The Vietnam War was a traumatic event for America and a lesson for Americans on the limits of power. For the Vietnamese, however, it was but one in a series of struggles against foreign domination. This fascinating study puts all of this in perspective by providing a comprehensive overview of warfare throughout Vietnamese history, from the early efforts of the Vietnamese to establish their own state and free themselves from Chinese domination, down through the Indo-China and Vietnam Wars, the Vietnamese invasion of Cambodia and the 1979 Sino-Vietnamese War, to the present.

Vietnam provides an overview of the causes, course, and effects of the numerous wars in Vietnamese history, many of them not generally known to Westerners, such as the Black Flag/Tonkin Wars and the Franco-Thai War. Concentrating on the period after the Second World War, it treats matters from the Vietnamese perspective as much as from the French and American, and seeks to clarify the missed opportunities and false perceptions that led to warfare. Encompassing overviews of socio-political, economic, diplomatic, and cultural issues, Vietnam provides an excellent introduction to Vietnamese history as well as an in-depth look at the long record of warfare in that country. It will prove essential reading for all students of twentieth-century American and Asian history.

At the end of World War II, a number of former American military pilots formed the "Flying Tiger Line, " which soon became the worlds leading airfreight company. Its motto of "Anything, anytime, anywhere" was especially applicable in its humanitarian projects. In 1975, the Flying Tigers took part in relief efforts for Cambodians surrounded by Khmer Rouge forces. The "Ricelift" exposed the Tiger pilots to enormous risk. Though they were technically "noncombatants, " all this really meant was that they couldn shoot back. This is the memoir of Larry Partridge who, in his plane, nicknamed "Nancy" after his wife, flew 52 missions into Phnom Penh, delivering rice and other supplies in hostile conditions. After the collapse of Saigon and the victory of the Khmer Rouge, the ricelifts ceased. This account, from a Tigers-eye view, includes both history and human drama in a remarkable but completely true story.

Contents:
1. Small, Melvin The Impact of the Antiwar Movement on Lyndon Johnson, 1965-1968: A Preliminary Report, Peace and Change 10 [1984]
2. Harrison, Benjamin T Roots of the Anti-Vietnam War Movement, Studies in Conflict and Terrorism 16
3. DeBenedetti, Charles On the Significance of Citizen Peace Activism: America, 1961-1975, Peace and Change 9 [1983]
4. Katz, Milton S Peace Liberals and Vietnam:SANE and the Politics of 'Responsible' Protest, Peace and Change 9 [1983]
5. Shapiro, Herbert The Vietnam War and the American Civil Rights Movement, Journal of Ethnic Studies 16 [1989]
6. Harrison, Benjamin T Impact of the Vietnam War on the Civil Rights Movement in the Midsixties, Studies in Conflict and Terrorism 19
7. DeBenedetti, Charles A CIA Analysis of the Anti-Vietnam War Movement: October 1967, Peace and Change 9 [1983]
8. Schuman, Howard Two Sources of Antiwar Sentiment in America, American Journal of Sociology 78 [1972]
9. Johnson, Robert David The Origins of Dissent: Senate Liberals and Vietnam, 1959-1964, Pacific Historical Review 65 [1996]
10. Garfinkle, Adam No Discharge from that War: Aftermyths of the Antiwar Movement, Orbis 39 [1995]
11. Gartner, Scott, Gary Segura and Michael Wilkenning All Polititcs are Local: Local Losses and Individual Attitudes toward the Vietnam War, Journal of Conflict Resolution 41 [1997]
12. Hall, Mitchell Unsell the War: Vietnam and Antiwar Advertising, The Historian 58 [1995]
13. Buzzanco, Robert Prologue to Tragedy: US Military Opposition to Intervention in Vietnam, 1950-1954, Diplomatic History 17 [1993]
14. Gibson, James L The Policy Consequences of Political Intolerance: Political Repression During the Vietnam Era, Journal of Politics 51 [1989]
15. Katz, Andrew Z Public Opinion and Foreign Policy: The Nixon Administration and the Pursuit of Peace with Honour in Vietnam, Presidential Studies Quarterly 27 [1997]
16.Kahin, George McT The Pentagon Papers: A Critical Evaluation, American Political Science Review 69 [1975]
17. Sweet, Barry Legal Challenges to Presidential Policies on the Use of Military Force, Policy Studies Journal 24 [1996]

