0
Your cart

Your cart is empty

Browse All Departments
Price
  • R50 - R100 (2)
  • R100 - R250 (227)
  • R250 - R500 (764)
  • R500+ (1,985)
  • -
Status
Format
Author / Contributor
Publisher

Books > Music > Other types of music > Sacred & religious music

Church Music and Protestantism in Post-Reformation England - Discourses, Sites and Identities (Hardcover, New Ed): Jonathan... Church Music and Protestantism in Post-Reformation England - Discourses, Sites and Identities (Hardcover, New Ed)
Jonathan Willis
R4,223 Discovery Miles 42 230 Ships in 12 - 17 working days

'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.

Les sources du plain-chant et de la musique medievale (Paperback): Michel Huglo Les sources du plain-chant et de la musique medievale (Paperback)
Michel Huglo
R1,365 Discovery Miles 13 650 Ships in 12 - 17 working days

The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiegne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le developpement du plain-chant en Occident et l'etude des genres de livres liturgiques qui le contiennent ont occupe Michel Huglo durant sa longue carriere et l'ont conduit A visiter des bibliotheques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une serie de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvieme au treizieme siecle, notamment des etudes novatrices relanAant les recherches sur l'antiphonaire de Compiegne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les consequences du traite de Verdun (843) pour la diffusion du repertoire de plain-chant, les recherches en musicologie medievale au XXe siecle, l'application des methodes de la codicologie A l'etude des manuscrits notes, et l'edition critique de l'Antiphonaire gregorien forment les sujets d'autres etudes reunies dans ce volume.

Music and Musicians in 16th-Century Florence (Paperback): Frank A. D'Accone Music and Musicians in 16th-Century Florence (Paperback)
Frank A. D'Accone
R1,370 Discovery Miles 13 700 Ships in 12 - 17 working days

This second selection of studies by Frank D'Accone, again based principally on the documentary evidence, follows the development through the mid 16th century of musical chapels at the Cathedral and the Baptistery of Florence and of musical establishments at the Santissima Annunziata and San Lorenzo. The lives, careers and works of composers associated with these churches are illustrated and their works analyzed, particularly the theoretical treatise by Fra Mauro, the madrigals of Mauro Matti and the ambitiously conceived canzone cycle of Mattia Rampollini. The final studies, moving into the 17th century, look at the music for Holy Week, and the unprecedented programme of performances at Santa Maria Novella.

Les anciens repertoires de plain-chant (Paperback): Michel Huglo Les anciens repertoires de plain-chant (Paperback)
Michel Huglo
R1,382 Discovery Miles 13 820 Ships in 12 - 17 working days

The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les differences entre les repertoires Vieux-romain, Ambrosien, Aquileien, Gallican et Hispanique, leurs influences reciproques et leurs relations avec le chant gregorien ont occupe Michel Huglo au debut de sa carriere: il revint sur ces questions dans les annees 1980 et 1990. Ce volume, le deuxieme d'une serie de quatre dans la collection Variorum, reunit toutes ces etudes. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considere comme distinct du gregorien, est de premiere importance pour l'historiographie du plain-chant occidental, car il a ouvert les debats sur le rapport entre Vieux-romain et gregorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pieces de chant byzantin traduites en latin dans les repertoires occidentaux du plain-chant achevent ce volume.

Gadsby's Hymns - A Selection of Hymns for Public Worship (Paperback): William Gadsby Gadsby's Hymns - A Selection of Hymns for Public Worship (Paperback)
William Gadsby
R561 R499 Discovery Miles 4 990 Save R62 (11%) Ships in 10 - 15 working days

Solid Ground is in the process of doing a new enlarged edition of this classic work that is useful for public, private and family worship. An esteemed collection of 1,156 hymns of rich theological content, many of which are not found in any other current hymnal. Contains: Gadsby's original hymns; 1st and 2nd supplements; Hart's hymns and occasional hymns. A wealth of meditation for one's own devotions as well as for public worship.

Humanism and the Reform of Sacred Music in Early Modern England - John Merbecke the Orator and The Booke of Common Praier Noted... Humanism and the Reform of Sacred Music in Early Modern England - John Merbecke the Orator and The Booke of Common Praier Noted (1550) (Hardcover, New Ed)
Hyun-Ah Kim
R4,217 Discovery Miles 42 170 Ships in 12 - 17 working days

John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

Christian Music - A global history (revised and expanded) (Paperback): Tim Dowley Christian Music - A global history (revised and expanded) (Paperback)
Tim Dowley
R523 R428 Discovery Miles 4 280 Save R95 (18%) Ships in 9 - 15 working days

