Yes: A Visual Biography I: 1968 - 1981 documents the progressive rock pioneer's first twelve years from the release of their eponymous debut album through to 1980's Drama: A suitable name for a band whose career has been full of drama as documented in Popoff's narrative that charts Yes's ups and downs as the band glided out of the sixties with a full-on assault on the seventies music scene that saw them become one of the biggest global acts-selling out venues around the world from New York's Madison Square Garden to London's Wembley Arena. Popoff takes you on a journey from the early days of the band with original members Chris Squire, Jon Anderson, Bill Bruford, Peter Banks and Tony Kaye; to the hugely successful seventies when the likes of Steve Howe, Patrick Moraz, Rick Wakeman and Alan White all added their individual stamps on the band's identity. Then the surprise union with The Buggles that saw Yes enter the eighties a world apart from the way they had entered the seventies but continuing to delight their legion of fans.

This index is divided into 4 parts: a bibliography of collections indexed, an index of first lines, an index of composers and an index of works frommusicals, motion pictures and television. Coverage spans recently published collections of songs from Tori Amos and George Michael to Dick Clark's American Bandstand and the Definitive Dixieland Collection.

The most popular and powerful praise songs are represented in this outstanding collection The piano arrangements closely follow what's played on each song's iconic original recording, giving the pianist an authentic experience while providing a true accompaniment to sing along to. Whether in church, at a ceremony or by living room piano, this book offers wonderful songs to inspire yourself and others. Basic guitar chord grids are included for optional guitar accompaniment. Titles: Amazing Grace (My Chains Are Gone) * Blessings * 10,000 Reasons (Bless the Lord) * God's Not Dead (Like a Lion) * How Beautiful * How Great Is Our God * How He Loves * I Can Only Imagine * In Christ Alone (My Hope Is Found) * Shout to the Lord * Mighty to Save * Need You Now (How Many Times) * One Thing Remains (Your Love Never Fails) * The Prayer * Revelation Song * You Raise Me Up.

Belfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history. -- .

A Catholic high school near Boston in 1985. A time of suicides, gymnasium humiliations, smoking for beginners, asthma attacks, and incendiary teenage infatuations. Infatuations with a girl (Allison), with a band (The Smiths) and with an album, Meat is Murder, that was so raw, so vivid and so melodic that you could cling to it like a lifeboat in a storm. In this brilliant novella Joe Pernice tells the story of an asthmatic kid's discovery of Meat is Murder. Here is a short exceropt: One morning as I was jogging my way past the bronze plaque commemorating the deaths of one student and one motorcyclist, my necktie flapping like a windsock, Ray floored the brake pedal of his Dodge as he closed in on me. Fifty mile an hour traffic came to a screeching, nearly murderous halt behind him. He leaned over and rolled down the passenger side window in one fluid motion. He dispensed with formalities while I marveled at the audacity of his driving and, tossing something at me, winked and said, Here. I'm going to kill myself. He pegged the gas, leaving a surprisingly good patch of rubber for such a shitty car. In the gutter, sugared with sand put down during the winter's last snow, I saw written in red felt ink on masking tape stuck to a smoky-clear cassette: Smiths: Meat.

This collection of three hip hop plays by Conrad Murray and his Beats & Elements collaborators Paul Cree, David Bonnick Junior and Lakeisha Lynch-Stevens, is the first publication of the critically acclaimed theatre-maker's work. The three plays use hip hop to highlight the inequalities produced by the UK's class system, and weave lyricism, musicality and dialogue to offer authentic accounts of inner-city life written by working-class Londoners. The plays are accompanied by two introductory essays: The first gives a specific social and historical context that helps readers make sense of the plays, the second positions hip hop as a contemporary literary form and offers some ways to read hip hop texts as literature. The collection also includes a foreword by leading hip hop theatre practitioner Jonzi D, interviews with the Beats & Elements company, and a glossary of words for students and international readers.

Metallica have sold in excess of 100 million albums and won seven Grammys. Their journey from scuzzy Los Angeles garages to the stages of the world's biggest stadia has been an epic and often traumatic one, and one of the few truly great rock 'n' roll sagas. No music writers have been afforded greater access to Metallica over the years than Paul Brannigan and Ian Winwood, two former editors of Kerrang. Having conducted hundreds of hours of interviews with the band, they have between them gained an unparalleled knowledge of the group's history and an insiders' view of how their story has developed: they have ridden in the band's limos, flown on their private jet, joined them in the studio, been invited to the quartet's 'HQ' outside San Francisco and shared beers and stories with them in venues across the globe. There are countless memorable stories about the band never before seen in print, tales of bed-hopping and drug-taking and car-crashes and fist-fights and back-stabbing that occur when you mix testosterone and adrenaline, alcohol and egomania, talent and raw ambition. Perceptive, emotionally attached, and intellectually rigorous, Birth, School, Metallica, Death will be the essential and definitive story of this extraordinary band. Volume I takes us from the band's inception through to the recording and eve of release of their seminal, self-titled, 1991 album.

