for SATB choir unaccompanied With a text by John Henry Newman, Lead, kindly Light is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darkness, slow but steady in their way out of the 'encircling gloom'.

for SABar and piano, with opt. bass and drum kit This is a funky arrangement of Beethoven's 'Ode to Joy' with an English text by Henry van Dyke. Milloy jazzes up the well-known melody by arranging it in 12/8 time and adding syncopation, while supporting it with a groovy piano accompaniment and optional bass part (available at the back of the leaflet). Originally published in Pop Voiceworks 2.

for SABar and piano Higgins's arrangement of the popular German carol is given a modern twist with fresh harmonies, but still captures the gentleness and tranquility found in more traditional settings. Supported by sustained 'oo's and 'ah's throughout, the well-known melody is underpinned by a delicate piano accompaniment, with an optional unaccompanied middle section.

for SABar and piano or organ Ideal for a carol service or concert, this piece follows the three Kings on their journey to the birth of Jesus and is characterised by its alternation of major and minor modes. Also available in a version for SATB and piano or organ.

for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple but expressive piece, suitable for Lent and Passiontide.

Throughout history, two books have accompanied the advancement of Christianity: the Bible and the Hymnal. We may easily forget words that we read, or even memorize, but the melodies that we hear and sing remain in our thoughts, our minds, and our hearts forever. When Biblical truths are stated in a musical form we enjoy, the result is a penetration into our lives that has lasting spiritual benefits. These enduring songs convey a message that never grows old! So sing the hymns. Sing them over and over again. Seek out some of the great traditional songs that are rarely heard today. Purposefully learn hymns you do not know -- you will discover some gems. Whatever your musical tastes, discover anew the joy of singing the hymns! Pass this great tradition on to your children, and to the generations to follow.

for SATB and piano four-hands or chamber orchestra This effervescent setting of two texts by David Warner - one for Christmas, one for general worship - was included on the Tabernacle Choir and Orchestra at Temple Square's release, 'Tree of Life'. Over a shimmering, festive accompaniment for piano four-hands or chamber orchestra, the melody is passed between voice parts, and the dynamic contrasts and detailed articulation enable singers to present an engaging characterization.

for SATB unaccompanied This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousing conclusion, this anthem will bring a fresh sound to Easter services and concerts.

This is an inspirational writing based on the author's personal experiences. The writing and content will appeal to young and middle-aged adults. It is a "divine" blending of pop music nostalgia with religious concepts formulating a guide for living in the twenty-first century. The introduction will peak the interest of the curious, and the first chapter will firmly grasp readers, as they experience along with the writer surviving a level four (4) tornado without earthly protection. The subsequent chapters are very moving and thought provoking. The reader will surprisingly be guided by song lyrics of the pop music group, the Beatles. The writer has brilliantly paralleled biblical concepts with the words of Beatles tunes to be used as a road map to living well, and to Christ. Readers will find this writing to be a unique religious approach to contemporary issues of everyday living and spiritual growth. This is an inspirational writing for our time.

Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.

After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.

for SATB unaccompanied Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing with the hymn tune 'Picardy', is steeped in the Orthodox tradition, and has pure harmonies and a beautiful stillness.

for SATB and organ or piano This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds from verse to verse and with varying harmonizations, culminating in a dramatic cadence.

for SATB and organ, with optional congregation This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The organ plays a supportive role throughout, while the choral parts are of melodic and harmonic interest, but always keeping the discernibility of the text at the fore. The congregational part, which may be photocopied, is available at the back of the vocal score.

for SATB (with divisions) unaccompanied This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Solomon). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an immediately accessible sound-world. Perfect for concert performance.

for SATB and organ This Easter anthem sets an evocative text by J. M. C. Crum. Stately, expressive vocal lines are underpinned by a lively organ part, with crisp staccato melismas that pop out of the texture.

for SATB and organ or orchestra This radiant anthem is an arrangement of William F. Smith's hymn tune 'Lattimer', frequently paired with the popular gospel song 'This little light of mine'. Wilberg gives each section of the choir a presentation of the melody, beginning with the sopranos, before building towards a climactic finish with new harmony and texture as light spreads 'across the land'.

for upper voices, SATB, and piano In this beautifully expressive setting, Bob Chilcott has adapted the Prayer of Saint Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or sung by an additional upper-voice or children's choir, weaves Beethoven's iconic 'Ode to Joy' melody into the texture to create a powerful presentation of the unifying power of song.

for SATB (with divisions) and piano Brimming with groove and energy, this is a terrific arrangement of the popular spiritual. Chilcott's syncopated melodies and jazzy harmonies are well supported by the piano accompaniment, which features a walking bass. Perfect for adding a bit of spark to any concert programme. Originally published in Spirituals for Choirs.

for SATB and organ A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text written by the English priest and poet John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings of voices to great effect, and the soloistic organ writing allows plenty of opportunity for organists to explore the full range of their instrument.