Mankind likes to consider itself civilized. Sadly, this civilization is only skin-deep and man's inhumanity to man, both in war and peace, has always been a cause for shame. But how should traitors, criminals and society's enemies be dealt with? This book shows some of the means used to chastise and punish down through the ages.Look out for more Pitkin Guides on the very best of British history, heritage and travel.

A history of Reading's iconic gaol: architectural landmark, cultural emblem and symbol for a community determined to cherish the town's heritage. Layers of history and art are carefully peeled back as Peter Stoneley reveals its past as architectural showcase for Sir George Gilbert Scott's decorative (and expensive!) style, location for experiments in prison reform, training ground for the leaders of the Irish Independence movement and, of course, the inspiration for Oscar Wilde's famous Ballad of Reading Gaol. Bringing the narrative right up to the present day with the discussions over its future use, the impact of the ArtAngel exhibition and Banksy's graffiti, this book is a timely platform for the building to tell us its story.

A comprehensive study of every aspect of chivalry and chivalric culture. Chivalry lay at the heart of elite society in the Middle Ages, but it is a nebulous concept which defies an easy definition. More than just a code of ethical behaviour, it shaped literary tastes, art and manners, as well as social hierarchies, political events and religious practices; its impact is everywhere. This work aims to provide an accessible and holistic survey of the subject. Its chapters, by leading experts in the field, cover a wide range of areas: the tournament, arms and armour, the chivalric society's organisation in peace and war, its literature and its landscape. They also consider the gendered nature of chivalry, its propensity for violence, and its post-medieval decline and reinvention in the early modern and modern periods. It will be invaluable to the student and the scholar of chivalry alike. ROBERT W. JONES is a Visiting Scholar in History, Franklin and Marshall College; PETER COSS is Emeritus Professor of Medieval History, Cardiff University Contributors: Richard Barber, Joanna Bellis, Matthew Bennett, Sam Claussen, Peter Coss, Oliver Creighton, David Green, Robert W. Jones, Megan G. Leitch, Ralph Moffat, Helen J. Nicholson, Clare Simmons, David Simpkin, Peter Sposato, Louise J. Wilkinson, Matthew Woodcock

A celebration of Ukraine's rich cultural heritage, drawing on over 100 of the country's most important works of art and architectural monuments from prehistory to the present. Showcasing more than one hundred objects and buildings - from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces - Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation's complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity. All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

This is the untold story of black music - its triumph over racism, segregation, undercapitalised record labels, media discrimination and political anxiety - told through the perspective of the most powerful office in the world: from Louis Armstrong's spat with President Eisenhower and Eartha Kitt's stormy encounter with Lady Bird Johnson to James Brown's flirtation with Nixon, Reaganomics and the 'Cop Killer' scandal. Moving, insightful and wide-ranging, Hey America! charts the evolution of sixties soul from the margins of American society to the mainstream, culminating in the rise of urban hip-hop and the dramatic stand-off between Donald Trump and the Black Lives Matter movement.

The earthquake that struck Haiti on 12 January 2010 thrust the nation into the public consciousness as never before. There is now an unprecedented empathy for and interest in Haiti, and a related need for information on Haitian reality, beyond the cliches often associated with the nation. In particular, there is a special interest in the earthquake and the questions of Haiti's future development. Haiti Rising responds to this public interest and has three fundamental aims: to raise awareness of Haiti, its people, culture and history; to allow some who were in Haiti during the earthquake a chance to testify. The book brings together more than twenty essays written by some of the most prominent authorities on Haiti, and offers insights on the political, social and historical contexts, as well as the uniquely rich culture of the nation. The first part features survivor testimonies - moving accounts of the earthquake and its aftermath written by authors and academics, Haitian nationals and foreign visitors. The second part presents essays on economics, politics, society and culture (music, religion, visual art), and the ways in which they are interrelated in history and in contemporary life. The third section focuses on the history of Haiti from colonial times to the present and shows the ways in which history has shaped Haitian society. It shows how colonial class and colour structures have persisted, how the revolution has shaped subsequent political, cultural and social structures, and how the legacy of the Duvalier dictatorship has lingered. The final section features contributors who were not in Haiti at the time of the earthquake, but who have strong ties to Haiti. These authors write about their personal connections to Haiti, their reactions to the earthquake, and their hopes and recommendations for reconstruction.