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

The Vietnam War generated controversy long after the guns went silent in Southeast Asia. At first, a consensus emerged that the war had been a tragic 'mistake' in US foreign policy. But with the revival of the Cold War under President Ronald Reagan, who proclaimed that the Vietnam conflict had been a 'noble cause', revisionists began to reinterpret the history and meaning of the war. As a new conflict emerged in Central America, some argued that the lesson of Vietnam was to avoid direct involvement in such struggles, while others insisted that the US could not afford to be paralyzed by a 'Vietnam syndrome' equating all intervention with failure. Among the additional lessons and legacies of the war was its impact on the men who fought in Vietnam. For complex reasons, explored by authors in this volume, powerful myths about Vietnam veterans emerged in postwar American culture.

Contents:
1. Haines, Harry W Disputing the Wreckage: Ideological Struggle at the Vietnam Veterans Memorial, Vietnam Generation 1 [1989]
2. Wagner-Pacifici, Robin and Barry Schwartz The Vietnam Veterans Memorial: Commemorating A Difficult Past, American Journal of Sociology 97 [1991]
3. Sturken, Marita The Wall, the Screen, and the Image: The Vietnam Veterans Memorial, Representations 35 [1991]
4. Jeffords, Susan Women, Gender and the War, Critical Studies in Mass Communication 6 [1989]
5. Smith, Lorrie Back Against the Wall: Anti-Feminist Backlist in Vietnam War Literature, Vietnam Generation 1 [1989]
6. Mithers, Carol Lynn Missing in Action: Women Warriors in Vietnam, Cultural Critique 3 [1986]
7. Marling, Carol Ann The Statute Near the Wall, Smithsonian Studies in American Art 1 [1987]
8. Bellhouse, Mary L and Lawrence Litchfield Vietnam and Loss of Innocence: An Analysis of the Political Implications of the Popular Literature of the Vietnam War, Journal of Popular Culture 16 [1982]
9. Uchmanowicz, Pauline Vanishing Vietnam: Whiteness and the Technology of Memory, Literature and Psychology 41 [1995]
10. Charlot, John Vietnamese Cinema: First Views, Journal of Southeast Asian Studies 22 [1991]
11. Katzman, Jason From Outcast to Cliche: How Film Shaped, Warped and Developed the Image of the Vietnam Veteran, 1967-1990, Journal of American Culture 16 [1993]
12. Clark, Michael Remembering Vietnam, Cultural Critique 3 [1986]
13. Berg, Rick Losing Vietnam: Covering the War in an Age of Technology, Cultural Critique 3 [1986]
14. Rowe, John Carlos From Documentary to Docudrama: Vietnam on Television in the 1980s, Genre 21 [1988]
15. Auster, Albert Reflections of the Way Life Used to Be: Tour of Duty, China Beach, and the memory of the Sixties, Television Quarterly 24 [1990]
16. Ballard-Reisch, Deborah China Beach and Tour of Duty: American Television and Revisionist History of The Vietnam War, Journal of Popular Culture 25 [1991]
17. Jason, Philip K The Noise is Always in My Head: Auditory Images in the Literature of the Vietnam War, Midwest Quarterly 37 [1996]

From Melos to My Lai presents an erudite, provocative and moving analysis of the accounts of violence in the literature and history of ancient Greece and in the film literature and veterans' accounts of the Vietnam War. This comparative investigation examines the nature of violence, its impact on society and culture, especially as reflected from the perspective of the survivors. The survivors include not only actual combatants, but those with whom they interact: their comrades, their wives and children, families and society as a whole.
From Melos to My Lai provides a unique contribution to the study of the impact of violence on its participants and its audience which combines an examination of the artistic representations of violence and the real-life accounts of those involved in it.