Imagine being alongside one of the greatest bands in the history of rock, touring the world and being there as they perform at some of the best and biggest music venues in the world. Peter Hince didn't have to imagine: for more than a decade, he lived a life that other people can only dream of as he worked with Queen as head of their road crew. In 1973, Queen was the support act for Mott the Hoople, for whom Peter was a roadie. Back then, Queen had to content themselves with being second on the bill and the world had not yet woken up to the flamboyant talent of Freddie Mercury. Peter started working full time for Queen just as they were making A Night at the Opera, the album which catapulted them to international stardom. In this intimate and affectionate book, Peter recalls the highlights of his years with the band. He was with Freddie when he composed 'Crazy Little Thing Called Love'; he was responsible for making sure that Freddie's stage performances went without a hitch - and was often there to witness his famed tantrums! He was also party to the sex, drugs and rock 'n' roll which are invariably part of life on the road with a rock band.

The story of Snoop's musical and spiritual journey to Jamaica, reaching its culmination during the recording of his most recent album and captured in VICE and Snoopadelic Films documentary Reincarnated. Immediately following the death of longtime friend and collaborator Nate Dogg, Snoop headed to Jamaica to regroup and record his twelfth album. There, he experienced a radical transformation from hip-hop god and legendary leader of the West Coast gang rivalry to Rastafarian spokesperson Snoop Lion, embracing non-violence and reggae. This book is an extension of this powerful moment in the life of a pop culture icon captured on film by VICE Global Editor Andy Capper. Includes extended interviews with Bunny Wailer, Louis Farrakhan, Chris Blackwell, Daz Dillinger, Angela Hunte, and conversations between Snoop and VICE-never-before-seen photographs and untold stories from his personal archives from his early days singing in church to his discovery at sixteen by Dr. Dre and his phenomenal life onstage and on tour to his gang involvement, behind-the-scenes stills from 'insider' LA photographer Willie T., the best of Snoop from the inimitable VICE archives, and Snoop's handwritten notes and nicknames for the characters along the way. It also includes the limited edition vinyl only given to a select few musical insiders before the album's release.

From "Who Put the Bomp (in the Bomp, Bomp, Bomp)?" to a list of all song titles containing the word "werewolf," Rock Music in American Popular Culture II: More Rock 'n'Roll Resources continues where 1995's Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordingsRock Music in American Popular Culture II: More Rock 'n'Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.

Drawing on the culture's history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by 'postmodern' scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop's pioneers and rap music's most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the culture's ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the culture's fundamental proscription against 'biting,' this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely 'samples' the culture for its own reactionary ends.

A Field Guide to ... delves into music's most influential genres to uncover the innovators and agitators who changed music history forever. In A Field Guide to Britpop, Steve Wide explores a scene fueled by north-south rivalries, tribal fashion and a good cup of tea. Uncover the artists and albums, the who's who and hangabouts that defined the era. From Blur's jaunty pop, Pulp's working-class poetry and Suede's dark tales of the elegantly wasted, to the pub sing-alongs of Oasis - Britpop looked to the past to reshape the future, becoming the last true music scene of the 20th century.

A Field Guide to ... delves into music's most influential genres to uncover the innovators and agitators who changed music history forever. In A Field Guide to Grunge, Steve Wide explores the dynamic scene that sprung from the ashes of punk and underground metal in America's Pacific Northwest. From the sludge metal of Melvins and the noise punk of Mudhoney, to the point where Nirvana blew the charts apart, this book examines the artists, albums, music labels, who's who and hangouts that shaped an alternative scene into a worldwide phenomenon.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

No life in popular music touched on as many major musical milestones as that of The Beach Boys' Carl Wilson. While he is often unjustly overlooked as a mere adjunct to his more famous brothers Brian and Dennis, Carl was a major international rock star from his early teens. The proud owner of one of the greatest voices in popular music-one that graced some of the most important records of the pop era, including 'God Only Knows' and 'Good Vibrations'-Wilson was also one of the first musicians to bring the electric guitar to the forefront of rock'n'roll. His musical skills provided The Beach Boys' entree into the music business, from which he then stewarded their onstage journey through the ups and downs of the 60s to their comeback in the 70s and into the role of 'America's band' in the 80s. Along the way, Carl quietly endured his own battles with obesity, divorce, substance abuse, and ultimately terminal cancer, all the while working to protect his family's business and legacy. This major new biography reveals the true story of modern rock'n'roll, lived from the centre of the most important decades of popular music.