Named a Best Book of the Year by The New Yorker and The Boston Globe An authoritative, illuminating, and deeply humane history of addiction-a phenomenon that remains baffling and deeply misunderstood despite having touched countless lives-by an addiction psychiatrist striving to understand his own family and himself "Carl Erik Fisher's The Urge is the best-written and most incisive book I've read on the history of addiction. In the midst of an overdose crisis that grows worse by the hour and has vexed America for centuries, Fisher has given us the best prescription of all: understanding. He seamlessly blends a gripping historical narrative with memoir that doesn't self-aggrandize; the result is a full-throated argument against blaming people with substance use disorder. The Urge is a propulsive tour de force that is as healing as it is enjoyable to read." -Beth Macy, author of Dopesick Even after a decades-long opioid overdose crisis, intense controversy still rages over the fundamental nature of addiction and the best way to treat it. With uncommon empathy and erudition, Carl Erik Fisher draws on his own experience as a clinician, researcher, and alcoholic in recovery as he traces the history of a phenomenon that, centuries on, we hardly appear closer to understanding-let alone addressing effectively. As a psychiatrist-in-training fresh from medical school, Fisher was soon face-to-face with his own addiction crisis, one that nearly cost him everything. Desperate to make sense of the condition that had plagued his family for generations, he turned to the history of addiction, learning that the current quagmire is only the latest iteration of a centuries-old story: humans have struggled to define, treat, and control addictive behavior for most of recorded history, including well before the advent of modern science and medicine. A rich, sweeping account that probes not only medicine and science but also literature, religion, philosophy, and public policy, The Urge illuminates the extent to which the story of addiction has persistently reflected broader questions of what it means to be human and care for one another. Fisher introduces us to the people who have endeavored to address this complex condition through the ages: physicians and politicians, activists and artists, researchers and writers, and of course the legions of people who have struggled with their own addictions. He also examines the treatments and strategies that have produced hope and relief for many people with addiction, himself included. Only by reckoning with our history of addiction, he argues-our successes and our failures-can we light the way forward for those whose lives remain threatened by its hold. The Urge is at once an eye-opening history of ideas, a riveting personal story of addiction and recovery, and a clinician's urgent call for a more expansive, nuanced, and compassionate view of one of society's most intractable challenges.

English spas have a long and steamy history, from the thermal baths of Aquae Sulis in Bath to the stews of Southwark, the elegant pump rooms of Cheltenham and Buxton to the Victorian mania for hydrotherapy and Turkish hammams. 'The Secret History of English Spas' is an informative but light-hearted social and cultural history of our obsession with drinking and bathing in spa waters. It tells the stories of the rich, the famous, the poor and the sick, all of whom visited spas in hopes of curing everything from infertility to leprosy and gonorrhoea. It depicts the entrepreneurs who promoted these resorts - often on the basis of the most dubious scientific evidence - and the riotous and salacious social life enjoyed in spa towns, where moral health might suffer even as bodies were cleansed and purged. And yet English spas also offered an ideal of civility and politeness, providing a place where social classes and sexes could mingle and enjoy refined entertainments such as music and dance - all part of the fashionable pastime referred to as 'taking the waters'.

Founded in 1917, Paramount Records incongruously was one of several homegrown record labels of a Wisconsin chair-making company. The company pinned no outsized hopes on Paramount. Its founders knew nothing of the music business, and they had arrived at the scheme of producing records only to drive sales of the expensive phonograph cabinets they had recently begun manufacturing. Lacking the resources and the interest to compete for top talent, Paramount's earliest recordings gained little foothold with the listening public. On the threshold of bankruptcy, the label embarked on a new business plan: selling the music of Black artists to Black audiences. It was a wildly successful move, with Paramount eventually garnering many of the biggest-selling titles in the "race records" era. Inadvertently, the label accomplished what others could not, making blues, jazz, and folk music performed by Black artists a popular and profitable genre. Paramount featured a deep roster of legendary performers, including Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. Scott Blackwood's The Rise and Fall of Paramount Records is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music etched into the shellacked grooves of a 78 rpm record. With Paramount Records, Black America found its voice. Through creative nonfiction, Blackwood brings to life the gifted artists and record producers who used Paramount to revolutionize American music. Felled by the Great Depression, the label stopped recording in 1932, leaving a legacy of sound pressed into cheap 78s that is among the most treasured and influential in American history.