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

Presented here is the most complete photo collection of U.S. Air Force F-4 Phantoms and F-105 Thunderchiefs credited with aerial victories during the Vietnam era. Of the total one hundred-thirteen individual Phantoms and Thunderchiefs credited with aerial victories, the reader will discover photographs of one hundred and six of these historic aircraft. The reader will discover photographs of the only F-4 Phantom to down six MiGs. The jet flown by Captain Richard Steve Ritchie on 28 August 1972, when he distinguished himself by becoming the first Air Force ACE of the Vietnam War appear here. Also shown are the three Phantoms flown by Colonel Robin Olds in claiming four MiG kills. Accompanying each photograph is detailed information regarding the aircrews, units, call signs of the individual aircraft, primary weapon system used in destruction of the enemy MiG, and a short narrative regarding each air battle.

Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.

A major revision of our understanding of JFK's commitment to Vietnam, revealing that his administration's plan to withdraw was a political device, the effect of which was to manage public opinion while preserving US military assistance. In October 1963, the White House publicly proposed the removal of US troops from Vietnam, earning President Kennedy an enduring reputation as a skeptic on the war. In fact, Kennedy was ambivalent about withdrawal and was largely detached from its planning. Drawing on secret presidential tapes, Marc J. Selverstone reveals that the withdrawal statement gave Kennedy political cover, allowing him to sustain support for US military assistance. Its details were the handiwork of Defense Secretary Robert McNamara, whose ownership of the plan distanced it from the president. Selverstone's use of the presidential tapes, alongside declassified documents, memoirs, and oral histories, lifts the veil on this legend of Camelot. Withdrawal planning was never just about Vietnam as it evolved over the course of fifteen months. For McNamara, it injected greater discipline into the US assistance program. For others, it was a form of leverage over South Vietnam. For the military, it was largely an unwelcome exercise. And for JFK, it allowed him to preserve the US commitment while ostensibly limiting it. The Kennedy Withdrawal offers an inside look at presidential decisionmaking in this liminal period of the Vietnam War and makes clear that portrayals of Kennedy as a dove are overdrawn. His proposed withdrawal was in fact a cagey strategy for keeping the United States involved in the fight-a strategy the country adopted decades later in Afghanistan.

Lyndon Johnson brought to the presidency a political outlook steeped in New Deal liberalism and the idea of government intervention for the public good at home or abroad. Seeking to fulfill John Kennedy's pledge in Southeast Asia, LBJ constructed a fatal coupling of the Great Society and the anti-Communist imperative. Pay Any Price is Lloyd Gardner's riveting account of the fall into Vietnam; of behind-the-scenes decision-making at the highest levels of government; of miscalculation, blinkered optimism, and moral obtuseness. Blending political biography with diplomatic history, Gardner has written the first book on American involvement in the Vietnam War to use the full resources and newly declassified documents of the Johnson Library, and to tell whole the story of Johnson and Vietnam. The book is filled with fresh interpretations, brilliantly incisive portraits of the president and his men, and new perspectives on America's most divisive foreign war. Gardner describes for the first time how, as tragedy swirled around the deliberations in Washington, Clark Clifford and Dean Rusk struggled for the president's soul, culminating in the bombing halt of 1968 and the Johnson decision not to run. The war finally sundered the liberal cold war consensus, Gardner argues, and brought to an end the New Deal politics that had dominated American political life since 1933. Pay Any Price is a major work of history by one of our most distinguished historians."

The Viet Cong have long remained a mystery even to those who fought against them during America's longest and most divisive war. They have been given many acronyms and slang names by the American fighting men; included among them are V.C., Charlie and other less complimentary terms. They have been portrayed in many guises by the American press and popular Hollywood films. None, however, have really addressed the Viet Cong in human terms. This work will strip away the myth and mystery which surrounds the Viet Cong and, through the medium of their own candid photography, present them in human terms. They were everything we were - resourceful, cunning, adaptable, and most of all, human. As did our own American soldiers, they endured life in some of the harshest, most inhospitable terrain on earth. In doing so, they exhibited the will to sacrifice and be sacrificed for the collective goal of unification. Little did they know that we were serving the hidden agenda of the Politburo in Hanoi. In the end, they, like many of our soldiers, were betrayed and abandoned. This book portrays the Viet Cong as seen through their own photography. A cultural obsession, photographs were taken wherever and whenever possible. On many occasions, Allied forces were able to capture such photos. It is from such sources that these photographs are made available, most for the first time ever, to the general public.

