Dwarstrekkers, nonkonformiste, buitestaanders, randeiers...Noem hulle wat jy wil, Suid Afrika het meer as sy deel eksentrieke karakters opgelewer wat mense van die vroegste tye af na hulle asem laat snak of verstom agter hulle hand laat fluister het.

Hierdie rare mense het met die jare hul merk gemaak op vele terreine.

Dis hulle wat Daniël Lotter aan 'n nuwe geslag lesers bekendstel.

In their first century of uninterrupted publication, newspapers reached an all-embracing readership: male and female, noble and artisan, in both town and country. Such was its impact that this seemingly ephemeral product became a collector's object. In Reading newspapers Uriel Heyd examines this vibrant new print medium and investigates its political, social and cultural implications. Adopting a comparative approach, the author traces the culture of newspaper reading in Britain and America. Previously unexplored sources such as newspaper indexes and introductions, plays, auction catalogues and a unique newspaper collection assembled and annotated by a Bostonian shopkeeper, provide invaluable access to perceptions of the press, reading practices, and the ever-changing experience of consumers. While newspapers supplied news of immediacy and relevance, their effect transcended the here and now, influencing readers' perceptions of the age in which they lived and helping to shape historical memory. But the newly found power of this media also gave rise to a certain fear of its ability to exploit or manipulate public opinion. Perceived as vehicles of enlightenment, but also viewed with suspicion, the legacy of eighteenth-century newspapers is still felt today.

Now in its fourth edition, this highly acclaimed sourcebook examines the public and private lives and legal status of Greek and Roman women. The texts represent women of all social classes, from public figures remembered for their deeds (or misdeeds), to priestesses, poets, and intellectuals, to working women, such as musicians, wet nurses, and prostitutes, to homemakers. The editors have selected texts from hard-to-find sources, such as inscriptions, papyri, and medical treatises, many of which have not previously been translated into English. The resulting compilation is both an invaluable aid to research and a clear guide through this complex subject. Building on the third edition's appendix of updates, the fourth adds many new and unusual texts and images, as well as such student-friendly features as a map and chapter overviews. Many notes and explanations have been revised with the non-classicist in mind.

The acclaimed Academie royale de peinture et de sculpture, the second oldest academy in France, was abolished in 1793. Whilst a number of studies have explored the drama of its dissolution, often associated with a speech by former member Jacques-Louis David, this outcome can only be fully understood in the context of the evolving governance of the institution. In this groundbreaking work, Reed Benhamou provides the first comprehensive examination of the codes and practices of the Academie, from its inception in 1648 to its abolition in 1793. As well as exploring why certain rules were adopted, how they facilitated the development of institutional power bases, and the part they played in the Academie's growing factionalism, the author uncovers changing attitudes to the guild, women, associate academicians and unaffiliated artists. This astute and comprehensive analysis is followed by nine annotated appendices of both registered and proposed statutes and of other related documents, many of which are made readily accessible for the first time. Offering new insights into the tensions between art and state throughout the ancien regime and beyond, Regulating the Academie is an invaluable reference not only for art historians, but also for those working in cultural or legal history.

Author, political activist and salonniere, Germaine de Stael has become the focal point of groundbreaking research in women's studies, in performing arts, and in language/translation theory. In this multidisciplinary volume, a team of scholars concentrates on the vast range of her political and cultural engagements, both during and after the French Revolution. In this collection of studies, which examine issues as diverse as citizenship, immigration, abolition or constitutional liberalism, Stael's stance as a champion of moderation against the perils of extremism and polarization comes clearly to the fore. Contributors shed new light on the Groupe de Coppet, the circle of which she was the heart, and on the cosmopolitan networks she created within and beyond Europe. Other articles underline and reassess Stael's formative influence on national cultures distant in space and time, redefining her Italianism in Corinne ou l'Italie, analysing the British reception of her Considerations and exploring the impact of De l'Allemagne on American intellectual life. Germaine de Stael: forging a politics of mediation highlights Stael's pioneering place in the history of global interaction. She emerges as a truly modern thinker as well as an agent of multicultural exchange.

