Sheehan's tragic biography of John Paul Vann is also a sweeping history of America's seduction, entrapment and disillusionment in Vietnam.

From Andrew Wiest, the bestselling author of The Boys of '67: Charlie Company's War in Vietnam and one of the leading scholars in the study of the Vietnam War, comes a frank exploration of the human experience during the conflict. Vietnam allows the reader a grunt's-eye-view of the conflict - from the steaming rice paddies and swamps of the Mekong Delta, to the triple-canopy rainforest of the Central Highlands and the forlorn Marine bases that dotted the DMZ. It is the definitive oral history of the Vietnam War told in the uncompromising, no-holds barred language of the soldiers themselves.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

Each pilot and bombardier/navigator sat side by side in an all-weather jet built for low-level bombing runs, precision targeting, and night strikes. Their success--and their very lives--depended on teamwork in flying their versatile A-6 Intruders. And when the North Vietnamese mounted a major offensive in 1972, they answered the call.

Carol Reardon chronicles the operations of Attack Squadron 75, the "Sunday Punchers," and their high-risk bombing runs launched off the U.S.S. Saratoga during the famous LINEBACKER campaigns. Based on unparalleled access to crew members and their families, her book blends military and social history to offer a unique look at the air war in Southeast Asia, as well as a moving testament to the close-knit world of naval aviators.

Theirs was one of the toughest jobs in the military: launching off the carrier in rough seas as well as calm, flying solo and in formation, dodging dense flak and surface-to-air missiles, delivering ordnance on target, and recovering aboard safely. Celebrating the men who climbed into the cockpits as well as those who kept them flying, Reardon takes readers inside the squadron's ready room and onto the flight decks to await the call, "Launch the Intruders " Readers share the adrenaline-pumping excitement of each mission--as well as those heart-stopping moments when a downed aircraft brought home to all, in flight and on board, that every aspect of their lives was constantly shadowed by danger and potential death.

More than a mere combat narrative, Launch the Intruders interweaves human drama with familial concerns, domestic politics, and international diplomacy. Fliers share personal feelings about killing strangers from a distance while navy wives tell what it's like to feel like a stranger at home. And as the war rages on, headlines like Jane Fonda's visit to Hanoi and the Paris Peace Accords are all viewed through the lens of this heavily tasked, hard-hitting attack squadron.

A rousing tale of men and machines, of stoic determination in the face of daunting odds, Reardon's tale shines a much-deserved light on group of men whose daring exploits richly deserve to be much better known.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

By now the world knows well the exploits of World War II admirals Ernest King, Chester Nimitz, and "Bull" Halsey. These brilliant strategists and combat commanders--backed by a powerful Allied coalition, a nation united, gifted civilian leaders, and abundant war-making resources--led U.S. and allied naval forces to victory against the Axis powers. Leadership during the Vietnam War was another story. The Vietnam War and its aftermath sorely tested the professional skill of four-star admirals Harry D. Felt, Ulysses S. Grant Sharp, Thomas H. Moorer, Elmo R. Zumwalt Jr., and James L. Holloway III. Unlike their World War II predecessors, these equally battle-tested leaders had to cope with a flawed American understanding of U.S. and Vietnamese Communist strengths and weaknesses, distrustful and ill-focused Washington leaders, an increasingly discontented American populace, and an ultimately failing war effort. Like millions of other Americans, these five admirals had to come to terms with America's first lost war, and what that loss meant for the future of the nation and the U.S. armed forces. The challenges were both internal and external. A destabilized U.S. Navy was troubled by racial discord, drug abuse, anti-war and anti-establishment sentiment, and a host of personnel and material ills. At the same time, increasingly serious global threats to US interests, such as the rise of Soviet nuclear-missile and naval power, were shaping confrontations on the postwar stage. Critical to the story is how these naval leaders managed their relationships with Presidents Kennedy, Johnson, Nixon, Ford, and Carter, and Secretaries of Defense McNamara, Laird, and Schlesinger. Based on prodigious research into many formerly classified sources, Edward J. Marolda relates in dramatic detail how America's top naval leaders tackled their responsibilities, their successes, and their failures. This is a story of dedication to duty, professionalism, and service by America's top admirals during a time of great national and international adversity.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America's engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

As the recent presidential campaign revealed, the Vietnam War remains a political lightning rod. In the 1980s, even as a Gallup poll listed Fonda as one of the most admired women in the country, "Hanoi Jane" had become a reviled figure among conservatives for her highly publicized trip to North Vietnam in 1972. Today, according to a recent poll, millions of Americans continue to link Fonda's name to Vietnam--yet the true history of her antiwar work has been largely obscured.

One of the most popular movie actresses of the 1960s and 1970s, Fonda was also among the most committed and visible antiwar activists of the era. Coming on the heels of Jane Fonda's own memoir, this is the first book to document one of the most interesting (and least known) chapters in Fonda's life--including the first comprehensive account of her controversial trips to Hanoi, as well as her extensive efforts on behalf of American GIs.

