A prominent Viennese psychiatrist before the war, Viktor Frankl was uniquely able to observe the way that both he and others in Auschwitz coped (or didn't) with the experience. He noticed that it was the men who comforted others and who gave away their last piece of bread who survived the longest - and who offered proof that everything can be taken away from us except the ability to choose our attitude in any given set of circumstances. The sort of person the prisoner became was the result of an inner decision and not of camp influences alone. Only those who allowed their inner hold on their moral and spiritual selves to subside eventually fell victim to the camp's degenerating influence - while those who made a victory of those experiences turned them into an inner triumph. Frankl came to believe man's deepest desire is to search for meaning and purpose. This outstanding work offers us all a way to transcend suffering and find significance in the art of living.'Viktor Frankl-is one of the moral heroes of the 20th century. His insights into human freedom, dignity and the search for meaning are deeply humanising, and have the power to transform lives.'Chief Rabbi Dr Jonathan Sacks'

Gisella Perl's memoir is the extraordinarily candid account of women's extreme efforts to survive Auschwitz. With writing as powerful as that of Charlotte Delbo and Ruth Kluger, her story individualizes and therefore humanizes a victim of mass dehumanization. Perl accomplished this by representing her life before imprisonment, in Auschwitz and other camps, and in the struggle to remake her life. It is also the first memoir by a woman Holocaust survivor and establishes the model for understanding the gendered Nazi policies and practices targeting Jewish women as racially poisonous. Perl's memoir is also significant for its inclusion of the Nazis' Roma victims as well as in-depth representations of Nazi women guards and other personnel. Unlike many important Holocaust memoirs, Perl's writing is both graphic in its horrific detail and eloquent in its emotional responses. One of the memoir's major historical contributions is Perl's account of being forced to work alongside Dr. Josef Mengele in his infamous so-called clinic and using her position to save the lives of other women prisoners. These efforts including infanticide and abortion, topics that would remain silenced for decades and, unfortunately, continue to be marginalized from all too many Holocaust accounts. After decades out of print, this new edition will ensure the crucial place of Perl's testimony on Holocaust memory and education.

"The Holocaust in Italian Culture, 1944-2010" is the first major study of how postwar Italy confronted, or failed to confront, the Holocaust. Fascist Italy was the model for Nazi Germany, and Mussolini was Hitler's prime ally in the Second World War. But Italy also became a theater of war and a victim of Nazi persecution after 1943, as resistance, collaboration, and civil war raged. Many thousands of Italians--Jews and others--were deported to concentration camps throughout Europe. After the war, Italian culture produced a vast array of stories, images, and debate through which it came to terms with the Holocaust's difficult legacy. Gordon probes a rich range of cultural material as he paints a picture of this shared encounter with the darkest moment of twentieth-century history. His book explores aspects of Italian national identity and memory, offering a new model for analyzing the interactions between national and international images of the Holocaust.

A distinguished group of scholars from Germany, Israel and right across the United States are brought together in Nazi Law to investigate the ways in which Hitler and the Nazis used the law as a weapon, mainly against the Jews, to establish and progress their master plan for German society. The book looks at how, after assuming power in 1933, the Nazi Party manipulated the legal system and the constitution in its crusade against Communists, Jews, homosexuals, as well as Jehovah's Witnesses and other religious and racial minorities, resulting in World War II and the Holocaust. It then goes on to analyse how the law was subsequently used by the opponents of Nazism in the wake of World War Two to punish them in the war crime trials at Nuremberg. This is a valuable edited collection of interest to all scholars and students interested in Nazi Germany and the Holocaust.

