Music Downtown Eastside draws on two decades of research in one of North America's poorest urban areas to illustrate how human rights can be promoted through music. Harrison's examination of how gentrification, grant funding, and community organizations affect the success or failure of human rights-focused musical initiatives offers insights into the complex relationship between culture, poverty, and human rights that have global implications and applicability. The book takes the reader into popular music jams and music therapy sessions offered to the poor in churches, community centers and health organizations. Harrison analyzes the capabilities music-making develops, and musical moments where human rights are respected, promoted, threatened, or violated. The book offers insights on the relationship between music and poverty, a social deprivation that diminishes capabilities and rights. It contributes to the human rights literature by examining critically how human rights can be strengthened in cultural practices and policy.

This is the updated and substantially expanded second edition of Christopher Ballantine's classic Marabi Nights, which offers a fascinating view of the triumphs and tragedies of South Africa's marabi-jazz tradition. Based on conversations with legendary figures in the world of music - as well as a perceptive reading of music, the socio-political history, and social meanings - this book is one of sensitive and impassioned curatorship. New chapters extend the book's in-depth account of the birth and development of South African urban-black popular music. They include a powerful story about gender relations and music in the context of forced migrant labor in the 1950s, a critical study of the legendary Manhattan Brothers that uniquely positions their music and words in relation to the apartheid system, and an account of the musical, political, and commercial strategies of the local record industry. A new afterword looks critically at the place of jazz and popular music in South Africa since the end of apartheid, and argues for the continued relevance of the robust, questioning spirit of the marabi tradition. The book includes an illustrative CD of historic sound recordings that the author has unearthed and saved from oblivion.

The Look of Jazz "David's photographs perfectly illustrate the passion, creativity and commitment of these musicians, and distil the atmosphere of live jazz in dazzling detail." Helen Mayhew, Jazz Broadcaster The Look of Jazz is a collection of 90 photographs of musicians taken by photographer and musician David Harvey. The book includes exclusive interviews with 24 of the featured musicians in which they talk about their own stories, inspirations and views on jazz. The portraits include a cross section of musicians, several of whom are variously club owners, educators, journalists and contribute in different ways to the continuing development of the jazz scene. Among the American and European artists featured are Jerry Bergonzi, Kirk Lightsey, Don Weller, Emilia Martensson, Gareth Lockrane, Julian Siegel, Tristan Mailliot and Nikki Iles alongside other leading figures on the jazz scene. "I have also included some less well-known but amazing players in recognition of their contribution to the jazz tradition," says David. The Look of Jazz includes portraits from two exhibitions of David Harvey's work, In the Moment and One More Time... Journalist, broadcaster and musician Jay Rayner called the first of these "a very lovely exhibition of terrific photographs of jazz musicians."