break with the Beatles rocketed him to the pinnacle of worldwide acclaim in a remarkably short time. He was the last member of the Beatles to join the group but also the most vulnerable and his post-Beatles career was marked by chart-topping successes a jet-setting life of excess and alcohol abuse and ultimately his rebirth as one of rock's revered elder statesman.

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .

When he died suddenly at the age of twenty-six, Otis Redding (1941-1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story-still largely untold-is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding's life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a reclamation of a visionary who would come to define an entire era.

The stylish, exuberant, and remarkably sweet confession of one of the most famous groupies of the 1960s and 70s is back in print in this new edition that includes an afterword on the author's last 15 years of adventures. As soon as she graduated from high school, Pamela Des Barres headed for the Sunset Strip, where she knocked on rock stars' backstage doors and immersed herself in the drugs, danger, and ecstasy of the freewheeling 1960s. Over the next 10 years she had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons, Ray Davies, and Frank Zappa. As a member of the GTO's, a girl group masterminded by Frank Zappa, she was in the thick of the most revolutionary renaissance in the history of modern popular music.

Blending the insights of musicians and psychologists from D.W. Winnicott to Gregory Bateson to Ornette Coleman, Jazz and Psychotherapy is a groundbreaking exploration of improvisation that reveals its potential to transform our experience of ourselves and the challenges we face as a species. What we all share with the professional improvisers known as "psychotherapists" and "jazz musicians" is the reality of not knowing what those around us-or even we ourselves-are going to do next. Rather than avoiding it, however, these practitioners have learned to revere our inherent unpredictability as precisely the feature of human living that makes transformative change possible, fully incorporating it into the theories and practices that constitute their disciplines. Jazz and Psychotherapy provides a sophisticated but accessible overview of the revolutionary approaches to human development and creative expression embodied in these two seemingly disparate twentieth-century cultural traditions. Readers interested in music, psychotherapy, social psychology and contemporary theories of complexity will find Jazz and Psychotherapy engaging and useful. Its colorful synthesis of perspectives and multidimensional scope make it an essential contribution to our understanding of improvisation in music and in life.

This book may be used by students in Level 1A or the Complete Level 1 of Alfred's Basic Piano Library or in the first or second book of any method. Titles: The Christmas Song * Frosty the Snowman * Happy Holiday * (There's No Place Like) Home for the Holidays * I'll Be Home for Christmas * Let It Snow! Let It Snow! Let It Snow! * Rudolph, the Red-Nosed Reindeer * We Need a Little Christmas.

This book features the images from Pink Floyd's album sleeves and promotional material designed for the group. It features almost all Pink Floyd's iconic album covers, posters, singles bags, a selection of band photos, booklet pages and rough artwork that developed into iconic designs. This new edition incorporates an additional 32 pages of material used in re-issues created since 2007. Storm Thorgerson, who died in 2013, was a world-famous designer whose memoirs of his time spent with Pink Floyd are combined with all the artwork he created to represent the band at each stage of their career. Storm revisited the work he created for the albums and offers insights into the work that went into the creation of this legendary album art. Designers who worked with Storm have all contributed to this new edition of Mind Over Matter. Amongst the new material is artwork from the Oh By The Way box set, the Atom Heart Mother 40th Anniversary 'Wire Cow' sculpture, the Why Pink Floyd? Campaign and the Dark Side Of The Moon 40th Anniversary images and stickers.

Sit back, relax and relive the memories of over 90 more classic albums selected by Tim Burgess from his legendary Listening Parties In less than 2 years, tens of thousands of music lovers have pressed play at the same time as legendary musicians to share the communal experience of a Listening Party. Over 1,000 online events, fans and artists - from McCartney to Blondie, Joy Division to Iron Maiden - have shared insightful recollections, intimate conversations and behind-the-scenes revelations. This follow-up to the bestselling The Listening Party Volume 1 gathers together over 90 more of the most essential parties and celebrates the unique power of a Listening Party to connect music creators with listeners. It's an appropriate tribute to the unifying power of music and how it continues to enthral millions around the world every single day. "Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney "Twitter being used for something really positive." - Mary Beard

The life's work of two of British music's most unique and timeless artists, with an introduction by Jarvis Cocker. Whenever an aspiring musician asks me about songwriting I point them towards Robert and Alfie. Their work is so unusual, so perceptive, so playful and so grown-up. I don't think there's anyone to compare. If you want songs that touch your mind as well as your heart, these are the best. Wide distribution of this book could improve the state of music dramatically. - Brian Eno *** Selected and arranged by the authors themselves, and featuring an introduction by Jarvis Cocker, Side by Side presents the lyrics, poems, writings and drawings of innovative musician Robert Wyatt and his creative partner, English painter and songwriter Alfie Benge. As a founding member of influential English rock bands Soft Machine and Matching Mole, and with a solo career which has lasted for over forty years and seen him collaborate with a diverse range of artists including Bjork, Brian Eno, Carla Bley, Paul Weller and David Gilmour, his own music remains unclassifiably personal. Alfie Benge is a visual artist, songwriter and pioneering music manager, having managed Robert's career for fifty years. She is also married to Robert. Since 1982 they have collaborated on many of Robert's most well-known songs. This unique volume celebrates one of the most enduring creative partnerships of the last half-century.