In this compelling and engaging book, Dvir Abramovich introduces readers to several landmark novels, poems and stories that have become classics in the Israeli Holocaust canon. Discussed are iconic writers such as Aharon Appelfeld, Dan Pagis, Etgar Keret, Yoram Kaniuk, Uri Tzvi Greenberg and Ka-Tzetnik, and their attempts to come to terms with the unprecedented trauma and its after-effects. Scholarly, yet deeply accessible to both students and to the public, this illuminating volume offers a wide-ranging introduction to the intersection between literature and the Shoah, and the linguistic, stylistic and ethical difficulties inherent in representing this catastrophe in fiction. Exploring narratives by survivors and by those who wrote about the European genocide from a distance, each chapter contains a compassionate and thoughtful analysis of the author's individual opus, accompanied by a comprehensive exploration of their biography and the major themes that underpin their corpus. The rich and sophisticated discussions and interpretations contained in this masterful set of essays are sure to become essential reading for those seeking to better understand the responses by Hebrew writers to the immense tragedy that befell their people.

During a 1931 trial of four Nazi stormtroopers, known as the Eden Dance Palace trial, Hans Litten grilled Hitler in a brilliant and merciless three-hour cross-examination, forcing him into multiple contradictions and evasions and finally reducing him to helpless and humiliating rage (the transcription of Hitler's full testimony is included.) At the time, Hitler was still trying to prove his embrace of legal methods, and distancing himself from his stormtroopers. The courageous Litten revealed his true intentions, and in the process, posed a real threat to Nazi ambition.
When the Nazis seized power two years after the trial, friends and family urged Litten to flee the country. He stayed and was sent to the concentration camps, where he worked on translations of medieval German poetry, shared the money and food he was sent by his wealthy family, and taught working-class inmates about art and literature. When Jewish prisoners at Dachau were locked in their barracks for weeks at a time, Litten kept them sane by reciting great works from memory. After five years of torture and hard labor-and a daring escape that failed-Litten gave up hope of survival. His story was ultimately tragic but, as Benjamin Hett writes in this gripping narrative, it is also redemptive. "It is a story of human nobility in the face of barbarism."
The first full-length biography of Litten, the book also explores the turbulent years of the Weimar Republic and the terror of Nazi rule in Germany after 1933. [in sidebar] Winner of the 2007 Fraenkel Prize for outstanding work of contemporary history, in manuscript. To be published throughout the world.

This book offers a study of the Jewish community in Kielce and its environs during World War II and the Holocaust: it is the first of its kind in providing a comprehensive account of Kielce's Jews and their history as victims under the German occupation. The book focuses in particular on Jewish-Polish relations in the Kielce region; the deportation of the Jews of Kielce and its surrounding areas to the Treblinka death camp; the difficulties faced by those attempting to help and save them; and daily life in the Small Ghetto from September 1942 until late May 1943.

Winner of the National Jewish Book Award: viewing the Holocaust through the eyes of youth "Zapruder . . . has done a great service to history and the future. Her book deserves to become a standard in Holocaust studies classes. . . . These writings will certainly impress themselves on the memories of all readers."-Publishers Weekly "These extraordinary diaries will resonate in the reader's broken heart for many days and many nights."-Elie Wiesel This stirring collection of diaries written by young people, aged twelve to twenty-two years, during the Holocaust has been fully revised and updated. Some of the writers were refugees, others were in hiding or passing as non-Jews, some were imprisoned in ghettos, and nearly all perished before liberation. This seminal National Jewish Book Award winner preserves the impressions, emotions, and eyewitness reportage of young people whose accounts of daily events and often unexpected thoughts, ideas, and feelings serve to deepen and complicate our understanding of life during the Holocaust. The second paperback edition includes a new preface by Alexandra Zapruder examining the book's history and impact. Simultaneously, a multimedia edition incorporates a wealth of new content in a variety of media, including photographs of the writers and their families, images of the original diaries, artwork made by the writers, historical documents, glossary terms, maps, survivor testimony (some available for the first time), and video of the author teaching key passages. In addition, an in-depth, interdisciplinary curriculum in history, literature, and writing developed by the author and a team of teachers, working in cooperation with the educational organization Facing History and Ourselves, is now available to support use of the book in middle- and high-school classrooms.

