Miami, 1963. A young boy from Louisville, Kentucky, is on the path to becoming the greatest sportsman of all time. Cassius Clay is training in the 5th Street Gym for his heavyweight title clash against the formidable Sonny Liston. He is beginning to embrace the ideas and attitudes of Black Power, and firebrand preacher Malcolm X will soon become his spiritual adviser. Thus Cassius Clay will become 'Cassius X' as he awaits his induction into the Nation of Islam. Cassius also befriends the legendary soul singer Sam Cooke, falls in love with soul singer Dee Dee Sharp and becomes a remarkable witness to the first days of soul music. As with his award-winning soul trilogy, Stuart Cosgrove's intensive research and sweeping storytelling shines a new light on how black music lit up the sixties against a backdrop of social and political turmoil - and how Cassius Clay made his remarkable transformation into Muhammad Ali.

The story of the British Empire at its maximum territorial extent.

On Saturday 29 September 1923, the Palestine Mandate became law and the British Empire now covered a scarcely credible quarter of the world's land mass, containing 460 million people. It was the largest empire the world had ever seen. But it was beset by debt and doubts.

This book is a new way of looking at the British Empire. It immerses the reader in the contemporary moment, focusing on particular people and stories from that day, gleaned from newspapers, letters, diaries, official documents, magazines, films and novels: from a remote Pacific island facing the removal of its entire soil, across Australia, Burma, India and Kenya to London and the West Indies.

In some ways, the issues of a hundred years ago are with us still: debates around cultural and ethnic identity in a globalised world; how to manage multi-ethnic political entities; racism; the divisive co-opting of religion for political purposes; the dangers of ignorance. In others, it is totally alien. What remains extraordinary is the Empire's ability to reveal the most compelling human stories. Never before has there been a book which contains such a wide spread of vivid experiences from both colonised and coloniser: from the grandest governors to the humblest migrants, policemen and nurses.

In this magisterial cultural history of the Palestinians, Nur Masalha illuminates the entire history of Palestinian learning with specific reference to writing, education, literary production and the intellectual revolutions in the country. The book introduces this long cultural heritage to demonstrate that Palestine was not just a 'holy land' for the four monotheistic religions - Islam, Christianity, Judaism and Samaritanism - rather, the country evolved to become a major international site of classical education and knowledge production in multiple languages including Sumerian, Proto-Canaanite, Greek, Syriac, Arabic, Hebrew and Latin. The cultural saturation of the country is found then, not solely in landmark mosques, churches and synagogues, but in scholarship, historic schools, colleges, famous international libraries and archival centres. This unique book unites these renowned institutions, movements and multiple historical periods for the first time, presenting them as part of a cumulative and incremental intellectual advancement rather than disconnected periods of educational excellence. In doing so, this multifaceted intellectual history transforms the orientations of scholarly research on Palestine and propels current historical knowledge on education and literacy in Palestine to new heights.

Generations of scholars have debated why the Union collapsed and descended into civil war in the spring of 1861. Turning this question on its head, Brian C. Neumann's Bloody Flag of Anarchy asks how the fragile Union held together for so long. This fascinating study grapples with this dilemma by reexamining the nullification crisis, one of the greatest political debates of the antebellum era, when the country came perilously close to armed conflict in the winter of 1832-33 after South Carolina declared two tariffs null and void. Enraged by rising taxes and the specter of emancipation, 25,000 South Carolinians volunteered to defend the state against the perceived tyranny of the federal government. Although these radical Nullifiers claimed to speak for all Carolinians, the impasse left the Palmetto State bitterly divided. Forty percent of the state's voters opposed nullification, and roughly 9,000 men volunteered to fight against their fellow South Carolinians to hold the Union together. Bloody Flag of Anarchy examines the hopes, fears, and ideals of these Union men, who viewed the nation as the last hope of liberty in a world dominated by despotism-a bold yet fragile testament to humanity's capacity for self-government. They believed that the Union should preserve both liberty and slavery, ensuring peace, property, and prosperity for all white men. Nullification, they feared, would provoke social and political chaos, shattering the Union, destroying the social order, and inciting an apocalyptic racial war. By reframing the nullification crisis, Neumann provides fresh insight into the internal divisions within South Carolina, illuminating a facet of the conflict that has long gone underappreciated. He reveals what the Union meant to Americans in the Jacksonian era and explores the ways both factions deployed conceptions of manhood to mobilize supporters. Nullifiers attacked their opponents as timid "submission men" too cowardly to defend their freedom. Many Unionists pushed back by insisting that "true men" respected the law and shielded their families from the horrors of disunion. Viewing the nullification crisis against the backdrop of global events, they feared that America might fail when the world, witnessing turmoil across Europe and the Caribbean, needed its example the most. By closely examining how the nation avoided a ruinous civil war in the early 1830s, Bloody Flag of Anarchy sheds new light on why America failed three decades later to avoid a similar fate.