How do we explain the persistent preoccupation with American Indians in Germany and the staggering numbers of Germans one encounters as visitors to Indian country? As H. Glenn Penny demonstrates, that preoccupation is rooted in an affinity for American Indians that has permeated German cultures for two centuries. This affinity stems directly from German polycentrism, notions of tribalism, a devotion to resistance, a longing for freedom, and a melancholy sense of shared fate. Locating the origins of the fascination for Indian life in the transatlantic world of German cultures in the nineteenth century, Penny explores German settler colonialism in the American Midwest, the rise and fall of German America, and the transnational worlds of American Indian performers. As he traces this phenomenon through the twentieth century, Penny engages debates about race, masculinity, comparative genocides, and American Indians' reactions to Germans' interests in them. He also assesses what persists of the affinity across the political ruptures of modern German history and challenges readers to rethink how cultural history is made.

'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son - six-year-old Prince Alamayu - and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot - Ethiopia's 'Elgin Marbles' - and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

Set like a stronghold south-west of the Caucasus mountains, Armenia is caught between East and West. Briefly a great empire in the first century BCE under King Tigranes the Great, Armenia was later incorporated first by the Sasanian and then the Byzantine Empires. Armenian art, literature, religion and material culture have reinterpreted elements of a wide variety of cultures. Spanning over two and a half millennia, the history of Armenia and the Armenian people is a series of riveting tales, from its first mention under the Achaemenid King Darius I to the independence of the Republic of Armenia from the Soviet Union. With the help of the Bodleian Libraries' magnificent collection of Armenian manuscripts and early printed books, this volume tells the story of the region through the medium of its cultural output. Together with introductions written by experts in their fields, close to one hundred manuscripts, works of art and religious artefacts serve as a guide to Armenian culture and history. Gospel manuscripts splendidly illuminated by Armenian masters feature next to philosophical tractates and merchants' handbooks, affording us an insight into what makes the Armenian people truly unique, especially in the shadow of the genocide that threatened their annihilation a hundred years ago: namely their spirituality, language and perseverance in the face of adversity. VISIT THE EXHIBITION Armenia: Treasures from an Enduring Culture October 2015 - January 2016 Bodleian Library, Oxford

A Daily Telegraph Book of the Year 2022 'I can't tell you how refreshing it is in these polarised times to read a book on politics that doesn't have an axe to grind . . . an essential read.' The Sunday Times 'Subtle, sophisticated . . . compellingly told . . . This is a gentle and intelligent book, refreshingly unpolemical and reflective.' Observer Book of the Week Jason Cowley, editor-in-chief of the New Statesman, examines contemporary England through a handful of the key news stories from recent times to reveal what they tell us about the state of the nation and to answer the question Who Are We Now? Spanning the years since the election of Tony Blair's New Labour government to the aftermath of the Covid pandemic, the book investigates how England has changed and how those changes have affected us. Cowley weaves together the seemingly disparate stories of the Chinese cockle-pickers who drowned in Morecambe Bay, the East End Imam who was tested during a summer of terror, the pensioner who campaigned against the closure of her GP's surgery and Gareth Southgate's transformation of English football culture. And in doing so, Cowley shows the common threads that unite them, whether it is attitudes to class, nation, identity, belonging, immigration, or religion. He also examines the so-called Brexit murder in Harlow, the haunting repatriation of the fallen in the Iraq and Afghan wars through Wootton Bassett, the Lancashire woman who took on Gordon Brown, and the flight of the Bethnal Green girls to Islamic State, fleshing out the headlines with the very human stories behind them. Through these vivid and often moving stories, Cowley offers a clear and compassionate analysis of how and why England became so divided and the United Kingdom so fragmented, and how we got to this cultural and political crossroads. Most importantly, he also shows us the many ways in which there is genuine hope for the future.