The great majority of Holocaust scholarship concentrates heavily, if not almost completely, on the Final Solution from the German side. The distinctive feature of this book, both individually and as a collection, is its concentration on the Holocaust from a Judeo-centric point of view. The present essays make a unique contribution by exploring issues such as: the effect of events specifically on Jewish women and children; the character of the Nazi policy of slave labor in as much as this essential program resulted in different treatment with regard to Jews as compared to other workers; how the destruction of European Jewry has been responded to by Jewish thinkers; and how Jewish values, such as the well-known principle that "all Jews are responsible for each other," were exemplified and lived out during the war. The collection also includes an essay on Elie Wiesel, and another that explores the much discussed, very controversial issue of Jewish resistance, as well as several essays on philosophical and comparative issues raised by the Shoah. (CS1075)

Politics, Violence, Memory highlights important new social scientific research on the Holocaust and initiates the integration of the Holocaust into mainstream social scientific research in a way that will be useful both for social scientists and historians. Until recently social scientists largely ignored the Holocaust despite the centrality of these tragic events to many of their own concepts and theories. In Politics, Violence, Memory the editors bring together contributions to understanding the Holocaust from a variety of disciplines, including political science, sociology, demography, and public health. The chapters examine the sources and measurement of antisemitism; explanations for collaboration, rescue, and survival; competing accounts of neighbor-on-neighbor violence; and the legacies of the Holocaust in contemporary Europe. Politics, Violence, Memory brings new data to bear on these important concerns and shows how older data can be deployed in new ways to understand the "index case" of violence in the modern world. -- Cornell University Press

Two of Germany's most provocative investigative historians examine the frightening role of young educated careerists in building the Holocaust's ideological and material infrastructure. Moving from the waning Weimar Republic to Auschwitz's fully operating gas chambers, "Architects of Annihilation" shows how the unthinkable technocratic "solutions" to Germany's wartime problems were not only thought but spelled out and implemented. Documenting the eager participation of some of the country's best and brightest, it rejects interpretations that identify only Nazi leaders as the perpetrators of the Holocaust.

For Hitler's thinkers--career-minded demographers, geographers, economists, civil servants, and academics in the Third Reich's think tanks and bureaucratic offices--Europe was a drawing board on which to work out their grand designs. They were encouraged to rationalize production methods, standardize products, introduce an international division of labor, and modernize and simplify social structures. Ultimately, their work on everything from food shortages to birth control led to the sinister plan to "adjust" the ratio between "productive" or "unproductive" population groups.

The ideas of these ever more radical and ideologically aggressive technocrats culminated in proposals that--using carefully guarded scientific and academic euphemisms--advocated state-directed mass extermination as a necessary and logical component of social modernization. And, not well known outside of Germany, these thinkers proposed not only one "final solution" but serial genocides, planned in detail to be carried out over several decades.

This groundbreaking and controversial account of Hitler's planners received widespread attention when it appeared in Germany. Now a masterful translation makes it available to an English-speaking audience for the first time.

Atrocities committed by the Nazis during the Holocaust were photographed extensively. These images have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and--above all--exploited for propaganda purposes or political interest. This book examines the history of this aspect of the Holocaust--its aftermath and afterlife. Whether taken by Nazis or their collaborators, by Jews themselves, their sympathizers and the resistance movements in the occupied territories, or by Allied forces at the end of the war, Struk suggests that the provenance of these images has been seen as of secondary importance to their meaning and the political ends they have been used for--from the desperate attempts of the war-time underground, to the memorial museums of Europe, the US and Israel today. Struk recounts the history of the use and abuse of Holocaust photographs and asks whether or not these images can serve as "evidence," as true representations of the events they depict. The book is illustrated with a wide range of photographs, including some never before seen.