Based on unprecedented access to Fonda's twenty-foot-thick FBI files, interviews with the former POWs Fonda met with in Hanoi in 1972, and a broad range of contemporary press reports, "Jane Fonda's War" is a fascinating and little-understood chapter in the extraordinary life of an American icon.

In the summer of 1967, the Marines in I Corps, South Vietnam's northernmost military region, were doing everything they could to lighten the pressure on the besieged Con Thien Combat Base. Still fresh after months of relatively light action around Khe Sanh, the 3d Battalion, 26th Marines, was sent to the Con Thien region to secure the combat bases' endangered main supply route. On 7 September 1967, its first full day in the new area of operations, separate elements of the battalion were attacked by at least two battalions of North Vietnamese infantry, and both were nearly overrun in night-long battles. On 10 September, while advancing to a new sector near Con Thien, the 3d Battalion, 26th Marines, was attacked by at least a full North Vietnamese regiment, the same NVA unit that had attacked it two days earlier. Divided into two separate defensive perimeters, the Marines battled through the afternoon and evening against repeated assaults by waves of NVA regulars intent upon achieving a major victory. In a battle described as 'Custer's Last Stand-With Air Support', the Americans prevailed by the narrowest of margins. Ambush Valley is an unforgettable account of bravery and survival under impossible conditions. It is told entirely in the words of the men who faced the ordeal together - an unprecedented mosaic of action and emotion woven into an incredibly clear and vivid combat narrative by one of today's most effective military historians. Ambush Valley achieves a new standard for oral history. It is a war story not to be missed.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

International lawyers and distinguished scholars consider the question: Is it legally justifiable to treat the Vietnam War as a civil war or as a peculiar modern species of international law? Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The book describes my first seven months in Viet Nam, as a platoon leader in Bravo Company of the Third Battalion, 187th Infantry. I wanted to make it about the men I led and served with, and in some measure my reaction to the events of those seven months. The first part of the book deals with the routine tactics, unending work, misery and occasional hilarity of infantry life. The bulk of the book, however, deals with two events, within three weeks of each other: The battle of Dong Ngai and the battle of Dong Ap Bia - Hamburger Hill. The Rakkasans - the 3/187th - are the most highly decorated unit in the history of the United States Army, and two of those decorations were awarded for those two battles. By happenstance, I was in the middle of both. These are truly historical events. I wanted to convey the real face of war, both its mindless carnage and its nobility of spirit. Above all, I want to convey what happened to both the casual reader and the military historian and make them aware of the extraordinary spirit of the men of First Platoon, Bravo Company. They were ordinary men doing extraordinary things.

Jerry Rose, a young journalist and photographer in Vietnam, exposed the secret beginnings of America's Vietnam War in the early 1960s. Putting his life in danger, he interviewed Vietnamese villagers in a countryside riddled by a war of terror and intimidation and embedded himself with soldiers on the ground, experiences that he distilled into the first major article to be written about American troops fighting in Vietnam. His writing was acclaimed as "war reporting that ranks with the best of Ernest Hemingway and Ernie Pyle," and in the years to follow, Time, The New York Times, The Reporter, New Republic, and The Saturday Evening Post regularly published his stories and photographs. In spring 1965, Jerry's friend and former doctor, Phan Huy Quat, became the new Prime Minister of Vietnam, and he invited Jerry to become an advisor to his government. Jerry agreed, hoping to use his deep knowledge of the country to help Vietnam. In September 1965, while on a trip to investigate corruption in the provinces of Vietnam, he died in a plane crash in Vietnam, leaving behind a treasure trove of journals, letters, stories, and a partially completed novel. The Journalist is the result of his sister, Lucy Rose Fischer, taking those writings and crafting a memoir in "collaboration" with her late brother-giving the term "ghostwritten" a whole new meaning.

Elite units carried out many dangerous operations during the Vietnam War, the most secret and hazardous of which were conducted by the Studies and Observations Group, formed in 1964. In the years since the Vietnam War, the elite unit known as SOG has spawned many myths, legends and war stories. Special Forces medic Joe Parnar served with SOG during 1968 in FOB2/CCC near the tri-border area that gave them access to the forbidden areas of Laos and Cambodia. Parnar recounts his time with the recon men of this highly classified unit, as his job involved a unique combination of soldiering and lifesaving. His stories capture the extraordinary commitment made by all the men of SOG and reveal the special dedication of the medics, who put their own lives at risk to save the lives of their teammates. Parnar also discusses his medical training with the Special Forces. During his tour with SOG, Parnar served as a dispensary medic, chase medic, Hatchet Force medic and as a recon team member. This variety of roles gave him experience not only in combat but in dealing with and treating the civilians and indigenous peoples of that area. There is a graphic account of a Laotian operation involving America's most decorated soldier, Robert Howard, during which Parnar had to treat a man with a blown-off foot alongside nearly fifty other casualties. It is a reminder of the enormous responsibility and burden that a medic carried. This new edition of SOG Medic makes this highly-praised and sought-after book available again once more, with additional photos and maps.