BM Mdletshe’s fascinating history begins with the growth of his ancestor, Ngomane in the eMdletsheni tribe, under the great Mthethwa dynasty and continued with the honour he had of taking care of Nandi and young Shaka of Senzangakhona in 1787. More than 200 years later, BM Mdletshe was born in KwaCeza (in 1955), and in 2001, he was officially appointed as King Goodwill Zwelithini’s praise singer.

From generation to generation, son to son, this oral history was passed on from Ngomane to Mfusi Mdletshe (his son), to Msushwana Mdletshe (his son), to Calenkomo Mavukefile Mdletshe (his son), to Kudlakudelwa Sombila Mdletshe (his son), and finally to Buzetsheni Mkhohlliseni (BM) Mdletshe (his son) who continues to serve the Zulu Kingdom to this day.

His strong interest in the history of the Zulu nation and culture is the one that passionately led him to become a cultural expert and discover his praise singing talent. Mdletshe has received numerous awards for his tremendous praise songs and rich Zulu cultural knowledge which position him as one of the finest cultural experts in KwaZulu-Natal.

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence.

David Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included.

In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics.

The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa.

What was happening in Burnley Town Hall when the British National Party was winning and holding seats there? What lay behind the far right's advance, and what effect did it have on local government and wider policy trends? How did mainstream parties respond? This is the inside story of these developments, written by the council worker responsible for promoting good race relations in Burnley during the turbulent years following the 'northern town disturbances' of 2001. The book connects the story of one Lancashire town to contemporary social divisions and political trends across the UK: - The rise of right-wing populism, widespread antipathy to immigration, and a deep distrust of established politicians - The success of Boris Johnson's Conservatives in offering nationalism as an answer to some people's sense of abandonment in deindustrialised areas - Labour's attempts to 'reconnect' and win back support in northern constituencies like Burnley, which voted 67 per cent for Brexit and was one of the 'red wall' seats that Labour lost at the 2019 general election. On Burnley Road is both a remarkable example of granular social history and an urgent contribution to current debates on issues which affect us all. MakinWaite's perspectives on political identities, multiculturalism, and the potential of 'civic mediation' will interest anyone who is looking for effective ways forward to overcome racism and inequality, and to rebuild our democratic culture.

As we witness monuments of white Western history fall, many are asking 'How is Shakespeare still relevant?' Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his plinth to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

'Manaugh and Twilley shed illuminating light on a phenomenon that seems utterly of the present moment.' Financial Times' Best Books of the Year 'Startlingly timely, authoritatively researched, and electrifyingly written.' Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity Quarantine has shaped our world, yet it remains both feared and misunderstood. It is our most powerful response to uncertainty, but it operates through an assumption of guilt: in quarantine, we are considered infectious until proven safe. An unusually poetic metaphor for moral and mythic ills, quarantine means waiting to see if something hidden inside of us will be revealed. Until Proven Safe tracks the history and future of quarantine around the globe, chasing the story of emergency isolation through time and space - from the crumbling lazarettos of the Mediterranean to the hallways of the CDC, to the corporate giants hoping to disrupt the widespread quarantine imposed by Covid-19 before the next pandemic hits through surveillance and algorithmic prediction. Yet quarantine is more than just a medical tool: Geoff Manaugh and Nicola Twilley drop deep into the Earth to tour a nuclear-waste isolation facility beneath the New Mexican desert, strip down to nothing but protective Tyvek suits to see plants stricken with a disease that threatens the world's wheat supply, and meet NASA's Planetary Protection Officer tasked with saving the Earth from extraterrestrial infections. The result is part travelogue, part intellectual history - a book as compelling as it is definitive, and one that could not be more urgent or timely.