Winner of the 2009 National Jewish Book Award in American Jewish Studies Recipient of the 2010 Guggenheim Fellowship in Humanities-Intellectual & Cultural History It has become an accepted truth: after World War II, American Jews chose to be silent about the mass murder of millions of their European brothers and sisters at the hands of the Nazis. In this compelling work, Hasia R. Diner shows the assumption of silence to be categorically false. Uncovering a rich and incredibly varied trove of remembrances-in song, literature, liturgy, public display, political activism, and hundreds of other forms-We Remember with Reverence and Love shows that publicly memorializing those who died in the Holocaust arose from a deep and powerful element of Jewish life in postwar America. Not only does she marshal enough evidence to dismantle the idea of American Jewish "forgetfulness," she brings to life the moving and manifold ways that this widely diverse group paid tribute to the tragedy. Diner also offers a compelling new perspective on the 1960s and its potent legacy, by revealing how our typical understanding of the postwar years emerged from the cauldron of cultural divisions and campus battles a generation later. The student activists and "new Jews" of the 1960s who, in rebelling against the American Jewish world they had grown up in "a world of remarkable affluence and broadening cultural possibilities" created a flawed portrait of what their parents had, or rather, had not, done in the postwar years. This distorted legacy has been transformed by two generations of scholars, writers, rabbis, and Jewish community leaders into a taken-for-granted truth.

The Letters Project is about big history, the Holocaust, but it is also an extraordinarily intimate personal narrative-a rare blend of informative, poignant, excruciating, startling, humorous, and ultimately inspiring storytelling. In 1986, when her mother died at the age of sixty-four, Eleanor Reissa went through all of her belongings. In the back of her mother's lingerie drawer, she found an old leather purse. Inside that purse was a large wad of folded papers. They were letters. Fifty-six of them. In German. Written in 1949. Letters from her father to her mother, when they were courting. Just four years earlier, he had fought to stay alive in Auschwitz and on the Death March while she had spent the war years suffering in Uzbekistan. Thirty years later, Eleanor-a theatre artist who has been on the forefront of keeping Yiddish alive-finally had the letters translated. The particulars of those letters send her off on an unimaginable adventure into the past, forever changing her and anyone who reads this book. "'The Holocaust,' Eleanor Reissa writes in this unforgettable and courageous book, 'is attached to me like my skin and I would be formless without it.' A very personal story that is also a fundamental one of a woman trying to make sense of her life and family and of the shadows that go back before she was born. There is plenty of feeling and sentiment but it never feels sentimental. Her inimitable wit leavens the sadder scenes. This journey of discovery is riveting, told with tender insight, at times heartbreaking and at times heartwarming just like the Yiddish songs that have delighted Ms. Reissa's audiences." -Joseph Berger is a New York Times reporter and author of Displaced Persons: Growing Up American After the Holocaust "Among the great number of personal takes on the Holocaust, Eleanor Reissa's book really stands out, both for its intelligence and courage and for the unique way she braids the inter-generational stories together. In this brutal, poignant, and searingly honest book, Reissa simultaneously pieces together the unfathomable story of her Holocaust survivor father, reckons with the guilt she came to feel as his uncomprehending American daughter, and manages somehow to find insight and purpose in the ashes. This extraordinary account of two parallel journeys will stick with anyone privileged enough to read it." -David Margolick, a former reporter for The New York Times, author of several books, including, most recently, The Promise and the Dream: The Untold Story of Martin Luther King, Jr. And Robert F. Kennedy "The Letters Project is a wonderful book-funny, heartbreaking, and ultimately transcendent. Eleanor Reissa's journey back into her family's past makes for a gripping-and very human-international mystery. I highly recommend it." -Tony Phelan, TV Showrunner for: Grey's Anatomy, Doubt, and Council of Dads "Eleanor Reissa has written a gritty, fearless yet funny memoir about herself, her family, and the Holocaust. Once I began reading it, I was completely swept away until the journey ended. I was moved by the power of this uniquely personal yet universal story." -Julian Schlossberg is an American motion pictures, theatre, and television producer

This landmark book, the product of years of research by a team of two dozen historians, reveals that resistance to occupation by Nazi Germany and Fascist Italy during the Second World War was not narrowly delineated by country but startlingly international. Tens of thousands of fighters across Europe resisted 'transnationally', travelling to join networks far from their homes. These 'foreigners' were often communists and Jews who were already being persecuted and on the move. Others were expatriate business people, escaped POWs, forced labourers or deserters. Their experiences would prove personally transformative and greatly affected the course of the conflict. From the International Brigades in Spain to the onset of the Cold War and the foundation of the state of Israel, they played a significant part in a period of upheaval and change during the long Second World War. -- .

