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Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop
Chronicles the work of Norberto Tavares, a Cabo Verdean musician
and humanitarian who served as the conscience of his island nation
during the transition from Portuguese colony to democratic
republic. Based on twenty years of collaborative fieldwork, Songs
for Cabo Verde: Norberto Tavares's Musical Visions for a New
Republic focuses on the musician Norberto Tavares but also tells a
larger story about postcolonial nation building, musical activism,
and diaspora life within the Lusophone sphere. It follows the
parallel trajectories of Cabo Verdean independence and Tavares's
musical career over four decades (1975-2010). Tavares lived and
worked in Cabo Verde, Portugal, and the United States, where he
died in New Bedford, Massachusetts at age fifty-four. Tavares's
music serves as a lens through which we can view Cabo Verde's
transition from a Portuguese colony to an independent, democratic
nation, one that was shaped in part through the musician's
persistent humanitarian messages.
K-Pop: The Ultimate Fan Book is your essential guide to all the
bands, songs and styles behind the most diverse and exciting genre
in pop music today. 2018 was a breakout year for K-Pop (Korean Pop)
on the global stage, with boy-band BTS reaching number 1 in the UK
album chart and selling out live shows around the world including
Wembley in June 2019. But there's so much more to this cultural
movement. Featuring all the hottest K-Pop bands, from BTS and Red
Velvet to TWICE and EXO, K-Pop: The Ultimate Fan Book is packed
with dozens of vibrant photos and a colourful, eye-catching design.
Questlove collects the 500 songs that have changed not just popular
music, but also the world Questlove's Music Is History is an
in-depth look into the 500 most influential songs in the history of
music. Most famously known as a the drummer and joint frontman for
the Grammy Award-winning band The Roots, Questlove is also an
astute musicologist and voracious historian. In this book,
Questlove dives into musical history from every decade of twentieth
century, choosing one essential track from each year. The author
thoughtfully and insightfully unpacks each song's cultural
significance by placing it in its historical context, discussing
real world events that shaped both the song's creation and its
lasting impact. Analyses of iconic classics like "Sir Duke" by
Stevie Wonder include tangents into the histories of science,
politics, and pop culture. Questlove moves fluidly from the
personal to the political, from Curtis Mayfield to the history of
Black representation in cinema to musings on the Nixon presidency.
Complete with comprehensive playlists organized around personal,
playful themes like "Songs That Got Shafted" or "Songs With a Part
I Really Like Even Though I Don't Like the Whole Song," this book
is so full of Questlove's essential recommendations that it feels
like a conversation with the industry's coolest music obsessive.
Music Is History is a masterclass in music by a contemporary icon-a
new American musical canon from one of music's most influential and
unique voices.
The magic couple Amadou and Mariam are one of the most loved and
successful acts to come out of Africa this century, but their story
is not one of overnight success. They have been singing their warm
notes for more than thirty years. This autobiography traces
Amadou's early years in Mali, first accepting his blindness, then
adapting, to finding a source of joy in music and playing alongside
some of the country's leading musicians. On meeting Mariam at an
institute for the blind in Bamako, he discovers they share a
passion for music and for life, they fall in love and begin their
career as a duo in search of an international stage. "Away from the
Light of Day" is an inspiring story which reveals the source of
this golden duo's contagious music, threading its way between
tradition, religion, hope and superstition.
We remember the 1980s as the era of Ronald Reagan, a conservative
decade populated by preppies and yuppies dancing to a soundtrack of
electronic synth pop music (the "MTV generation"). But the decade
also produced some of the most creative works of punk rock - not
just the music of bands like the Minutemen and the Dead Kennedys,
but also visual arts, literature, poetry, and film. Kevin Mattson
documents what Kurt Cobain once called a "punk rock world." He
shows just how widespread the movement became, and how democratic
(not at all New York-centric), due to its commitment to
Do-It-Yourself (DIY) ethics. Mattson puts this movement into a
wider context, telling about a culture war that punks opened up
against the sitting president. Reagan's talk about end days and
nuclear warfare made kids panic; his tax cuts for the rich and
simultaneous slashing of school lunch program funding made punks
seethe at his meanness. The anger went deep, since punks saw Reagan
as the country's entertainer-in-chief - his career (from radio to
Hollywood and television) synched to the very world punks rejected.