In 1857, at the height of the colonial period, as Britain was advancing its control over southern Africa and absorbing the formerly independent African chiefdoms, the Anglican Bishop of Cape Town, Robert Gray, set up Zonnebloem College on an old wine farm on the outskirts of the city. Working in partnership with the British Governor, Sir George Grey, his plan was to enrol the sons and daughters of leading African chiefs and equip them with an English, Christian education, and then send them home to further the cause of Christianity and ‘civilisation’ among their own people. This elite educational project, which was at the same time cultural and political in nature, soon gathered steam. Among the first entrants were Gonya and Emma Sandile, heir and eldest daughter of the Rharhabe chief Sandile; Nathaniel Umhala, son of the Ndlambe chief Mhala; and George Tlali, son of the great Basotho leader, Moshoeshoe I. Over the years a succession of sons from chiefly dynasties, sometimes spanning several generations, would come to Zonnebloem: the Moshoeshoes of Basutoland, the Pilanes of Bechuanaland, the Lewanikas of Barotseland, and the Lobengulas of Matabeleland. They and many others who followed in their steps would, after their education at Zonnebloem, take up careers as catechists, teachers, political secretaries, lawyers, newspaper editors and priests and serve their communities with distinction. Their stories – their trials and their achievements – are recounted here, often in their own words, drawing on a unique collection of school essays and letters to their various mentors that must form one of the earliest bodies of writing by Africans in southern Africa. This remarkable book, based on years of research and written with great sympathy, tells the little-known early history of the genesis of an African intelligentsia during the colonial period.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

Women and Empire, 1750-1939: Primary Sources on Gender and Anglo-Imperialism functions to extend significantly the range of the History of Feminism series (co-published by Routledge and Edition Synapse), bringing together the histories of British and American women's emancipation, represented in earlier sets, into juxtaposition with histories produced by different kinds of imperial and colonial governments. The alignment of writings from a range of Anglo-imperial contexts reveals the overlapping histories and problems, while foregrounding cultural specificities and contextual inflections of imperialism. The volumes focus on countries, regions, or continents formerly colonized (in part) by Britain: Volume I: Australia Volume II: New Zealand Volume III: Africa Volume IV: India Volume V: Canada Perhaps the most novel aspect of this collection is its capacity to highlight the common aspects of the functions of empire in their impact on women and their production of gender, and conversely, to demonstrate the actual specificity of particular regional manifestations. Concerning questions of power, gender, class and race, this new Routledge-Edition Synapse Major Work will be of particular interest to scholars and students of imperialism, colonization, women's history, and women's writing.

First published in 1979, The Miners: A History of the National Union of Mineworkers 1939-46 describes the events and factors that led to the nationalisation of the coal industry in 1946. The World War had a creative as well as a destructive effect on the industry; it compressed fundamental changes into seven short years. By the end of the war, the federated trade unions had succeeded in bringing about the unification of their industry; and the various county, district and craft associations were themselves also unified in one single national body. Two rival plans emerged during 1945: a coal-owners' plan, in conjunction with an 'experts' report', approved by Churchill and his Caretaker Cabinet, and Labour's 'plan for the coal industry' which came into force in 1946 as the Coal Industry Nationalisation Act. Anew epoch in management had begun, with a National Coal Board, new industrial relations and a new National Union of Mineworkers. This book will be of interest to students of history, sociology, economics and political science.

First published in 1955, A History of the Scottish Miners recounts the peculiar circumstances of the seventeenth and eighteenth centuries, and the laws that placed the miners under conditions unique in Europe. Carrying onto the nineteenth century, the author deals with the first trade unions, the period of Alexander McDonald and Keir Hardie, ending in the great strike of 1894 and the formation of the Scottish Miners' Federation, embracing eight county associations. From 1894 onwards, Robert Smillie led the Scots in good times and bad, up to the ordeal of the First World War. The effect in Scotland of the great lockouts of 1921 and 1926, with Robert Smillie no longer chairman of the British miners but still the leader in Scotland, is set out in detail. Then after a time of troubles, the Scots miners developed their organisations during the war and, before its end, under new leaders, they achieved a single union for Scotland. This book will be of interest to students of history, sociology, economics and political science.