More than fifty years after its first publication, Doubleday's definitive edition of Anne Frank's famous diary generated an extraordinary amount of excitement when it was published in early 1995. Enthusiastically received by critics and readers alike, it reigned for nine weeks on The New York Times bestseller list and will remain for all time the version that millions of readers will cherish.In a handsome package with flaps, rough front, and printed endpapers, this Anchor trade paperback will be the perfect gift for anyone who seeks insight into the indestructible nature of the human spirit.

Terezin, as it was known in Czech, or Theresienstadt as it was known in German, was operated by the Nazis between November 1941 and May 1945 as a transit ghetto for Central and Western European Jews before their deportation for murder in the East. Terezin was the last ghetto to be liberated, one day after the end of World War II. The Last Ghetto is the first in-depth analytical history of a prison society during the Holocaust. Rather than depict the prison society which existed within the ghetto as an exceptional one, unique in kind and not understandable by normal analytical methods, Anna Hajkova argues that such prison societies that developed during the Holocaust are best understood as simply other instances of the societies human beings create under normal circumstances. Challenging conventional claims of Holocaust exceptionalism, Hajkova insists instead that we ought to view the Holocaust with the same analytical tools as other historical events. The prison society of Terezin produced its own social hierarchies under which seemingly small differences among prisoners (of age, ethnicity, or previous occupation) could determine whether one ultimately lived or died. During the three and a half years of the camp's existence, prisoners created their own culture and habits, bonded, fell in love, and forged new families. Based on extensive archival research in nine languages and on empathetic reading of victim testimonies, The Last Ghetto is a transnational, cultural, social, gender, and organizational history of Terezin, revealing how human society works in extremis and highlighting the key issues of responsibility, agency and its boundaries, and belonging.

THE SUNDAY TIMES TOP 10 BESTSELLER AND THE FIRST AUTHORITATIVE ACCOUNT FOR 30 YEARS. 'By far the clearest book ever written about the Holocaust, and also the best at explaining its origins and grotesque mentality, as well as its chaotic development' Antony Beevor 'Groundbreaking. You might have thought that we know everything there is to know about the Holocaust but this book proves there is much more' Andrew Roberts, Mail on Sunday Two fundamental questions about the Holocaust must be asked: How did it happen? And why? More completely than any other single work of history yet published, Laurence Rees's Holocaust definitively answers them. 'Rees provides an exemplary account of how the greatest crime in modern history came about' The Times 'Rees has distilled 25 years of research into this compelling study, the finest single-volume account of the Holocaust . . . demands to be read' Saul David, Telegraph 'Anyone wanting a compelling, highly readable explanation of how and why the Holocaust happened, drawing on recent scholarship and impressively incorporating moving and harrowing interviews need look no further than Laurence Rees's brilliant book' Professor Ian Kershaw, bestselling author of Hitler

This book tells the story of Krystyna Bierzynska, an acculturated Polish Jew, from her birth in Warsaw in 1928 up to the war's end in May 1945, when she was reunited with her brother, Dolek, an officer in the Polish II Corps. Bierzynska not only survived the Holocaust due in large part to the extraordinary efforts of her parents, blood relatives, and surrogate Christian family, but also served as a 16-year-old orderly in the 1944 Warsaw Uprising. Hers is a Warsaw story, a biography that demonstrates how, in urban interwar Poland, the lives of liberal educated Catholics and acculturated, unconverted Jews significantly overlapped. Co-creating the culture and developing the economy and industries of independent Poland, acculturated Jews at last dared to believe that they qualified as Polish citizens and patriots. Bierzynska's story details her experience of two very different Warsaws: a cosmopolitan oasis of high culture, modern amenities, and tolerance, and an occupied capital intoxicated and united by conspiracy, where the residents joined together to overthrow a common enemy.

