The story of the British Empire at its maximum territorial extent.

On Saturday 29 September 1923, the Palestine Mandate became law and the British Empire now covered a scarcely credible quarter of the world's land mass, containing 460 million people. It was the largest empire the world had ever seen. But it was beset by debt and doubts.

This book is a new way of looking at the British Empire. It immerses the reader in the contemporary moment, focusing on particular people and stories from that day, gleaned from newspapers, letters, diaries, official documents, magazines, films and novels: from a remote Pacific island facing the removal of its entire soil, across Australia, Burma, India and Kenya to London and the West Indies.

In some ways, the issues of a hundred years ago are with us still: debates around cultural and ethnic identity in a globalised world; how to manage multi-ethnic political entities; racism; the divisive co-opting of religion for political purposes; the dangers of ignorance. In others, it is totally alien. What remains extraordinary is the Empire's ability to reveal the most compelling human stories. Never before has there been a book which contains such a wide spread of vivid experiences from both colonised and coloniser: from the grandest governors to the humblest migrants, policemen and nurses.

Slagtersnek is een van die bekendste name in ons geskiedenis. Met sy grusame assosiasie was dit ‘n magtige propagandamiddel in die politieke ontwikkeling van die Afrikaner. Juis hierdeur het dit egter al gou ‘n volksmite geword waarna herondersoek dringend noodsaaklik geword het. Dit is wat dr. Heese in hierdie boek doen.

Deur deeglike navorsing van die voor- en nageslag van almal wat daarby betrokke was, vorm hy ‘n helder beeld van wat werklik plaasgevind het. Hy toon oortuigend aan dat die Slagtersnek-opstand verkeerd vertolk is. Daar is helde gesien waar geen helde was nie, en dit was juis die bekampers van die opstandelinge, asook die neutrales, wat later die Afrikaner volksbewussyn tydens die Groot Trek bevorder het.

Heese skilder talle kleurryke figure: die bywoners, die ryk patriarge, die sukkelende swerwers, die dwarstrekkers, skoolmeesters en nie-blanke bediendes. Met hierdie boek word ‘n belangrike en oorspronklike bydrae tot ons geskiedenis gemaak.

European culture in the seventeenth and eighteenth centuries witnessed a radical redefinition of 'humanity' and its place in the environment, together with a new understanding of animals and their relation to humans. In examining the dynamics of animal-human relations as embodied in the literature, art, farming practices, natural history, religion and philosophy of this period, leading experts explore the roots of much current thinking on interspecies morality and animal welfare. The animal-human relationship challenged not only disciplinary boundaries - between poetry and science, art and animal husbandry, natural history and fiction - but also the basic assumptions of human intellectual and cultural activity, expression, and self-perception. This is specifically apparent in the re-evaluation of sentiment and sensibility, which constitutes a major theme of this chronologically organised volume. Authors engage with contemporary reactions to the commodification of animals during the period of British imperialism, tracing how eighteenth-century ecological consciousness and notions of animal identity and welfare emerged from earlier, traditional models of the cosmos, and reassessing late eighteenth-century poetic representations of the sentimental encounter with the animal other. They show how human experience was no longer viewed as an iterative process but as one continually shaped by the other. In concluding chapters authors highlight the political resonances of the animal-human relationship as it was used both to represent and to redress the injustices between humans as well as between humans and animals. Through a multifaceted study of eighteenth-century European culture, authors reveal how the animal presence - both real and imagined - forces a different reading not only of texts but also of society.

Off-beat, irreverent and subversive – a Jewish family memoir about convenient delusions and unsayable truths, from the acclaimed author of the cult classic novel, Submarine.

Joe Dunthorne had always wanted to write about his great-grandfather, Siegfried: an eccentric scientist who invented radioactive toothpaste and a Jewish refugee from the Nazis who returned to Germany under cover of the Berlin Olympics to pull off a heist on his own home.

The only problem was that Siegfried had already written the book of his life – an unpublished, two-thousand page memoir so dry and rambling that none of his living descendants had managed to read it. And, as it turned out when Joe finally read the manuscript himself, it told a very different story from the one he thought he knew…

Thus begins a mystery which stretches across the twentieth century and around the world, from Berlin to Ankara, New York, Glasgow and eventually London – a mystery about the production of something much more sinister than toothpaste. On the trail of one ‘jolly grandpa’ with a patchy psychiatric history and an encyclopaedic knowledge of poison gases, Joe Dunthorne is forced to confront the uncomfortable questions that lie at the heart of every family. Can we ever understand where we come from? Is every family in the end a work of fiction? And even if the truth can be found – will we be able to live with it?

Children of Radium is a remarkable, searching meditation on individual and collective inheritance. Witty and wry, deeply humane and endlessly surprising, it considers the long half-life of trauma, the weight of guilt and the ever-evasive nature of the truth.

The early modern era is often envisioned as one in which European genres, both narrative and visual, diverged indelibly from those of medieval times. This collection examines a disparate set of travel texts, dating from the thirteenth to the seventeenth centuries, to question that divergence and to assess the modes, themes, and ethnologies of travel writing. It demonstrates the enduring nature of the itinerary, the variant forms of witnessing (including imaginary maps), the crafting of sacred space as a cautionary tale, and the use of the travel narrative to represent the transformation of the authorial self. Focusing on European travelers to the expansive East, from the soft architecture of Timur's tent palaces in Samarqand to the ambiguities of sexual identity at the Mughul court, these essays reveal the possibilities for cultural translation as travelers of varying experience and attitude confront remote and foreign (or not so foreign) space.