Through deep archival research, Mattson reignites the heated
debates that punk's opposition generated - about everything from
"straight edge" ethics to anarchism to the art of dissent. By
reconstructing the world of punk, Mattson shows that it was more
than just a style of purple hair and torn jeans. And in so doing,
he reminds readers of its importance and its challenge to
simplistic assumptions about the 1980s as a one-dimensional,
conservative epoch.
One of the first books in this new series, this pocket guide
features the story of Led Zeppelin: from the first meeting of Jimmy
Page and Robert Plant to the untimely death of John Bonham; the
music: their fifty best songs unpicked and coverage of their solo
careers; and the passengers, collaborators, colleagues, and the
cargo: films, places, myths, and memorabilia.
ABBA was the biggest selling pop group of the Seventies. Between
their first single in 1972, when the group was not yet called ABBA,
and their final singles in 1982, ABBA recorded and released 98
unique songs. In addition they recorded versions of some of their
biggest hits in Swedish, German, French, and Spanish; performed a
number of songs in concert that were never released on record; and
recorded a number of songs that didn't see the light of day at the
time, but have been released from the archive the decades since the
group "took a break" at the end of 1982.Everyone remembers ABBA's
biggest hits - songs like 'Waterloo', 'Mamma Mia', 'Fernando',
'Dancing Queen', 'Take A Chance On Me', 'Chiquitita', and 'The
Winner Takes It All' - but there are many gems to be found on the
eight studio albums and 21 singles released during the group's
lifetime. ABBA: Song by Song is a look at every single song by the
Swedish supergroup, written by a life-long ABBA fan. Find out what
inspired the songs, what went in to recording them, and their
impact around the world in the 1970s and 80s and beyond.
It didn't take long after Jimi Hendrix's death for the artist to
become a myth of music. He has been surrounded by a shroud of
intrigue since he first came into the public eye, and the mystery
has only grown with time. Much has been written and said about him
by experts and fans and critics, some of it true and some of it
not; Starting at Zero will set the record straight. This is Hendrix
in his own words. The lyricism and rhythm of Jimi Hendrix's writing
will be of no surprise to his fans. Hendrix wrote prolifically
throughout his life and he left behind a trove of scribbled-on
hotel stationary, napkins and cigarette cartons. Starting at Zero
weaves the scraps and bits together fluidly with interviews and
lyrics revealing for the first time a continuous narrative of the
artist's life, from birth through to the final four years of his
life. The result is a beautifully poetic, charming and passionate
memoir as smooth and memorable as Hendrix's finest songs. The
pieces of Starting at Zero came together in large part because of
the inspiration of Alan Douglas. Douglas first met Jimi Hendrix
backstage at Woodstock, and soon after became Hendrix's producer
and close friend. In creating the book he joined forces with Peter
Neal, who edited Hendrix's writing with the reverence and light
touch it deserved.
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The Bee Gees in the 1970s
(Paperback)
Andrew Mon Hughes, Grant Walters, Mark Crohan; Foreword by Spencer Gibb
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R617
R501
Discovery Miles 5 010
Save R116 (19%)
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For better or worse, The Bee Gees' music and image has long been
synonymous with the 1970s, and the career trajectory of brothers
Barry, Robin, and Maurice Gibb in that ten-year span meanders
between dizzying highs and devastating lows. The Bee Gees began
1970 as non-existent - bitterly split after succumbing to the
pressures and excesses of their first wave of international fame in
the latter part of the 1960s. By 1979, they were one of the most
successful music acts on the planet. In between, the brothers
crafted timeless works that defied genre, transcended societal
boundaries, and permeated generations of listeners. The Bee Gees
would go on to sell over 200 million records, making them among the
best-selling music artists of all time; they would be inducted into
the Rock and Roll Hall of Fame, the Australian Recording Industry's
Hall of Fame, and the Songwriters Hall of Fame, and receive
lifetime achievement awards from the British Phonographic Industry,
the American Music Awards, World Music Awards and the Grammys.
