Worldwide supplies of sugar and cotton were impacted dramatically as the U.S. Civil War dragged on. New areas of production entered these lucrative markets, particularly in the South Pacific, and plantation agriculture grew substantially in disparate areas such as Australia, Fiji, and Hawaii. The increase in production required an increase in labor; in the rush to fill the vacuum, freebooters and other unsavory characters began a slave trade in Melanesians and Polynesians that continued into the twentieth century. ""The White Pacific"" ranges over the broad expanse of Oceania to reconstruct the history of ""blackbirding"" (slave trading) in the region. It examines the role of U.S. citizens (many of them ex-slaveholders and ex-confederates) in the trade and its roots in Civil War dislocations. What unfolds is a dramatic tale of unfree labor, conflicts between formal and informal empire, white supremacy, threats to sovereignty in Hawaii, the origins of a White Australian policy, and the rise of Japan as a Pacific power and putative protector. It also pieces together a wonderfully suggestive history of the African American presence in the Pacific. Based on deft archival research in Australia, New Zealand, Fiji, Hawaii, the United States, and Great Britain, ""The White Pacific"" uncovers a heretofore hidden story of race, labor, war, and intrigue that contributes significantly to the emerging intersectional histories of race and ethnicity.

Trajectories of Empire extends from the beginning of the Iberian expansion of the mid-fifteenth century, through colonialism and slavery, and into the twentieth and twenty-first centuries in Latin American republics. Its point of departure is the question of empire and its aftermath, as reflected in the lives of contemporary Latin Americans of African descent, and of their ancestors caught up in the historical process of Iberian colonial expansion, colonization, and the Atlantic slave trade. The book's chapters explore what it's like to be Black today in the so-called racial democracies of Brazil, Colombia, and Cuba; the role of medical science in the objectification and nullification of Black female personhood during slavery in Brazil in the nineteenth century; the deployment of visual culture to support insurgency for a largely illiterate slave body again in the nineteenth century in Cuba; aspects of discourse that promoted the colonial project as evangelization, or alternately offered resistance to its racialized culture of dominance in the seventeenth century; and the experiences of the first generations of forced African migrants into Spain and Portugal in the fifteenth and sixteenth centuries, as the discursive template was created around their social roles as enslaved or formerly enslaved people. Trajectories of Empire's contributors come from the fields of literary criticism, visual culture, history, anthropology, popular culture (rap), and cultural studies. As the product of an interdisciplinary collective, this book will be of interest to researchers and graduate students in Iberian or Hispanic Studies, Africana Studies, Postcolonial Studies, and Transatlantic Studies, as well as the general public.

Contemporary craft, art and design are inseparable from the flows of production and consumption under global capitalism. The New Politics of the Handmade features twenty-three voices who critically rethink the handmade in this dramatically shifting economy. The authors examine craft within the conditions of extreme material and economic disparity; a renewed focus on labour and materiality in contemporary art and museums; the political dimensions of craftivism, neoliberalism, and state power; efforts toward urban renewal and sustainability; the use of digital technologies; and craft's connections to race, cultural identity and sovereignty in texts that criss-cross five continents. They claim contemporary craft as a dynamic critical position for understanding the most immediate political and aesthetic issues of our time.

In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana's remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state's folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana's major ethnic groups-slavery, the grand d? (R)rangement, linguistic discrimination-resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero's ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana's folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state's cultural landscape, apparent in humor, popular culture, regional branding, and children's books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.

This volume collects 50 stories of gardening invention, innovation and discovery. Among them is that of Thomas Hyl, who in 1577 devised the first water sprinkler; Nathaniel Ward who began a craze for indoor gardening in 1829 with his terrarium case; and Henry Telende, who in 1720 grew England's first pineapple. From the invention of the trellis, flower pots and the waterscrew in the ancient world; via secateurs, jute string and flame guns in the Victorian age; to the Gro-Bag and Flymo of modern times, the ingenious achievements make an inspiring international collection.