Christian Music: A Global History was originally published by Lion Hudson in 2011. This new edition has been substantially extended and updated. Dr Tim Dowley's wide-ranging survey includes contributions from nine additional experts. The book covers the Jewish musical tradition; early hymns and psalms; music after Constantine; the rise of music in the Orthodox tradition; Christian chant and the core of medieval music; polyphony in the medieval and Renaissance eras; music and the Lutheran Reformation; the rise of Catholic Baroque; the development of Anglican worship; Christian music in Latin America; the Viennese tradition of liturgical and non-liturgical sacred music; sacred music in the age of Romanticism; 19th-century hymns; the steadily developing tradition of Christian music in Africa; sacred music and the concert hall; music and The Salvation Army; the rise of carols; popular church music in the 20th century; the making of the American Gospel tradition; Christian music in SE Asia; musical traditions in Australia and New Zealand, and in the Pacific Islands; Christian elements in the rise of folk and jazz; and the rise of the contemporary Christian music industry.

Thresholds: Rethinking Spirituality Through Music (Paperback, New Ed): Marcel Cobussen Thresholds: Rethinking Spirituality Through Music (Paperback, New Ed)
Marcel Cobussen
R1,349 Discovery Miles 13 490 Ships in 12 - 17 working days

In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo PArt, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-FranAois Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo PArt, and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In order to achieve this, it is necessary to show that spirituality is not an attribute of music, not a simple adjective providing extra information or used to categorize certain types of music. Instead, the spiritual can happen through listening to music, in a more or less personalized relationship with it. This relationship might be characterized as susceptible instead of controlling, open instead of excluding, groping instead of rigid.

Thresholds: Rethinking Spirituality Through Music (Hardcover, illustrated edition): Marcel Cobussen Thresholds: Rethinking Spirituality Through Music (Hardcover, illustrated edition)
Marcel Cobussen
R3,911 Discovery Miles 39 110 Ships in 12 - 17 working days

In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo PArt, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-FranAois Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo PArt, and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In order to achieve this, it is necessary to show that spirituality is not an attribute of music, not a simple adjective providing extra information or used to categorize certain types of music. Instead, the spiritual can happen through listening to music, in a more or less personalized relationship with it. This relationship might be characterized as susceptible instead of controlling, open instead of excluding, groping instead of rigid.

Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? (Hardcover, New Ed): T.E. Muir Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? (Hardcover, New Ed)
T.E. Muir
R4,220 Discovery Miles 42 200 Ships in 12 - 17 working days

Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. Contemporary literature of all kinds abounds, along with numerous collections of sheet music, some running to hundreds, occasionally even thousands, of separate pieces, many of which have since been forgotten. Apart from compositions in the latest Classical Viennese styles and their successors, much of the music performed constituted a revival or imitation of older musical genres, especially plainchant and Renaissance Polyphony. Furthermore, many pieces that had originally been intended to be performed by professional musicians for the benefit of privileged royal, aristocratic or high ecclesiastical elites were repackaged for rendition by amateurs before largely working or lower middle class congregations, many of them Irish. However, outside Catholic circles, little attention has been paid to this subject. Consequently, the achievements and widespread popularity of many composers (such as Joseph Egbert Turner, Henry George Nixon or John Richardson) within the English Catholic community have passed largely unnoticed. Worse still, much of the evidence is rapidly disappearing, partly because it no longer seems relevant to the needs of the modern Catholic Church in England. This book provides a framework of the main aspects of Catholic church music in this period, showing how and why it developed in the way it did. Dr Muir sets the music in its historical, liturgical and legal context, pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism. As a result the book will appeal not only to scholars and students working in the field, but also to church musicians, liturgists, historians, ecclesiastics and other interested Catholic and non-Catholic parties.

Sermons That Sing - Music and the Practice of Preaching (Paperback): Noel A. Snyder, Jeremy Begbie Sermons That Sing - Music and the Practice of Preaching (Paperback)
Noel A. Snyder, Jeremy Begbie
R750 R612 Discovery Miles 6 120 Save R138 (18%) Ships in 10 - 15 working days

Preaching and music are both regular elements of Christian worship across the theological spectrum. But they often don't interact or inform each other in meaningful ways. In this Dynamics of Christian Worship volume, theologian, pastor, and musician Noel A. Snyder considers how the church's preaching might be helpfully informed by musical theory. Just as a good musical composition employs technical elements like synchrony, repetition, and meter, the same should be said for good preaching that seeks to engage hearts and minds with the good news of Jesus Christ. By drawing upon music that lifts the soul, preachers might craft sermons that sing. The Dynamics of Christian Worship series draws from a wide range of worshiping contexts and denominational backgrounds to unpack the many dynamics of Christian worship-including prayer, reading the Bible, preaching, baptism, the Lord's Supper, music, visual art, architecture, and more-to deepen both the theology and practice of Christian worship for the life of the church.