This is an account of the battle of Kham Duc, one of the least known and most misunderstood battles in the American Phase of the Second Indochina War (1959 to 1975). At the time it was painted as a major American defeat, but this new history tells the full story. The authors have a unique ability to reassess this battle - one was present at the battle, the other was briefed on it prior to re-taking the site two years later. The book is based on exhaustive research, revisiting Kham Duc, interviewing battle veterans, and reading interview transcripts and statements of other battle participants, including former North Vietnamese Army (NVA) officers. Based on their research, the authors contend that Kham Duc did not 'fall' and was not 'overrun'. In fact, it was a successful effort to inflict mass attrition on a major NVA force with minimum American losses by voluntarily abandoning an anachronistic little trip-wire border camp serving as passive bait for General Westmoreland's 'lure and destroy' defensive tactics, as at Khe Sanh.

From the defeat of the Army of the Republic of Vietnam at Ap Bac to the battles of the Ia Drang Valley, Khe Sanh, and more, Storms over the Mekong offers a reassessment of key turning points in the Vietnam War. Award-winning historian William P. Head not only reexamines these pivotal battles but also provides a new interpretation on the course of the war in Southeast Asia. In considering Operation Rolling Thunder, for example-which Head dubs as "too much rolling and not enough thunder"-readers will grasp the full scope of the campaign, from specifically targeted bridges in North Vietnam to the challenges of measuring success or failure, the domestic political situation, and how over time, Head argues, "slowly, but surely, Rolling Thunder dug itself into a hole." Likewise, Head shows how the battles for Saigon and Hue during the Tet Offensive of 1968 were tactical defeats for the Communist forces with as many as 40,000 killed and no real gains. At the same time, however, Tet made it clear to many in Washington that victory in Vietnam would require a still greater commitment of men and resources, far more than the American people were willing to invest. Storms over the Mekong is a blow-by-blow account of the key military events, to be sure. But beyond that, it is also a measured reconsideration of the battles and moments that Americans thought they already knew, adding up to a new history of the Vietnam War.

As the Vietnam War was beginning to turn towards its bitter end, Le Quan fought under beloved general Tran Ba Di in the army of South Vietnam. An unlikely encounter thrust the two men together, and they developed a mutual respect in their home country during wartime. Forty years later, the two men reconnected in a wholly unlikely setting: a family road trip to Key West. Soldier On is written by Le Quan's daughter, who artfully crafts the road trip as a frame through which the stories of both men come to life. Le Quan and Tran Ba Di provide two different views of life in the South Vietnamese army, and they embody two different realities of the aftermath of defeat. Le Quan was able to smuggle his family out of Saigon among the so-called boat people, eventually receiving asylum in America and resettling in Texas. General Tran Ba Di, on the other hand, experienced political consequences: he spent seventeen years in a re-education camp before he was released to family in Florida. A proud daughter's perspective brings this intergenerational and intercontinental story to life, as Tran herself plumbs her remembrances to expand the legacy of the many Vietnamese who weathered conflict to forge new futures in America.

Charged with monitoring the huge civilian press corps that descended on Hue during the Vietnam War's Tet offensive, US Army Captain George W. Smith witnessed firsthand a vicious twenty-five day battle. Smith recounts in harrowing detail the separate, poorly coordinated wars that were fought in the retaking of the Hue. Notably, he documents the little-known contributions of the South Vietnamese forces, who prevented the Citadel portion of the city from being overrun, and who then assisted the US Marine Corps in evicting the North Vietnamese Army. He also tells of the social and political upheaval in the city, reporting the execution of nearly 3,000 civilians by the NVA and the Vietcong. The tenacity of the NVA forces in Hue earned the respect of the troops on the field and triggered a sequence of attitudinal changes in the United States. It was those changes, Smith suggests, that eventually led to the US abandonment of the war.

The conflict in Vietnam has been rewritten and reframed into many corners of American life and has long shadowed contemporary political science and foreign policy. The war and its aftermath have engendered award-winning films and books. It has held up a mirror to the twentieth century and to the wars of the twenty-first. Set in wartime Vietnam and contemporary Vietnam, in wartime America and in America today, the stories that comprise Memorial Days were written from 1973 to the present. As our continuing reappraisals of the war's shadow have unspooled over the last half-decade, so too has Wayne Karlin returned to the subject in his fiction, collected and published together here for the first time. A girl in Maryland runs away from Civil War reenactors she imagines to be American soldiers in Vietnam, while a woman in Vietnam hides in the jungle from an American helicopter and another tries to bury the relics of the war. A man mourns a friend lost in Iraq while a helicopter crewman in Quang Tri loads the broken and dead into his aircraft. Extras playing soldiers in a war film in present-day Vietnam model themselves after other war films while a Marine in a war sees himself as a movie character. A snake coiled around the collective control of a helicopter in Vietnam uncoils in a soldier come home from Iraq. The chronology is the chronology of dreams or nightmares or triggered flashbacks: images and incidents triggering other images and incidents in a sequence that seems to make no sense-which is exactly the sense it makes. Some stories burn with the fresh experiences of a Marine witnessing war firsthand. Some stories radiate a long-abiding grief. All the stories reflect and reconfigure the Vietnam War as it echoes into the present century, under the light of retrospection.