Spirit Possession and Communication in Religious and Cultural Contexts explores the phenomenon of spirit possession, focusing on the religious and cultural functions it serves as a means of communication. Drawing on the multidisciplinary expertise of philosophers, anthropologists, historians, linguists, and scholars of religion and the Bible, the volume investigates the ways that spirit possession narratives, events, and rituals are often interwoven around communicative acts, both between spiritual and earthly realms and between members of a community. This book offers fresh insight into the enduring cultural and religious significance of spirit possession. It will be an important resource for scholars from a diverse range of disciplines, including religion, anthropology, history, linguistics, and philosophy.

Called "The Black Pope" by many of his followers, Anton La Vey began the road to High Priesthood of the (lurch of Satan when he was only 16 years old and an organ player in a carnival:

"On Saturday night I would see men lusting after halfnaked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent-show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they'd be back at The carnival or some other place of indulgence.

"I knew then that the Christian Church thrives on hypocrisy, and that man's carnal nature will out!"

From that time early in his life his path was clear. Finally, on the last night of April, 1966 -- Walpurgisnacht, the most important festival of the believers in witchcraft -- LaVey shaved his head in the tradition of Ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man's body and his carnal desires as objects of celebration. "Since worship of fleshly things produces pleasure," he said, "there would then be a temple of glorious indulgence . . ."

First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.

• This volume provides a combination of the major schools of thought on the Salem witch trials and incorporates the current scholarship on the subject. Events are presented in a narrative format that delivers the drama of the trials and leaves instructors free to explore specific topics of their choosing in greater depth. An analysis of key issues is provided at the end of each chapter. • The third edition has been significantly updated to include an expanded section on the European origins of witch hunts and an update and expand epilogue which discusses the witch hunts – real and imagined, historical and cultural – since 1692. Allowing students new to the phenomenon of the witch-hunts and trials to better understand their origins and impact upon the national psyche. • The bibliography has been substantially updated, an extensive list of internet resources, sources of primary documents, documentaries, movies, artwork, and resources to assist lecturers with using this book in their classrooms and students to further their studies.

The History of the Devil (1900) is a philosophical study by Paul Carus. A lifelong Monist, Carus sought to apply a scientific analysis to the principles of humanity's religions. Credited with bridging the gap between Eastern and Western beliefs, Carus believed that the dualism rampant in the West could be replaced in order to establish a more equitable world where difference and diversity would be accepted and nurtured, rather than suppressed. "This world of ours is a world of opposites. There is light and shade, there is heat and cold, there is good and evil, there is God and the Devil. The dualistic conception of nature has been a necessary phase in the evolution in human thought." Recognizing the need for dualism in the history of humanity, Carus sought to promote the principles of Monism in the West, believing it could lead to a universal worldview capable of uniting East and West. A positivist and pantheist, Carus believed that by pursuing "in religion the same path that science travels, [...] the narrowness of sectarianism [would] develop into a broad cosmical religion which shall be as wide and truly catholic as is science itself." To lay the groundwork for this "cosmical religion," he investigates the figure of the Devil and the historical evolution of the concept of evil, which he saw as predating belief in goodness and God. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Carus' The History of the Devil is a classic of philosophy reimagined for modern readers.

This book discusses two moral panics that appeared in the media in late apartheid South Africa: the Satanism scare and the so-called epidemic of white family murder. The analysis of these symptoms of social and political change reveals important truths about whiteness, gender, violence, history, nationalism and injustice in South Africa and beyond.

The History of the Devil (1900) is a philosophical study by Paul Carus. A lifelong Monist, Carus sought to apply a scientific analysis to the principles of humanity's religions. Credited with bridging the gap between Eastern and Western beliefs, Carus believed that the dualism rampant in the West could be replaced in order to establish a more equitable world where difference and diversity would be accepted and nurtured, rather than suppressed. "This world of ours is a world of opposites. There is light and shade, there is heat and cold, there is good and evil, there is God and the Devil. The dualistic conception of nature has been a necessary phase in the evolution in human thought." Recognizing the need for dualism in the history of humanity, Carus sought to promote the principles of Monism in the West, believing it could lead to a universal worldview capable of uniting East and West. A positivist and pantheist, Carus believed that by pursuing "in religion the same path that science travels, [...] the narrowness of sectarianism [would] develop into a broad cosmical religion which shall be as wide and truly catholic as is science itself." To lay the groundwork for this "cosmical religion," he investigates the figure of the Devil and the historical evolution of the concept of evil, which he saw as predating belief in goodness and God. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Carus' The History of the Devil is a classic of philosophy reimagined for modern readers.

