An intimate exploration of the life, philosophy, and lasting occult influence of Anton LaVey, the founder of the Church of Satan With his creation of the infamous Church of Satan in 1966 and his bestselling book The Satanic Bible in 1969, Anton Szandor LaVey (1930-1997) became a controversial celebrity who basked in the attention and even made a successful career out of it. But who was Anton LaVey behind the public persona that so easily provoked Christians and others intolerant of his views? One of privileged few who spent time with the "Black Pope" in the last decade of his life, Carl Abrahamsson met Anton LaVey in 1989, sparking an "infernally" empowering friendship. In this book Abrahamsson explores what LaVey was really about, where he came from, and how he shaped the esoteric landscape of the 1960s. The author shares in-depth interviews with the notorious Satanist's intimate friends and collaborators, including LaVey's partner Blanche Barton, his son Xerxes LaVey, current heads of the Church of Satan Peter Gilmore and Peggy Nadramia, occult filmmaker Kenneth Anger, LaVey's personal secretary Margie Bauer, film collector Jack Stevenson, and film historian Jim Morton. Abrahamsson also shares never-before-published material from LaVey himself, including discussions between LaVey and Genesis P-Orridge and transcripts from LaVey's never-released "Hail Satan!" video. Providing inside accounts of the Church of Satan and activities at the Black House, this intimate exploration of Anton LaVey reveals his ongoing role in the history of culture and magic.

Witchcraft is a subject that fascinates us all, and everyone knows what a witch is - or do they? From childhood most of us develop a sense of the mysterious, malign person, usually an old woman. Historically, too, we recognize witch-hunting as a feature of pre-modern societies. But why do witches still feature so heavily in our cultures and consciousness? From Halloween to superstitions, and literary references such as Faust and even Harry Potter, witches still feature heavily in our society. In this Very Short Introduction Malcolm Gaskill challenges all of this, and argues that what we think we know is, in fact, wrong. Taking a historical perspective from the ancient world to contemporary paganism, Gaskill reveals how witchcraft has meant different things to different people and that in every age it has raised questions about the distinction between fantasy and reality, faith and proof. Telling stories, delving into court records, and challenging myths, Gaskill examines the witch-hunts of the sixteenth and seventeenth centuries, and explores the reinvention of witchcraft - as history, religion, fiction, and metaphor. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, author of "The Nazi Doctors" and "The Genocidal Mentality"

"David Frankfurter has taken a sensationalist topic and given it a serious, sober, and thoroughly enlightening treatment. At the heart of moral panics--witch crazes, red scares, rumors of Satanic ritual abuse, and others--he perceives not evil as an entity or sinister force, but rather a discourse of evil that draws on old traditions and common fantasies to stimulate horror, shock, and also prurient pleasure. Repeatedly, this volatile mix proves capable of inflaming passions and spawning violent campaigns whose excesses all too predictably fall on society's most marginal, and therefore most vulnerable, members. Drawing on a great many examples and much prior research, he makes a strong--and profoundly moral--argument."--Bruce Lincoln, University of Chicago

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, M.D., Distinguished Professor Emeritus, City University of New York

"Challenging the idea of evil being a reality beyond human comprehension, David Frankfurter's sharp and original analysis explores how this very idea produces a terrifying, unsettling reality of its own. The great merit of this elegantly written, substantial book isthat it moves us beyond a rather particularistic attitude toward separate, locally bounded cases and shows that there is a system in the variegated realm of evil."--Birgit Meyer, Free University Amsterdam

"A significant contribution to several fields including comparative religions, ancient and contemporary religious history, and even literary criticism. Frankfurter's approach--looking at evil not as some force or essence but as a discourse--is highly original."--Hugh Urban, Ohio State University

"Engrossing and well-informed, "Evil Incarnate" presents a cornucopia of amazing material in lucid prose, cogently organized and constructed into an engaging argument. Few authors have the range, the vision, and the boldness to break through the disciplinary and chronological boundaries to bring off a book like this."--Charles Stewart, University College London

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.

They flew through the air, consorted with animals, and made pacts with the devil. Witches were as unquestioned as alchemy or astrology in medieval England; yet it wasn't until the midsixteenth century that laws were passed against them. Now a leading historian of crime and society in early modern England offers the first scholarly overview of witchcraft in that country in over eighty years, examining how tensions between church, state, and society produced widespread distrust among fearful people.
"Instruments of Darkness" takes readers back to a time when witchcraft was accepted as reality at all levels of society. James Sharpe draws on legal records and other sources to reveal the interplay between witchcraft beliefs in different partts in the social hierarchy. Along the way, he offers disturbing accounts of witch-hunts, such as the East Anglian trials of 1645-47 that sent more than 100 people to the gallows. He tells how poor, elderly women were most often accused of witchcraft and challenges feminist claims that witch-hunts represented male persecution by showing that many accusers were themselves women.
Prosecution of witches gradually declined with increasing skepticism among jurists, new religious attitudes, and scientific advances that explained away magic. But for two hundred years, thousands participated in one of history's most notorious persecutions. "Instruments of Darkness" is a fascinating case study that deepens our understanding of this age-old cultural phenomenon and sheds new light on one society in which it occurred.

This richly illustrated history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.