This book explores the impact of violence on the religious beliefs of front soldiers and civilians in Germany during the First World War. The central argument is that religion was the main prism through which men and women in the Great War articulated and processed trauma. Inspired by trauma studies, the history of emotions, and the social and cultural history of religion, this book moves away from the history of clerical authorities and institutions at war and instead focuses on the history of religion and war 'from below.' Jason Crouthamel provides a fascinating exploration into the language and belief systems used by ordinary people to explain the inexplicable. From Judeo-Christian traditions to popular beliefs and 'superstitions,' German soldiers and civilians depended on a malleable psychological toolbox that included a hybrid of ideas stitched together using prewar concepts mixed with images or experiences derived from the surreal environment of modern combat. Perhaps most interestingly, studying the front experience exposes not only lived religion, but also how religious beliefs are invented. Front soldiers in particular constructed new, subjective spiritual and religious concepts based on encounters with industrialized weapons, the sacred experience of comradeship, and immersion in mass death, which profoundly altered their sense of self and the supernatural. More than just a coping mechanism, religious language and beliefs enabled victims, and perpetrators, of violence to narrate concepts of psychological renewal and rebirth. In the wake of defeat and revolution, religious concepts shaped by the war experience also became a cornerstone of visions for radical political movements, including the National Socialists, to transform a shattered and embittered German nation. Making use of letters between soldiers and civilians, diaries, memoirs and front newspapers, Trauma, Religion and Spirituality in Germany during the First World War offers a unique glimpse into the belief systems of men and women at a turning point in European history.

This is the first full-scale study of the world of eighteenth-century British cookery books, their authors, their readers and their recipes. For many decades, we have treated them as collectables - often fetching thousands at auction and in rare-book catalogues - or as quaint survivors, while ignoring their true history or what they have to tell us about the Georgians at table. The publication of cookery books was pursued more vigorously in Britain than in any other west European country: it was also the genre that attracted more women writers to its ranks - indeed, perhaps the very first woman to earn her living from her writing in modern Britain was Hannah Woolley, author of The Cook's Guide and other works. Reason enough to look more closely at the form. This book pursues the authors: their identity, their intentions, their biographies; and it weighs up their audience. How far did the one determine the other? How far did the character of the authors and their output direct the course of British cookery during the eighteenth century? While books advised and encouraged their readers to cook, create and compound, the experience at table may have been very different. The British Housewife tests the fantasy against the reality perceived in contemporary diaries. correspondence and other sources. Meal-times, table manners and the actual procedures of dining are laid out for the modern reader in much greater detail than hitherto. And the curious may discover how eighteenth-century noblemen fought for the favours of the best French chefs, how cookery book writers traded insults in the public print, or how celebrity chefs' of the day wrote not a word of the books that were put out under their name. La plus ca change... There is an extensive bibliography together with a long appendix giving the full wording of the title pages of many of the cookery books under discussion, making this an indispensable handbook as well as a major contribution to understanding a subject we know too little about. There are several illustrations of table layouts, title pages and frontispieces from the original books.

The Little Bighorn Battlefield National Monument is the site of one of America's most famous armed struggles, but the events surrounding Custer's defeat there in 1876 are only the beginning of the story. As park custodians, American Indians, and others have contested how the site should be preserved and interpreted for posterity, the Little Bighorn has turned into a battlefield in more ways than one. In Stricken Field, one of America's foremost military historians offers the first comprehensive history of the site and its administration in more than half a century.Jerome A. Greene has produced a compelling account of one of the West's most hallowed and controversial attractions, beginning with the battle itself and ending with the establishment of an American Indian memorial early in the twenty-first century. Chronicling successive efforts of the War Department and the National Park Service to oversee the site, Greene describes the principal issues that have confounded its managers, from battle observances and memorials to ongoing maintenance, visitor access, and public use. Stricken Field is a cautionary tale. Greene elucidates the conflict between the Park Service's dual mission to provide public access while preserving the integrity of a historical resource. He also traces the complex events surrounding the site, including Indian protests in the 1970s and 1980s that ultimately contributed to the 2003 dedication of a monument finally recognizing the Lakotas, Northern Cheyennes, and other American Indians who fought there.