Hospitality, in particular hospitality to strangers, was promoted in the eighteenth century as a universal human virtue, but writing of the period reveals many telling examples of its abuse. Through analysis of encounters across cultural and sexual divides, Judith Still revisits the current debate about the social, moral and political values of the Enlightenment. Focussing on (in)hospitality in relation to two kinds of exotic Other, Judith Still examines representations of indigenous peoples of the New World, both as hosts and as cannibals, and of the Moslem 'Oriental' in Persia and Turkey, associated with both the caravanserai (where travellers rest) and the harem. She also explores very different examples of Europeans as hosts and the practice of 'adoption', particularly that of young girls. The position of women in hospitality, hitherto neglected in favour of questions of cultural difference, is central to these analyses, and Still considers the work of women writers alongside more canonical male-authored texts. In this thought-provoking study, Judith Still uncovers how the Enlightenment rhetoric of openness and hospitality is compromised by self-interest; the questions it raises about attitudes to difference and freedom are equally relevant today.

'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.

Combining cultural history, literary analysis, and studies in economics, material life and gender, Rebecca Haidt shows how clothing and display penetrated all corners of eighteenth-century Spanish society, and reveals the ambivalence of women who wore, traded, mended, bartered, sold, stole or created garments that came to mark their status in society. Focussing on sainetes and tonadillas (popular short plays and musical sketches) the author examines the representation of a culture where 'fashion' was impossible to separate from issues of labor, commerce, and productivity. These theatrical skits exploit the resources of music, song and costume to heighten their depictions of women's work in garment production, circulation and display across the entire social spectrum. They provide a wealth of information about both eighteenth-century clothing cultures and women's struggles for identity, economic development and urban survival. As Rebecca Haidt demonstrates, women's dress is a key barometer of the cultural values of a period, expressing differences between affluent and poor, privileged and marginalized.

A lively, engaging guide to music around the world, from prehistory to the present Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today's mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism. From Hildegard von Bingen and Clara Schumann to Bob Dylan and Aretha Franklin, great performers and composers have profoundly shaped music as we know it. Covering a remarkable range of genres, including medieval chant, classical opera, jazz, and hip hop, this Little History shines a light on the wonder of music-and why it is treasured across the world.

The 'Dandy' is not just an elaborately, well-dressed man - nor is he an exclusively English phenomenon. He is something far more universal and intriguing. The author captures the lives of the Dandies - some were aristocratic but most were not. All, however, had the chutzpah and style to be a true Dandy. Their stories are told against a backdrop of revolutions and war in the world's great cities (London, Paris, New York, Hollywood, Moscow, Berlin), and amid financial and sexual scandals. All too often Dandies lived in luxury but died in penury. The Dandy's place in history is assured. Not because Dandies have made any major contributions to politics, economics or warfare, but because they were, and continue to be, figures of huge but subtle significance - baffling, enigmatic, iconic.

What constituted the 'private' in the eighteenth-century? In Representing private lives of the Enlightenment authors look beyond a simple equation of the private and the domestic to explore the significance of the individual and its constructions of identity and environment. Taking case studies from Russia, France, Italy and England, specialists from a range of disciplines analyse descriptions of the private situated largely outside the familial context: the nobleman at the theatre or in his study, the woman in her boudoir, portraitists and their subject, the solitary wanderer in the public garden, the penitent at confession. This critical approach provides a comparative framework that simultaneously confirms the Enlightenment as a pan-European movement, both intellectually and socially, whilst uncovering striking counterpoints. What emerges is a unique sense of how individuals from different classes and cultures sought to map their social and domestic sphere, and an understanding of the permeable boundaries separating private and public.

This compendium of primary sources examines British architectural history from the accession of King George III in 1760 to the outbreak if the First World War in 1914. The collection of two volumes contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.

Many of us assume Western Civilization derives from a cultural inheritance that stretches back to classical antiquity, a golden thread that binds us from Plato to NATO. But what if all this is wrong? What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? What if The West is just an idea that has been invented, co-opted, and mythologised to serve different purposes through history? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world. Told through the lives of fourteen fascinating historical figures -- from a powerful Roman matriarch to an Islamic scholar, from a crusading Greek soldier to a founding father of the United States, from a slave girl in the new Americas to a British prime minister -- it casts a new light on how the West was invented, embraced, rejected and re-imagined to shape our world today.