Timothy d'Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious. For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success--thus new editions of Crowley's writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions. Timothy d'Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on: *Oxford's demonologist Montague Summers; *R A Caton and his Fortune Press; *Sexual prophet Ralph Chubb; *Florence Farr; *The British Library Private Case; *and Timothy d'Arch Smith. *For this new edition, he also adds an extra chapter on Crowley. ''...one could hardly wish for a more stimulating guide...'' -The London Magazine ''One of the more immediately striking things about the book is its gentle humour.'' - Time Out

Children of Lucifer explores the historical origins of Satanism, the "anti-religion" that adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. Ruben van Luijk traces its development from a concept invented by the Christian church to demonize its internal and external competitors, to a positive (anti-)religious identity embraced to varying degrees by groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory; a story that involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, culminating in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet, he argues, this story is more than just a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes towards Satan proves to be intimately linked to the Western Revolution-the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process during which western culture spontaneously renounced its traditional gods in order to enter into a self-imposed state of religious indecision. Children of Lucifer, thus, makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it.

Undeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil—the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era. Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil? Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since. Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

To many Westerners, the disappearance of African traditions of witchcraft might seem inevitable with continued modernization. In The Modernity, of Witchcraft, Peter Geschiere uses his own experiences among the Maka and in other parts of eastern and southern Cameroon, as well as other anthropological research, to argue that contemporary ideas and practices of witchcraft are more a response to modern exigencies than a lingering cultural custom. The prevalence of witchcraft, especially in African politics and entrepreneurship, demonstrates the unlikely balance it has achieved with the forces of modernity. Geschiere explores why modern techniques and commodities, usually of Western provenance, have become central in rumors of the occult.

Witchcraft is viewed as both a leveling and an oppressive force: a weapon of the weak to attack the powerful but also a tool of the powerful to maintain their position. Modern witchdoctors play a pivotal role not only in local cultures but also in stories of success and failure of state politicians, businessmen, and local football teams. Since the early 1980s they have been used as expert witnesses in state trials, helping to condemn defendants by their supposed expertise, rather than by hard evidence. The belief in witchcraft pervades all political levels: President Soglo of Benin, one of the few democratically elected on the continent, nearly missed his own inauguration because of an alleged witchcraft attack. Geschiere suggests that the African state is a true breeding ground for modern transformations of witchcraft because the ambiguity of this discourse can contain both the obsession of power and the increasing feelings of powerlessness among thepeople in the face of modern developments. There are unexpected parallels here with certain aspects of politics in Western democracies.

The ease with which witchcraft has incorporated the money economy, new power relations, and modern consumer goods is a striking example of its resilience in the face of Western influences. Geschiere uses the evolving relationship of witchcraft and modernity to demonstrate that democracy in Africa can succeed only if it is related to local cultures and their discourse on power.

This study is one that anthropologists, political scientists, and others concerned with contemporary Africa cannot afford to ignore.

This is the truth about demons and demonology - in more than 400 entries. The conflict between good and evil can be found in every culture, mythical tradition, and religion throughout history. In many cases, the source of evil has been personified as demons or devils, and in many belief systems, both are considered to be real entities operating outside the boundaries of the physical world to torment people or lead them astray. In some traditions demons are believed to be the direct opposite of angels, working against the forces of good and challenging them. Real or not, demons are at the heart of many fascinating beliefs and traditions, several of which are widely held today. ""The Encyclopedia of Demons and Demonology"" explores this dark aspect of folklore and religion and the role that demons play in the modern world. This comprehensive resource presents more than 400 entries and more than 80 black-and-white photographs documenting beliefs about demons and demonology from ancient history to the present. The key topics covered include: Demons in different cultural and religious traditions; Demons in folklore and popular culture; Exorcism and other means of confronting demons; Historical cases of possession and demon activity; The history of demonology; Magic and witchcraft; Possession and other demonic phenomena; Modern-day demonologists and exorcists; Strange creatures and entities related to demons; and, Types of demons.

Robert H. Schuller’s ministry—including the architectural wonder of the Crystal Cathedral and the polished television broadcast of Hour of Power—cast a broad shadow over American Christianity. Pastors flocked to Southern California to learn Schuller’s techniques. The President of United States invited him sit prominently next to the First Lady at the State of the Union Address. Muhammad Ali asked for the pastor’s autograph. It seemed as if Schuller may have started a second Reformation. And then it all went away. As Schuller’s ministry wrestled with internal turmoil and bankruptcy, his emulators—including Rick Warren, Bill Hybels, and Joel Osteen— nurtured megachurches that seemed to sweep away the Crystal Cathedral as a relic of the twentieth century. How did it come to this? Certainly, all churches depend on a mix of constituents, charisma, and capital, yet the size and ambition of large churches like Schuller’s Crystal Cathedral exert enormous organizational pressures to continue the flow of people committed to the congregation, to reinforce the spark of charismatic excitement generated by high-profile pastors, and to develop fresh flows of capital funding for maintenance of old projects and launching new initiatives. The constant attention to expand constituencies, boost charisma, and stimulate capital among megachurches produces an especially burdensome strain on their leaders. By orienting an approach to the collapse of the Crystal Cathedral on these three core elements—constituency, charisma, and capital—The Glass Church demonstrates how congregational fragility is greatly accentuated in larger churches, a notion we label megachurch strain, such that the threat of implosion is significantly accentuated by any failures to properly calibrate the inter-relationship among these elements.