This is a study of how the Jewish community of Breslau-the third largest and one of the most affluent in Germany-coped with Nazi persecution. Ascher has included the experiences of his immediate family, although the book is based mainly on archival sources, numerous personal reminiscences, as well as publications by the Jewish community in the 1930s. It is the first comprehensive study of a local Jewish community in Germany under Nazi rule. Until the very end, the Breslau Jews maintained a stance of defiance and sought to persevere as a cohesive group with its own institutions. They categorically denied the Nazi claim that they were not genuine Germans, but at the same time they also refused to abandon their Jewish heritage. They created a new school for the children evicted from public schools, established a variety of new cultural institutions, placed new emphasis on religious observance, maintained the Jewish hospital against all odds, and, perhaps most remarkably, increased the range of welfare services, which were desperately needed as more and more of their number lost their livelihood. In short, the Jews of Breslau refused to abandon either their institutions or the values that they had nurtured for decades. In the end, it was of no avail as the Nazis used their overwhelming power to liquidate the community by force.

Drawing on hitherto neglected archival materials, Zohar Segev sheds new light on the policy of the World Jewish Congress (WJC) during the Holocaust. Contrary to popular belief, he can show that there was an impressive system of previously unknown rescue efforts. Even more so, there is evidence for an alternative pattern for modern Jewish existence in the thinking and policy of the World Jewish Congress. WJC leaders supported the establishment of a Jewish state in Palestine but did not see it as an end in itself. They strove to establish a Jewish state and to rehabilitate Diaspora Jewish life, two goals they saw as mutually complementary. The efforts of the WJC are put into the context of the serious difficulties facing the American Jewish community and its representative institutions during and after the war, as they tried to act as an ethnic minority within American society.

The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 to the modern day. The book weaves together a vast body of scholarship to bring students of the Holocaust a balanced overview of this complex and often controversial topic. It demonstrates that the United States' response to Nazism, the refugee crisis it provoked, the Holocaust, and its aftermath were-and remain to this day-intricately linked to the shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg guides us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses how the Holocaust, like American Jewry itself, moved from the margins to the center of American awareness. This book considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this detailed survey.

A total of 160,000 people, a mix of resistants and Jews, were deported from France to camps in Central and Eastern Europe during the Second World War. In this compelling new study, Philip Nord addresses how the Deportation, as it came to be known, was remembered after the war and how Deportation memory from the very outset, became politicized against the backdrop of changing domestic and international contexts. He shows how the Deportation generated competing narratives - Jewish, Catholic, Communist, and Gaullist - and analyzes the stories told by and about deportees after the war and how these stories were given form in literature, art, film, monuments, and ceremonials.

This is a comprehensive collection of readings from the work of Theodor Adorno, one of the most influential German thinkers of the twentieth century. What took place in Auschwitz revokes what Adorno termed the "Western legacy of positivity," the innermost substance of traditional philosophy. The prime task of philosophy then remains to reflect on its own failure, its own complicity in such events. Yet in linking the question of philosophy to historical occurrence, Adorno seems not to have abandoned his paradoxical, life-long hope that philosophy might not be entirely closed to the idea of redemption. He prepares for an altogether different praxis, one no longer conceived in traditionally Marxist terms but rather to be gleaned from "metaphysical experience." In this collection, Adorno's literary executor has assembled the definitive introduction to his thinking. Its five sections anatomize the range of Adorno's concerns: "Toward a New Categorical Imperative," "Damaged Life," "Administered World, Reified Thought," "Art, Memory of Suffering," and "A Philosophy That Keeps Itself Alive." A substantial number of Adorno's writings included appear here in English for the first time. This collection comes with an eloquent introduction from Rolf Tiedemann, the literary executor of Adorno's work.