A Brief History of South Africa is an introduction to South African history from the earliest times to the Mandela Presidency.

Using both a narrative chronology and thematic chapters, the book encourages critical thinking about how history shaped South Africa. While presenting an account of colonisation and the policies of successive governments, A Brief History portrays the resistance to colonisation, segregation and apartheid, including the role of political, social and trade union movements.

A Brief History does not aim to be comprehensive, but rather provides the basic facts for the general reader. The book can also act as a study guide for both formal and non-formal adult education. Equally important, A Brief History can be used to strengthen history teaching in schools.

The book provides history teachers with the opportunity to expand their own knowledge, especially if they do not have a history qualification. Each chapter points readers to a range of further readings with a variety of historical interpretations, and provides questions for group discussion.

From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable.
This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.

Marian Hobson's work has made a seminal contribution to our understanding of the European Enlightenment, and of Diderot and Rousseau in particular. This book presents her most important articles in a single volume, translated into English for the first time. Hobson's distinctive approach is to take a given text or problematique and position it within its intellectual, historical and polemical context. From close analysis of the underlying conceptual structures of literary texts, she offers a unique insight into the vibrant networks of people and ideas at work throughout Europe, and across disciplinary boundaries as diverse as literature and mathematics, medicine and music. In their translations of Hobson's essays, Kate Tunstall and Caroline Warman present the primary sources in both the original eighteenth-century French and modern English, making the detail of these debates accessible to everyone, from the specialist to the student, whatever their academic discipline or interest.

This four-volume collection explores the idea that, for Victorians and Edwardians, the meanings attached to work and the meanings attached to being without work were always dependent upon each other, knotted together by the imperative for a man to desire employment and be willing to work. Mechanization and the decline of old trades, the creation of single-industry cities and towns, the migration of agricultural labourers from the countryside to these cities and to London, the intensification of the sweated industries, and the displacement of the labour of adult men by the labour of women and adolescent boys all contributed to urgent conversations about the relationships between work and unemployment and are examined through primary sources. Accompanied by extensive editorial commentary, this collection will be of great interest to students of British History.

The emancipation of the Jews of England was largely complete when George III came to the throne in 1760. Free to live how and where they wished, the Jews had been specifically exempted from the provisions of the 1753 Marriage Act which made Christian marriage the only legal option for all others. The effect of this exemption was to put the matrimonial causes of the Jews of England exclusively in the hands of their Rabbis and Dayanim (Jewish ecclesiastical judges) for the next one hundred years. No Bet Din (Jewish ecclesiastical court) anywhere in the world has left such a complete record of its transactions -- matrimonial and proselytical -- as that contained in the extant Pinkas (minute-book) of the London Bet Din from 1805 to 1855. In all other matters, including the offences punishable by transportation, Jews were subject to the jurisdiction of the civil courts. Of the estimated 150,000 convict transportees shipped to the Australian penal colonies, some seven hundred were Jews. Matrimonial and related matters involving twenty of these miscreants are recorded in the Pinkas. Jeremy Pfeffer recounts the history of the London Bet Din during these years as revealed by the Pinkas record and relates the previously untold stories of this group of Jewish convict transportees and their families.

An iconic figure in the movement for Greek independence, Adamantios Korais (1748-1833) also played a major role in the development and transmission of Enlightenment ideals. From his early education in Amsterdam and medical studies in Montpellier, he moved to Paris where he developed distinctive ideas of political liberalism and cultural change against the backdrop of the French Revolution. In Adamantios Korais and the European Enlightenment a team of specialists explore the multiple facets of Korais' life and thought. Following a detailed examination of his formative years and pan-European education, contributors analyse his: translations and editions of the classics, through which his own early political ideas took shape views on linguistic reform and its importance for a sense of national identity liberal critique of the French Revolution and his evolving conception of political liberty In Adamantios Korais and the European Enlightenment contributors present a timely reevaluation of a major figure in the foundation of modern Greece, and provide a fresh perspective on the interaction of cultures in the European Enlightenment.