Many and Great: Many and Great v. 1 (Paperback): John L. Bell Many and Great: Many and Great v. 1 (Paperback)
John L. Bell
R385 Discovery Miles 3 850 Ships in 12 - 17 working days

Twenty-five beautiful songs from the World Church with an emphasis on Africa. Contents: GloriaSanto, santo santoSenhor tempiedade de nosHe came downStand firmHalle, halle, halleMay God draw nearThe Lord is my lightKyrie eleisonJesus Christ our living LordJesus saranamLet the world in concert singSara shristeImelaWa wa wa emimimoBlessed be GodAmen, Alleluia!Amen siakudumisaNdingen' endumisweniMayenziweMany and greatAgios o TheosKyrie eleisonYour kingdom comeJesu tawa pano

When Grief is Raw - Songbook (Paperback): John L. Bell, Graham Maule When Grief is Raw - Songbook (Paperback)
John L. Bell, Graham Maule
R361 Discovery Miles 3 610 Ships in 12 - 17 working days

Specifically designed for congregational use, this contains 255 songs for straightforward arrangements, either four-part harmony or with piano accompaniment.

Devotional Music in the Iberian World, 1450-1800 - The Villancico and Related Genres (Hardcover, New Ed): Tess Knighton Devotional Music in the Iberian World, 1450-1800 - The Villancico and Related Genres (Hardcover, New Ed)
Tess Knighton
R5,374 Discovery Miles 53 740 Ships in 12 - 17 working days

From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

The Choral Foundation of the Chapel Royal, Dublin Castle - Constitution, Liturgy, Music, 1814-1922 (Hardcover): David Michael... The Choral Foundation of the Chapel Royal, Dublin Castle - Constitution, Liturgy, Music, 1814-1922 (Hardcover)
David Michael O’Shea
R2,273 Discovery Miles 22 730 Ships in 12 - 17 working days

The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.

Benigno Zerafa (1726-1804) and the Neapolitan Galant Style (Hardcover): Frederick Aquilina Benigno Zerafa (1726-1804) and the Neapolitan Galant Style (Hardcover)
Frederick Aquilina
R2,438 Discovery Miles 24 380 Ships in 12 - 17 working days

This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition. This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant". Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable. FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.

Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630 (Hardcover, New Ed): Alexander J. Fisher Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630 (Hardcover, New Ed)
Alexander J. Fisher
R3,937 Discovery Miles 39 370 Ships in 12 - 17 working days

By the late-sixteenth century, Augsburg was one of the largest cities of the Holy Roman Empire, boasting an active musical life involving the contributions of musicians like Jacobus de Kerle, Hans Leo Hassler, and Gregor Aichinger. This musical culture, however, unfolded against a backdrop of looming religious schism. From the mid-sixteenth century onward, Augsburg was the largest 'biconfessional' city in the Empire, housing a Protestant majority and a Catholic minority, ruled by a city government divided between the two faiths. The period 1580-1630 saw a gradual widening of the divide between these groups. The arrival of the Jesuits in the 1580s polarized the religious atmosphere and fueled the assertion of a Catholic identity, expressed in public devotional services, spectacular processions, and pilgrimages to local shrines. The Catholic music produced for these occasions both reflected and contributed to the religious divide. This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning.

John Taverner - His Life and Music (Hardcover, New Ed): Hugh Benham John Taverner - His Life and Music (Hardcover, New Ed)
Hugh Benham
R3,935 Discovery Miles 39 350 Ships in 12 - 17 working days

John Taverner was the leading composer of church music under Henry VIII. His contributions to the mass and votive antiphon are varied, distinguished and sometimes innovative; he has left more important settings for the office than any of his predecessors, and even a little secular music survives. Hugh Benham, editor of Taverner's complete works for Early English Church Music, now provides the first full-length study of the composer for over twenty years. He places the music in context, with the help of biographical information, discussion of Taverner's place in society, and explanation of how each piece was used in the pre-Reformation church services. He investigates the musical language of Taverner's predecessors as background for a fresh examination and appraisal of the music in the course of which he traces similarities with the work of younger composers. Issues confronting the performer are considered, and the music is also approached from the listener's point of view, initially through close analytical inspection of the celebrated votive antiphon Gaude plurimum.

Vesper and Compline Music for Multiple Choirs (Hardcover): Jeffrey Kurtzman Vesper and Compline Music for Multiple Choirs (Hardcover)
Jeffrey Kurtzman
R8,912 Discovery Miles 89 120 Ships in 12 - 17 working days


Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.