According to Billboard magazine the Bee Gees are one of top three
most successful bands in their charts' history.
Featuring 666 standout metal songs from 1960 to the present day and
illustrated with sleeves, flyers, posters and magazine ads, this is
a feast for fans who love it loud. 666 Songs to Make You Bang Your
Head Until You Die delves into the dark corners of hard rock and
metal, unearthing hidden treasures and shining fresh light on old
favourites. From pioneers like Black Sabbath and Led Zeppelin,
through million-sellers like Van Halen and AC/DC, to skull-crushers
like Pantera and The Prodigy, and young bucks like Bring Me The
Horizon and Paramore, the selection charts the evolution of the
genre over the last 60 years. Each entry is packed with reviews
from contemporary musicians, quotes from bandmates and fascinating
trivia. Written in an informed, entertaining and irreverent style,
666 Songs to Make You Bang Your Head Until You Die is a must-have
for metal lovers.
In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan
Marie Johnson traveled from the segregated South to New York City
under the auspices of their manager, former pop singer Joe Jones.
With their wonderful harmonies, they were an immediate success. To
this day, the Dixie Cups' greatest hit, ""Chapel of Love,"" is
considered one of the best songs of the past sixty years. The Dixie
Cups seemed to have the world on a string. Their songs were lively
and popular, singing on such topics as love, romance, and Mardi
Gras, including the classic ""Iko Iko."" Behind the stage curtain,
however, their real-life story was one of cruel exploitation by
their manager, who continued to harass the women long after they
finally broke away from his thievery and assault. Of the three
young women, no one suffered more than the youngest, Rosa Hawkins,
who was barely out of high school when the New Orleans teens were
discovered and relocated to New York City. At the peak of their
success, Rosa was a naive songstress entrapped in a world of abuse
and manipulation. Chapel of Love: The Story of New Orleans Girl
Group the Dixie Cups explores the ups and downs of one of the most
successful girl groups of the early 1960s. Telling their story for
the first time, in their own words, Chapel of Love reintroduces the
Louisiana Music Hall of Famers to a new audience.
'I've been on six-week tours of America and it breaks you open, but
to do it straight off the bat, in the middle of winter, with three
new girls... I was thinking, If we survive this, it'll be a
miracle... but it was the best time we've ever had.' The first
official book from Noel Gallagher, this is the behind-the-scenes
story of his biggest ever solo tour and the making of the
critically-acclaimed album Who Built The Moon?. Join Noel
Gallagher's High Flying Birds as they embark on the Stranded On The
Earth world tour - a phenomenal year-long journey around the globe,
taking in dates across the USA, Canada, UK, Ireland, Europe and
Southeast Asia. With photography by Sharon Latham, who was granted
unprecedented access, this fully illustrated book documents life on
the road for one of the world's most successful artists; featuring
unseen images and candid interviews with Noel and the band.