This book explores local cultural discourses and practices relating to manifestations and experiences of the demonic, the spectral and the uncanny, probing into their effects on people's domestic and intimate spheres of life. The chapters examine the uncanny in a cross-cultural manner, involving empirically rich case studies from sub-Saharan Africa, Latin America and Europe. They use an interdisciplinary and comparative approach to show how people are affected by their intimate interactions with spiritual beings. While several chapters focus on the tensions between public and private spheres that emerge in the context of spiritual encounters, others explore what kind of relationships between humans and demonic entities are imagined to exist and in what ways these imaginations can be interpreted as a commentary on people's concerns and social realities. Offering a critical look at a form of spiritual experience that often lacks academic examination, this book will be of great use to scholars of Religious Studies who are interested in the occult and paranormal, as well as academics working in Anthropology, Sociology, African Studies, Latin American Studies, Gender Studies and Transcultural Psychology.

Vampires and Vampirism (1914) is a work from another era, a time when belief and wonder led some to travel down pathways of knowledge in search of truth and terror, not knowing what they would find. Written in response to an "awakened [popular] interest in supernormal phenomena" in the early twentieth century, Dudley Wright's Vampires and Vampirism traces the history of vampirism around the world, from ancient Babylonia, Assyria, and Greece, to Great Britain, Germany, and Eastern Europe. Beginning with the question "What is a vampire?", Wright seeks to first define the term before moving into an analysis of how belief in vampirism emerged from various and distant religious and cultural traditions. Each chapter uses a scholarly mix of ancient and modern sources to enlighten the reader, and the book culminates in a chapter titled "Fact or Fiction?", which allows the reader to hear from believers and skeptics alike. The book includes harrowing personal accounts of outbreaks of vampirism in British India and Mexico, as well as a lengthy bibliography. In a world where matters of occult nature, such as astrology, have reentered the popular consciousness, Vampires and Vampirism is sure to be of interest. It is also a fascinating document of a time when Europeans-faced with spiritual doubt and inspired by religious traditions and myths from the outer reaches of empire-sought to establish new systems of belief, new orders they hoped could replace those they feared were quickly becoming lost. At times despicable, and always controversial, Dudley Wright was a tireless searcher whose life included conversions to Islam and Catholicism, forays into anti-Semitism-later retracted-and a deep, spiritual involvement with organizations dedicated to matters both visible and invisible, true and beyond belief. With a beautifully designed cover and professionally typeset manuscript, this new edition of Dudley Wright's Vampires and Vampirism is a classic of history and horror reimagined for modern readers.

Faith horror refers to a significant outcropping of mid-1960s and 1970s films and adaptative novels that depict non-Christian communities of evil doers and their activities. Before this period, the classical horror villain was ultimately ineffectual. The demonic monster was an isolated, lone individual easily vanquished by an altruistic Christian protagonist. Alternatively, the villain in faith horror is organized into identity-affirming, likeminded religious congregations that successfully overcome protagonists. Faith horror was a cinematic trend that depicted Satanism, witchcraft and paganism during a cultural deliberation over the "Death of God," which debated the legitimacy of alternative spiritualities and the value of alliance to any faith at all. Covering popular works like Rosemary's Baby, The Wicker Man and The Omen, this book regards these films and their literary sources in relation to this historical moment, providing new ways of understanding both the period and the faith horror movement more generally.

Shows students of the history of witchcraft and magic that the beliefs of the seventeenth century continued through the Enlightenment, despite the attempts by philosophers to dismiss magic and its practice, into the nineteenth century. The volume is divided into three sections highlighting different definitions of magic including the concern over the non-material world as found in popular and elite practices, its relationship with science and medicine, and other forms of divination available to the general population. Providing students with a broad view of how magic was engaged with in the eighteenth century to inform their own studies. Explores the relationship between magic, science and medicine providing students with a good understanding of how the emerging fields of science and medicine came into conflict with popular belief in and practice of magic. Allowing students to see why magic still resonated with the general public into the nineteenth century.

Originally published in 1978, The Occult Sourcebook has been compiled primarily for the many people who are for the first time becoming engrossed by the numerous and often confusing possibilities underlying the occult sciences. It consists of a series of articles on key areas, providing the reader with easy access to basic facts, together with a carefully planned guide to further reading. Critical comments on the recommended books allow the reader to select those which best suit their interests. The authors have also included a 'Who's Who of the occult' to provide short biographies of some of the more amazing figures who have already travelled down the mystic path. The book offers a programmed system of exploration into the realms of the unknown. It will be invaluable to the increasing number of people who are concerned with the exploration of enlarging human consciousness.