This is God's World - Songs of praise and possibility (Paperback): John L. Bell This is God's World - Songs of praise and possibility (Paperback)
John L. Bell
R372 Discovery Miles 3 720 Ships in 12 - 17 working days
Galuppi to Vorotnikov - Music of the Russian Court Chapel Choir I (Hardcover): Carolyn C. Dunlop Galuppi to Vorotnikov - Music of the Russian Court Chapel Choir I (Hardcover)
Carolyn C. Dunlop
R2,591 Discovery Miles 25 910 Ships in 12 - 17 working days

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Chant and Notation in South Italy and Rome before 1300 (Paperback): John Boe Chant and Notation in South Italy and Rome before 1300 (Paperback)
John Boe
R1,386 Discovery Miles 13 860 Ships in 12 - 17 working days

The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.

Music and Meaning in Old Hispanic Lenten Chants - Psalmi, Threni and the Easter Vigil Canticles (Hardcover, New): Emma Hornby,... Music and Meaning in Old Hispanic Lenten Chants - Psalmi, Threni and the Easter Vigil Canticles (Hardcover, New)
Emma Hornby, Rebecca Maloy
R2,721 Discovery Miles 27 210 Ships in 12 - 17 working days

The tradition of Old Hispanic liturgical chant is here examined through a new methodology, enabling striking new insights into its use. Medieval Iberian liturgical practice was independent of the Roman liturgy. As such, its sources preserve an unfamiliar and fascinating devotional journey through the liturgical year. However, although Old Hispanic liturgical chanthas long been considered one of the most important medieval chant traditions, what musical notation to survive shows only where the melodies rise and fall, not precise intervals or pitches. This lack of pitch-readable notation has prevented scholars from fully engaging with the surviving sources - a gap which this book aims to fill, via a new methodology for analysing the melodies and the relationship between melody and text. Focussing on three genres of chant sung during the Old Hispanic Lent (the threni, psalmi, and Easter Vigil canticles), the book takes a holistic view of the texts and melodies, setting them in the context of their liturgical and intellectual surroundings, and, for the Easter Vigil, exploring the relationship between different Old Hispanic traditions and other western liturgies. It concludes that the theologically purposeful text selections combine with carefully shaped melodies to guide the devotional practice of their hearers. Emma Hornby is a Reader in Music , University of Bristol; Rebecca Maloy is Associate Professor of Music, University of Colorado at Boulder.

Armenian Sacred and Folk Music (Hardcover): Komitas Vardapet Komitas, Vrej N Nersessian Armenian Sacred and Folk Music (Hardcover)
Komitas Vardapet Komitas, Vrej N Nersessian
R4,199 Discovery Miles 41 990 Ships in 12 - 17 working days

In the realm of Armenian sacred and folk music the name which towers above all others is that of Komitas Vardapet (1869-1935). He not only notated the music from oral tradition but also analyzed the music of the service, the chants, the psalmody and presented us with its theoretical basis as practised today. More significant still are his painstaking studies concerning neumes. Eight of Komitas's principle musicological studies have been selected from his collected works published in Erevan in 1941. Of these, four are on folk music and four published in German and one in French. These have been reproduced in this volume in the original. The papers on folk music describe Armenian folk/country music and dances together with the important plough song of Lori (in north eastern Armenia). The papers on sacred music discuss the liturgy and tunes sung in the Armenian church. The studies were first published between the years 1894 and 1914.

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of... Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of the Thirty Years' War (Paperback)
Andrew H Weaver
R1,547 Discovery Miles 15 470 Ships in 12 - 17 working days

Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
On the Cantatas of J.S. Bach - Trinity…
Hendrik Slegtenhorst Paperback R452 Discovery Miles 4 520
The Leavening of Life - Contemporary…
Pat Bennett Paperback R335 Discovery Miles 3 350
Songs of Fellowship, Bk.3 - Words
Hardcover R82 Discovery Miles 820
Sent by the Lord
Wild Goose Worship Group CD R502 Discovery Miles 5 020
Eye Music - Series & Performance
Janet Boulton Paperback R437 Discovery Miles 4 370
In Memoriam: Susan M. (Page) Currier…
unknownauthor Paperback R380 R340 Discovery Miles 3 400
Panis Angelicus Reimagined
Rebecca Dale Sheet music R130 Discovery Miles 1 300
One is the Body
Wild Goose Worship Group CD R502 Discovery Miles 5 020
Courage to Say No
John L. Bell, Graham Maule CD R502 Discovery Miles 5 020
Sacra Privata - The Private Meditations…
Thomas Wilson Paperback R436 R389 Discovery Miles 3 890

 

Partners