Inside the making of one of the biggest-selling albums of all time:
Fleetwood Mac's Rumours Fleetwood Mac's classic 1977 Rumours album
topped the Billboard 200 for thirty-one weeks and won the Album of
the Year Grammy. More recently, Rolling Stone named it the
twenty-fifth greatest album of all time and the hit TV series Glee
devoted an entire episode to songs from Rumours , introducing it to
a new generation. Now, for the first time, Ken Caillat, the album's
co-producer, tells the full story of what really went into making
Rumours --from the endless partying and relationship dramas to the
creative struggles to write and record "You Make Loving Fun,"
"Don't Stop," "Go Your Own Way," "The Chain," and other timeless
tracks. Tells the fascinating, behind-the-music story of the making
of Fleetwood Mac's Rumours , written by the producer who saw it all
happen Filled with new and surprising details, such as Stevie Nicks
and Lindsey Buckingham's screaming match while recording "You Make
Loving Fun," how the band coped with the pressures of increasing
success, how the master tape nearly disintegrated, and the
incredible attention paid to even the tiniest elements of songs,
from Lindsey playing a chair to Mick breaking glass Includes eighty
black-and-white photographs
Just as punk created a space for bands such as the Slits and Poly
Styrene to challenge 1970s norms of femininity, through a
transgressive, strident new female-ness, it also provoked
experimental feminist film makers to initiate a parallel,
lens-based challenge to patriarchal modes of film making. In this
book, Rachel Garfield breaks new ground in exploring the
rebellious, feminist punk audio-visual culture of the 1970s,
tracing its roots and its legacies. In their filmmaking and their
performed personae, film and video artists such as Vivienne Dick,
Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie
Thornton, Abigail Child and Anne Robinson offered a powerful,
deliberately awkward alternative to hegemonic conformist
femininity, creating a new "punk audio visual aesthetic". A vital
aspect of our vibrant contemporary digital audio visual culture,
Garfield argues, can be traced back to the techniques and forms of
these feminist pioneers, who like their musical contemporaries
worked in a pre-digital, analogue modality that nevertheless
influenced the emergent digital audio visual culture of the 1990s
and 2000s.
Machine Gun Kelly revisit his 2019 album Hotel Diablo as he makes
his debut in the world of comics! Between Heaven and Hell lies a
waystation for the soul--a place where your deeds in life are the
keys to your eternity in the afterlife--at the Hotel Diablo. And
it's Lydia Lopez's first night behind the front desk. Every guest's
got a story to tell and a lesson to learn... Co-written by film and
music superstar Machine Gun Kelly with Eliot Rahal (Archie Comics)
and Ryan Cady (DC Comics). Art by Martin Morazzo (Ice Cream Man)
and a host of talented illustrators. Full Creator List:
ILLUSTRATORS: Martin Morazzo; Victor Ibanez; Nelson Blake II;
Amilcar Pinna; Rachel Smartt; Roberta Ingranata WRITERS: Machine
Gun Kelly, Eliot Rahal & Ryan Cady EDITOR: Chris Robinson COVER
ARTISTS: Martin Morazzo & Aladdin Collar PRINT ARTISTS: Jenna
Cha; Trevor Henderson; Leslie Hung
This album-matching folio features transcriptions, complete with
tab, to 58 of The Stones' greatest early hits. Includes: Jumpin'
Jack Flash * Honky Tonk Woman * Wild Horses * Brown Sugar *
Sympathy for the Devil and 52 more -- over 300 pages of music.
With dozens of full-color illustrations! This is a retrospective of
musical poetry by heavy metal guitarist and frontman, Matt Pike,
which spans twenty years beginning in 1998 with the album Art of
Self Defense up to the latest release, the 2019 Grammy-Award
winning record, Electric Messiah. Every chapter features brand-new
artistic interpretations from the minds and hearts of an incredible
cast of illustrators, tattooers, printmakers, and painters Pike has
been trusted since the beginning to depict his vision. The cast of
artists are Arik Roper, David V. D'Andrea, Santos, Brian Mercer,
Skinner, Jondix,Stash, Tim Lehi, Jordan Barlow, and Derrick
Snodgrass created brand new, never before seen works specifically
inspired by each album, including one large illustration to define
the chapter ahead and two additional vignettes that are directly
inspired by the songs. Each has their own bold and iconic style
that perfectly compliments the breadth of Pike's various works.