Until the church recognizes the real face of the occult, it cannot serve as a source of hope and love.Its tentacles have infiltrated the very fiber of our day-to-day existence. Its symbols adorn our buildings, our currency, and the clothes and jewelry we lay upon our bodies. Its followers are legion, some of them blind to their own devotion while others pour out effort and intellect toward a broader understanding of the divine.
It is the occult, and it dominates the world's faith mind-set. Jeff Harshbarger and his friends know about occult practices. Jeff left his life of Satanism after two unsuccessful suicide attempts and an offer to become his group's first human sacrifice.
"Dancing with the Devil" tells the true stories of Jeff and others who have walked various paths of the occult. Each author's account of his or her experience with the occult is introduced by Jeff as he ties their stories together, weaving a tapestry that, by the book's close, shows the fabric of an occultist's real identity. Armed with stable faith and the sure love of Christ, they are stepping out to share a true look into the heart, mind, and soul of the occult and its followers.

The world’s leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman’s behavior defied logic. In an instant, she could pinpoint a person’s secret weaknesses. She knew how individuals she’d never known had died, including Gallagher’s own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin—but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn’t mentally disturbed—she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths—ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had “assigned” her a spirit who “turned on her.” A petite woman—”90 pounds soaking wet”—who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And “Julia,” the so-called Satanic queen and self-described witch, who exhibited “the most harrowing” case, a “once-in-a-century” possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

Spirit Possession and Communication in Religious and Cultural Contexts explores the phenomenon of spirit possession, focusing on the religious and cultural functions it serves as a means of communication. Drawing on the multidisciplinary expertise of philosophers, anthropologists, historians, linguists, and scholars of religion and the Bible, the volume investigates the ways that spirit possession narratives, events, and rituals are often interwoven around communicative acts, both between spiritual and earthly realms and between members of a community. This book offers fresh insight into the enduring cultural and religious significance of spirit possession. It will be an important resource for scholars from a diverse range of disciplines, including religion, anthropology, history, linguistics, and philosophy.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

In contradistinction to the many monographs and edited volumes devoted to historical, cultural, or theological treatments of demonology, this collection features newly written papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving ideas and topics in demonology. The contributors to the volume approach the subject from the perspective of the broadest areas of Western philosophy, namely metaphysics, epistemology, logic, and moral philosophy. The collection also features a plurality of religious, cultural, and theological views on the nature of demons from both Eastern and Western thought, in addition to views that may diverge from these traditional roots. Philosophical Approaches to Demonology will be of interest to philosophers of religion, theologians, and scholars working in philosophical theology and demonology, as well as historians, cultural anthropologists, and sociologists interested more broadly in the concept of demons.

Demonology - the intellectual study of demons and their powers - contributed to the prosecution of thousands of witches. But how exactly did intellectual ideas relate to prosecutions? Recent scholarship has shown that some of the demonologists' concerns remained at an abstract intellectual level, while some of the judges' concerns reflected popular culture. This book brings demonology and witch-hunting back together, while placing both topics in their specific regional cultures. The book's chapters, each written by a leading scholar, cover most regions of Europe, from Scandinavia and Britain through to Germany, France and Switzerland, and Italy and Spain. By focusing on various intellectual levels of demonology, from sophisticated demonological thought to the development of specific demonological ideas and ideas within the witch trial environment, the book offers a thorough examination of the relationship between demonology and witch-hunting. Demonology and Witch-Hunting in Early Modern Europe is essential reading for all students and researchers of the history of demonology, witch-hunting and early modern Europe.

Enlivened with 102 photographs and 50 figures and maps, "Shamans, Witches, and Maya Priests" explores the "old ways" that still prevail in the Q'anjob'al, Akatek, and Chuj communities of the remote northwestern Cuchumatan Mountains. Krystyna Deuss provides vivid descriptions and images of the traditional rites and rituals she witnessed during fifteen years of fieldwork. These sacred moments include blood sacrifices for the good of the community and private shamanic rituals--as well as black magic. Deuss also includes a selection of the prayers she recorded.

Pandemonium: An Illustrated History of Demonology presents for this first time Satan's family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout there will be short entries on individual demons, but Pandemonium will be more than just a visual encyclopedia. It will also focus on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons in the New Testament through the Enlightenment and Romantic eras when our devils took on a subtler form, Pandemonium functions as a compendium of Lucifer's subjects from Dante's The Divine Comedy to John Milton's Paradise Lost, and all points in between. Containing rarely seen illustrations of very old treatises on demonology as well as more well-known works by the great masters of Western painting, this book will celebrate the art of hell like never before!