A quietly spoken, true English eccentric with something of a rebellious streak, Tony Stratton Smith initially charmed and blustered his way into the music business as a manager during the early 1960s and a few years later, when the record labels stopped playing by what he believed to be the rules, he simply went and formed his own -The Famous Charisma Label - and set about spinning the record business on its head. An independent label like no other, it is fair to say that without Strat's total belief and unwavering long-term support there would be no Genesis - Phil Collins has said as much - and a long line of artists owe Tony a similar debt of gratitude, from Monty Python to Malcolm McLaren, Lindisfarne to Sir John Betjeman, Vivian Stanshall to Julian Lennon. A former sports journalist and close friend to Jimmy Greaves and Sir Matt Busby (Strat narrowly missed a seat in the Munich Air crash) he later became a popular figure in the horse racing world. But making money was never very high on Tony's agenda, simply a means to an end that enabled him to fund the music and mayhem that brought him so much enjoyment. Strat was never happier than when the artists that he had so carefully nurtured were fulfilling their creative potential, delighting in working with the talents of Peter Gabriel, Alan Hull, Clifford T. Ward, Howard Werth and Peter Hammill. Ultimately, what he really cared about were the people, the creativity, about imagination, inspiration and risk, and the sheer joy to be had in bringing all those elements together, lighting the Charisma-pink touch paper and standing back, glass in hand, to watch what might happen when the sparks began to fly.

This eclectic compilation of readings tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. This third edition includes new readings across the volume, with added material on the early origins of rock 'n' roll as well as coverage of recent developments, including the changing shape of the music industry in the twenty-first century. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines. New to the third edition: Nine additional chapters from a broad range of perspectives Explorations of new media formations, industry developments, and the intersections of music and labor For the first time, a companion website providing users with playlists of music referenced in the book Featuring readings as loud, vibrant, and colorful as rock 'n' roll itself, The Rock History Reader is sure to leave readers informed, inspired, and perhaps even infuriated-but never bored.

As a twenty-five-year veteran of the Ozzy Osbourne band and Black Label Society, golden god Zakk Wylde has managed to stay alive against all odds. Now Wylde and his brother-in-Metal Eric Hendrikx take you on a Crusade of World Tour Domination, sharing deranged tales of booze-fueled destruction, laying out battle-tested Rules of the Road, and offering exclusive tips on how not to make it in the business. If you aspire to new heights of Metal mayhem, Bringing Metal to the Children will make you laugh, weep, vomit--and maybe even soil yourself.

The first-ever inside story of how Scotland's ballrooms and dance halls remained a central part of Scottish culture throughout the 20th century. Told by the people who made it happen-the agents, managers, and promoters-and supported by anecdotes from the people who lived it: musicians, entertainers and the dancing public.

The Beatles' North American tours turned the entertainment business on its ear and forever changed the landscape of the concert touring industry. In February 1964 after finally achieving a number-one hit in America the Fab Four came to the country with high hopes performing on the wildly popular EEd Sullivan ShowE in both New York City and Miami and playing concerts at Carnegie Hall and the Washington Coliseum. In just fifteen short days the Beatles conquered America. The Beatles made music-entertainment history with their North American tours from 1964 to 1966.THESome Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966E is a comprehensive two-volume set which gives you a city-by-city synopsis of the group's activities as they traveled the United States and Canada for their groundbreaking series of concerts. From San Francisco's Cow Palace show on August 19 1964 through their last-ever live performances at that city's famed Candlestick Park on August 29 1966 these books cover the music and the madness that characterized the Beatles' three North American tours. With hundreds of photographs and images of rare memorabilia it is truly the definitive reference for what is arguably the most important period in the Beatles' long and winding career. You'll read about the behind-the-scenes negotiations the mayhem at the airports and hotels and the cheeky quotes delivered at the press conferences. You'll also read about the opening acts the concerts and the stories behind the shows through the eyes of the Beatles their entourage the promoters the emcees and the fans. Never before have the Beatles' North American concerts been covered in such depth.THIf you witnessed the mania firsthand you'll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days you'll learn what it was like to be swept up and carried away by the phenomenon of the greatest musical act of all time. When all is said and done ESome Fun TonightE is a tribute to the fans a the first generation and beyond. Look carefully at the faces of the fans in this book; they may be your friends parents grandparents a or even you! a but together they made Beatlemania happen. Fasten your seat belt and enjoy this comprehensive history!

'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of - and back into - history.

The long-awaited, never-before-told, no-holds-barred memoir from the legendary Aerosmith frontman. Finally, all the lurid tales of debauchery, sex, drugs and rock n' roll are told straight from the horse's lips as The Demon of Screamin' describes his unimaginable highs and unbelievable lows as lead singer of the biggest rock band in the world. Prolific frontman, rock icon and sex symbol, Steven Tyler is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can. Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formed...and the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band. But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever. But although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.