The creation of large new tracts of forest, together with the development of a modern wood processing sector, was the single biggest transformation to occur in the Scottish countryside during the twentieth century. While the environmental and landscape impacts of this change have been much commented upon, its impact on Scottish culture and society has attracted comparatively little attention. This book tells the fascinating story of the human side of forestry, drawing heavily on the thoughts, experiences and reflections of a wide range of individuals from all levels and all sectors of the industry as it has developed in Scotland over the last 100 years. The book also analyses the evolution of forestry policy and the changing roles of both the state-run Forestry Commission and the private sector. However, at its core are the stories of the men, women and children who have lived and worked in the many communities where old and new forests have loomed large - communities where, especially in the middle decades of the twentieth century, forestry was often the largest source of employment and income, and without which many of these places would have struggled to survive.

'A bracing account of abuses of power and corruption in the criminal justice system.' The Guardian From the fearless defense attorney and civil rights lawyer who rose to fame with Netflix's The Staircase comes an essential examination of America's corrupt and abusive criminal justice system. In the past thirty years, more than 2,700 innocent American prisoners-their combined jail sentences adding up to almost 25,000 years-have been exonerated and freed. Terrifyingly, this number represents only a small fraction of the number of persons wrongfully convicted each year. As a result, US jails and prisons are packed with men and women who should not be there, but for crooked police, false testimony, shoddy investigators, vindictive judges, bogus expert witnesses or, far too often, the colour of their skin and their economic condition. Renowned criminal defense attorney and civil rights lawyer David Rudolf has spent his career defending the wrongfully accused. In American Injustice, he draws from his years of experience in the American criminal justice system, including some of his biggest cases, to shed light on the immorality and deceit prevalent at all levels of law enforcement, and the tragic consequences of this misconduct. Rudolf takes the reader to crime scenes to reveal how detectives retrieve evidence that supports their accusations and hide that which doesn't; revisits several unsolved murders to detail how and why the true culprits were never prosecuted; explores how unconscious bias frequently leads prosecutors and police to jump to false conclusions; and exposes how poverty and racism fundamentally deform the system-and why some want to keep it that way.

Winner of the Bancroft Prize Winner of the David J. Langum Prize Winner of the OAH Liberty Legacy Foundation Award A New York Times Book Review Editors' Choice "This extraordinary book is a powerful addition to the history of travel segregation...Mia Bay shows that Black mobility has always been a struggle." -Ibram X. Kendi, author of How to Be an Antiracist "In Mia Bay's superb history of mobility and resistance, the question of literal movement becomes a way to understand the civil rights movement writ large." -Jennifer Szalai, New York Times "Traveling Black is well worth the fare. Indeed, it is certain to become the new standard on this important, and too often forgotten, history." -Henry Louis Gates, Jr., author of Stony the Road From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought to move freely around the United States. But why this focus on Black mobility? From stagecoaches and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape in America and brilliantly portrays what it was like to live with them. Mia Bay rescues forgotten stories of passengers who made it home despite being insulted, stranded, re-routed, or ignored. She shows that Black travelers never stopped challenging these humiliations, documenting a sustained fight for redress that falls outside the traditional boundaries of the civil rights movement. A riveting, character-rich account of the rise and fall of racial segregation, it reveals just how central travel restrictions were to the creation of Jim Crow laws-and why free movement has been at the heart of the quest for racial justice ever since.

Leonard Moore has been teaching Black history for twenty-five years, mostly to white people. Drawing on decades of experience in the classroom and on college campuses throughout the South, as well as on his own personal history, Moore illustrates how an understanding of Black history is necessary for everyone. With Teaching Black History to White People, which is "part memoir, part Black history, part pedagogy, and part how-to guide," Moore delivers an accessible and engaging primer on the Black experience in America. He poses provocative questions, such as "Why is the teaching of Black history so controversial?" and "What came first: slavery or racism?" These questions don't have easy answers, and Moore insists that embracing discomfort is necessary for engaging in open and honest conversations about race. Moore includes a syllabus and other tools for actionable steps that white people can take to move beyond performative justice and toward racial reparations, healing, and reconciliation.