Shortlisted for the James Cropper Wainwright Prize 2022 for Nature Writing - Highly Commended Winner for the Richard Jefferies Award 2021 for Best Nature Writing 'A rural, working-class writer in an all too rarefied field, Chester's work is unusual for depicting the countryside as it is lived on the economic margins.' The Guardian 'An important portrait of connection to the land beyond ownership or possession.' Raynor Winn 'It's ever so good. Political, passionate and personal.' Robert Macfarlane 'Evocative and inspiring...environmental protest, family, motherhood and...nature.' Claire Fuller, author of Unsettled Ground, Costa Novel Award Winner 2021 Nature is everything. It is the place I come from and the place I got to. It is family. Wherever I am, it is home and away, an escape, a bolt hole, a reason, a place to fight for, a consolation, and a way home. As a child growing up in rural England, Guardian Country Diarist Nicola Chester was inexorably drawn to the natural landscape surrounding her. Walking, listening and breathing in the nature around her, she followed the call of the cuckoo, the song of the nightingale and watched as red kites, fieldfares and skylarks soared through the endless skies over the chalk hills of the North Wessex Downs: the ancient land of Greenham Common which she called home. Nicola bears witness to, and fights against, the stark political and environmental changes imposed on the land she loves, whilst raising her family to appreciate nature and to feel like they belong - core parts of who Nicola is. From protesting the loss of ancient trees to the rewilding of Greenham Common, to the gibbet on Gallows Down and living in the shadow of Highclere Castle (made famous in Downton Abbey), On Gallows Down shows how one woman made sense of her world - and found her place in it.

Between the age of St. Augustine and the sixteenth century reformations magic continued to be both a matter of popular practice and of learned inquiry. This volume deals with its use in such contexts as healing and divination and as an aspect of the knowledge of nature's occult virtues and secrets.

In 1884 begin Hendrik Witbooi en sy Namavolk met 'n profetiese trek na die vrugbare noorde om aan die droogte van die Kalahariwoestyn te ontsnap. Terselfdertyd stap die keiserlike afgevaardigde dr. Göring sowat 'n honderd kilometer daarvandaan aan land in die nuwe Duitse kolonie Suidwes-Afrika - die huidige Namibië.

Daarop volg 'n stryd om lewe en dood tussen die Duitse Schutztruppe en die Afrikane wat vir hul onafhanklikheid veg.

Die honderde briewe wat deur Hendrik Witbooi aan Duitse goewerneurs, Engelse magistrate en Afrikaleiers geskryf is, het aan Conny Braam unieke insig gegee in die wêreld van Witbooi: sy liefde vir die ou volk van die Khoisan, die leringe van sendeling Olpp, sy verontrusting oor die Westerse kredietstelsel wat van sy volk slawe sou maak en sy intense verdriet toe hy besef dat keiser Wilhelm II die totale vernietiging van die opstandige inheemse bevolking eis.

In 1904 lei die tagtigjarige Hendrik nog een keer die opstand teen die Duitse koloniale leër. Hy sou die geskiedenis ingaan as een van die grootste vryheidstryders wat Afrika geken het.

“'n Verhaal wat onder geen omstandighede vergeet mag word nie.” - Trouw

Ranging from the mid-19th century to the present, and from Edinburgh to Plymouth, this powerful collection explores the significance of locality in queer space and experiences in modern British history. The chapters cover a broad range of themes from migration, movement and multiculturalism; the distinctive queer social and political scenes of different cities; and the ways in which places have been reimagined through locally led community history projects. The book challenges traditional LGBTQ histories which have tended to conceive of queer experience in the UK as a comprising a homogeneous, national narrative. Edited by leading historians, the book foregrounds the voices of LGBTQ-identified people by looking at a range of letters, diaries, TV interviews and oral testimonies. It provides a unique and fascinating account of queer experiences in Britain and how they have been shaped through different localities.

Grass and its organisation into lawns is a particularly English obsession. If an Englishman's house is his castle, then his lawn is most certainly his estate. Occupying a place in the national psyche comparable to that of afternoon tea, the English concept of the ideal lawn has evolved and altered alomost beyond regognition since its first mention in the time of Henry III. Now Tom Fort traces its history, through famous lawns, to the present day. The English are universally acknowledged to be the lawn creators, coming up with most of the games played on grass, as well as the original grass-cutting machines. The lawn has aroused the wonder of the rest of the civilised world, and the Americans have fused to their conception of suburban bliss the ideal of the impeccably manicured lawn. This social history of grass is further enlivened by an introduction to the creator of the first lawnmower, Edwin Budding, by discussions with contemporary lawnsmen, and by witnessing the author's own attempt to create his perfect lawn.

An intriguing examination of the life and times of Josiah Wedgwood, potter to the Queen, and an Enlightenment pioneer. Brian Dolan combines the remarkable story of Josiah Wedgwood, the English potter whose works are among the finest examples of ceramic art, with the story of the 18th-century world of industry, fashion and connoisseurship. Born in 1730 in Staffordshire, into a family with a long tradition as potters, Wedgwood survived childhood smallpox (and later, the loss of his leg), to become one of the most prestigious potters in England; Queen Charlotte was sufficiently impressed to name him 'Royal Supplier of Dinnerware'. Depending on his business acumen, artistic sensibilities, and critically, his scientific innovations, he established a factory and village near Stoke-on-Trent named Etruria, where his revolutionary basalt and jasperware was developed. Dolan weaves into this tale intriguing social detail: the lives of the workers at Etruria, England at the beginning of the industrial revolution, the Court of Queen Charlotte and the worlds of the Royal Society and the Men of Science. He paints a wonderful picture of the man and of the fascinating Enlightenment period when he flourished.

After 10 years of austerity, the 1950s saw rationing draw to an end. Gathered together in this colourful creation of over 1,000 products and images, The 1950s Scrapbook conjures up the life and times of the Coronation of Elizabeth II to the abundance of toys and television programmes, everything memorable and evocative, illustrating an extraordinary period of British history, from rationing to rock 'n' roll, from Archie Andrews to the Mini Minor. Taking the best of the Robert Opie Collection (on display at the Museum of Advertising and Packaging, Gloucester), The 1950s Scrapbook adds to the different lifestyles portrayed in the companion volumes of The 1930s Scrapbook and The Wartime Scrapbook.