These prolific artists transport the reader further into a far-away
landscape of ominous Lovecraftian entities, shrouded in wondrous
and esoteric darkness. Together, they have redefined the way we
perceive Underground Doom Metal these past twenty years and it is
our honor to showcase them together along with the incredible
written word of Pike.
Under the Big Black Sun explores the nascent Los Angeles punk rock
movement and its evolution to hardcore punk as it's never been told
before. Authors John Doe and Tom DeSavia have woven together an
enthralling story of the legendary West Coast scene from 1977-1982
by enlisting the voices of people who were there. The book shares
chapter-length tales from the authors along with personal essays
from famous (and infamous) players in the scene. Additional authors
include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt
(The Minutemen), Jane Wiedlin and Charlotte Caffey (Go-Go's), Dave
Alvin (The Blasters), Chris D. (The Flesh Eaters), Robert Lopez
(The Zeros, El Vez), Jack Grisham (T.S.O.L.), Teresa Covarrubias
(The Brat), as well as scenesters and journalists Pleasant Gehman,
Kristine McKenna, and Chris Morris. Through interstitial
commentary, John Doe "narrates" this journey through the land of
film noir sunshine, Hollywood back alleys, and suburban sprawl, the
place where he met his artistic counterparts Exene, DJ Bonebrake,
and Billy Zoom and formed X, the band that became synonymous with,
and in many ways defined, L.A. punk. Focusing on punk's
evolutionary years, Under the Big Black Sun shares stories of
friendship and love, ambition and feuds, grandiose dreams and
cultural rage, all combined with the tattered, glossy sheen of pop
culture weirdness that epitomized the operations of Hollywood's
underbelly. Readers will travel to the clubs that defined the
scene, as well as to the street corners, empty lots, apartment
complexes, and squats that served as de facto salons for the
musicians, artists, and fringe players that hashed out what would
become punk rock in Los Angeles. L.A. punk was born from rock 'n'
roll, from country and blues and Latin music, the true next step in
the evolution of rock music. It was born of art, culture,
political, and economic frustration. It spoke of a Los Angeles that
existed when regionalism still reigned in the USA. It sounded like
Los Angeles. For the first time, the stories and photos from this
now-fabled era are presented from those on the front lines. Stories
that most have never heard about the art that was born under the
big black sun
This volume gathers together twenty articles from among the best
scholarly writing on rock music published in academic journals over
the past two decades. These diverse essays reflect the wide range
of approaches that scholars in various disciplines have applied to
the study of rock, from those that address mainly the historical,
sociological, cultural and technological factors that gave rise to
this music, to those that focus primarily on analysis of the music
itself. This collection of articles, some of which are now out of
print or otherwise difficult to access, provides an overview of the
current state of research in the field of rock music, and includes
an introduction which contributes to the ongoing debate over the
distinction (or lack thereof) between 'rock' and 'pop'.
As half of celebrated eighties duo Soft Cell, Dave Ball's long
career in music has been quite the ride - not least creating the
instantly recognisable electronic sound that made `Tainted Love' a
massive hit around the world. In his refreshing autobiography, Dave
Ball recounts a musical journey from his first home-made amplifier
to falling for northern soul and becoming an electronic pop wizard,
first with Soft Cell and later with The Grid. Dave then pursued a
dazzling array of collaborations as well as intermittent
reformations of Soft Cell and The Grid. Electronic Boy is a
compelling story from start to finish, told with relish, humour and
honesty.
What do pop songs have to say about love? Surprisingly, this book
shows that most popular love songs express much more about
alienation, infatuation, estrangement, jealousy, and heartbreak
than about love.Scheff takes the reader on a tour of popular lyrics
from eighty years of American song to reveal the emotional and
relational meaning of lyrics. He shows that popular love songs
typically steer listeners away from a healthy connection to the
emotions surrounding love. Readers will gain a deeper understanding
of love songs while appreciating the author's suggestions for how
listeners and artists could enrich the art of the love song.
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