In this original memoir following Billy Idol from his childhood in England to his fame at the height of the punk-pop revolution, the iconic superstar tells the real story behind the sex, drugs and rock 'n' roll that he is famous for. A member of the punk rock revolution whose music crossed over into the pop mainstream during the 1980s, Billy Idol is a rock 'n' roll legend. Dancing With Myselfwill cover the events and the people who shaped his life, his music, and his career, including accounts of his childhood in England and the U.S., his year at Sussex University, his membership in the Bromley Contingent, his period spent hanging out with the Sex Pistols, his time in Siouxsie and the Banshees, Chelsea, and Generation X. Idol also tackles his successful solo career, which involved collaboration with Steve Stevens and, ultimately, some of the most influential, ground-breaking music videos ever seen on MTV. In Dancing With Myself, Idol renders detailed accounts of his life's highs and lows with the unapologetically in-your-face attitude and exuberance that made him famous. In part a survivor's story, but equally a very funny and always riveting account of one man's creative drive.

Gorillaz, the biggest animated band in the world, grabbed a Grammy in 2005 for 'Best pop collaboration' and subsequently wowed fans with their stunning 3D performances. Their Brit-nominated album Demon Days went platinum and included the UK top ten hits Feel good Inc and Dirty Harry. This album-matching songbook contains all the songs arranged for voice and piano with guitar chord boxes.

Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.

Selected and arranged by the author, and featuring a foreword by revered record producer Glyn Johns, The Weakness In Me presents the lyrics of Joan Armatrading for the first time in one unique volume. Since the release of her debut album Whatever's For Us in 1972, Joan Armatrading has, across a fifty-year career, traversed styles and genres to create a monumental body of work. Acknowledged as the first British female singer-songwriter to gain international success, her writing is alive with intelligence and empathy and paints the human experience with insight and emotion. Selected and arranged by the author, and featuring a foreword by revered record producer Glyn Johns, The Weakness In Me presents the lyrics of Armatrading for the first time in one unique volume. It also contains an introduction by Armatrading alongside annotations to a number of songs, giving a rare, personal glimpse into the creative process of a true pioneer. 'A genuinely groundbreaking artist.' Guardian 'Up there with the best of her generation.' Financial Times 'One of the finest singer-songwriters of her generation: a woman of fierce intelligence and self-effacing wit who never stopped reading your mind or keeping you guessing.' Pitchfork 'What distinguishes her work is the unique authenticity of each of her songs.' New York Times 'Joan Armatrading has always been a pioneer.' Rolling Stone

First substantial overview of the life and career of Pharrell Williams, the foremost producer of the modern era, and performer in his own right. It follows him from his days growing up in Virginia, his meeting with musical partner Chad Hugo and formation of The Neptunes, through his collaborations with the great and the good of pop, rap and R&B, including Jay-Z, Britney Spears, Justin Timberlake, Usher, Snoop Dogg, Gwen Stefani, Nelly and Kelis. It assesses his ground-breaking work with the radical rap-rock-pop band N*E*R*D, and his emergence as a solo superstar via Daft Punk's Get Lucky, Robin Thicke's controversial Blurred Lines and global mega-hit Happy. It delves behind the immaculate facade to find out what makes Williams one of the most driven and inventive musicians of the last 20 years

Derek Taylor's iconic memoir is a rare opportunity to be immersed in one of the most whirlwind music sensations in history: Beatlemania. As Time Goes By tells the remarkable story of Taylor's trajectory from humble provincial journalist to loved confidant right at the centre of the Beatles' magic circle. In charming, conversational prose, Taylor shares anecdotes and reminiscences so vivid and immediate that you find yourself plunged into the beating heart of 1960s counterculture. Whether watching the debut performance of 'Hey Jude' in a country pub or hearing first-hand gossip about a star-studded cast of characters, Taylor's unique narrative voice forges an autobiography like no other. Reissued here in a brand new edition with a foreword by celebrated writer Jon Savage, this long-admired memoir is a cult classic of the genre awaiting a new readership.

If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners. Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves.

SIMON & GARFUNKEL is a definitive account of Paul Simon and Art Garfunkel's career together. With unique material and exclusive interviews with fellow musicians, promoters and friends, acclaimed author Spencer Leigh has written a compelling biography of some of the world's biggest musical stars. With remarkable stories about the duo on every page, the book not only charts their rise to success and the years of their fame, but analyses the personalities of the two men and the ups and downs of their often fraught relationship.

It began with The Beatles' 'Helter Skelter'. It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle's Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.

The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group's live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia's musical craftsmanship and the Grateful Dead's collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche's Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse's Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead's avid listeners.