As an Observer correspondent in Vietnam before the American withdrawal in 1975, Gavin Young met many courageous Vietnamese people. He frequently stayed with one such person, Madame Bong, a woman who had lost her husband when she was only twenty-five, had recovered the mangled limbs of one son from a battlefield and watched as another son was sent off to a 're-education camp' for seven years. When Young was allowed to return to Vietnam he helped many of Madame Bong's relatives emigrate to the US. A Wavering Grace is a personal account of how one ordinary family survived the horrors of war and a political process that was beyond their control. 'By far ... the most moving account of Vietnam to be written in recent years.' Norman Lewis 'This delicate, terrible and enchanting book ... brings the atmosphere of Vietnam so near that you can almost taste and smell it.' Jonathan Mirsky, The Times 'Full of passion and feeling ... A Wavering Grace could be described as a love story [and] tells the story of Vietnam and Mme Bong's family in its many conflicting complexions.' Andrew Barrow, Spectator

This book narrates the history of the different peoples who have lived in the three major regions of Viet Nam over the past 3,000 years. It brings to life their relationships with these regions' landscapes, water resources, and climatic conditions, their changing cultures and religious traditions, and their interactions with their neighbors in China and Southeast Asia. Key themes include the dramatic impact of changing weather patterns from ancient to medieval and modern times, the central importance of riverine and maritime communications, ecological and economic transformations, and linguistic and literary changes. The country's long experience of regional diversity, multi-ethnic populations, and a multi-religious heritage that ranges from local spirit cults to the influences of Buddhism, Confucianism and Catholicism, makes for a vividly pluralistic narrative. The arcs of Vietnamese history include the rise and fall of different political formations, from chiefdoms to Chinese provinces, from independent kingdoms to divided regions, civil wars, French colonies, and modern republics. In the twentieth century anticolonial nationalism, the worldwide depression, Japanese occupation, a French attempt at reconquest, the traumatic American-Vietnamese war, and the 1975 communist victory all set the scene for the making of contemporary Viet Nam. Rapid economic growth in recent decades has transformed this one-party state into a global trading nation. Yet its rich history still casts a long shadow. Along with other members of the Association of Southeast Asian Nations, Viet Nam is now involved in a tense territorial standoff in the South China Sea, as a rival of China and a "partner" of the United States. If its independence and future geographical unity seem assured, Viet Nam's regional security and prospects for democracy remain clouded.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

There was another war in Vietnam, one that generally didn't make the headlines: the campaign to "win the hearts and minds" of the Vietnamese people. Fought not with artillery and helicopters but with food, medicine and shelter for civilians devastated by the conflict, the effort was unprecedented in U.S. history, involving both military and civilian personnel working together in far-flung areas of the countryside. Part history, part memoir, this book chronicles an overlooked aspect of U.S. involvement in Vietnam, with a focus on the war victims and refugees most tragically affected by the carnage. The author recounts his two years "in-country" as an aid worker and describes how the humanitarian effort was conducted and why it failed.

1970 - the height of the Vietnam War. A group of young Forward Air Controllers based in Thailand are assigned with supporting the Truck War and the People's War in southern Laos, where the fate of the Vietnam War, and Laos' very future, is being decided. Tasked with shutting down the Ho Chi Minh Trail - the North Vietnamese supply lines running into South Vietnam - literally stopping the constant stream of trucks in their tracks, these American airmen, call sign "Nail," fly missions 24 hours a day. Daily they run the gauntlet of intense anti-aircraft fire to bring in accurate attacks by American fighter bombers. At night, streams of red tracers scream up from the ground, seeking the metallic flesh of their fragile craft. During the day, they search the skies for the telltale black puffs of smoke that reveal the self-destructive warheads of the North Vietnamese gunners. Even when tragedy befalls the group, they perserve with their mission. But will courage and dedication be enough?

When American forces arrived in Vietnam, they found themselves embedded in historical village and frontier spaces already shaped by past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of previous wars in central Vietnam, and these militarized landscapes continue to shape postwar land-use politics. Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. Drawing on extensive archival research and years of interviews and fieldwork in the hills and villages around the city of Hue, David Biggs integrates historical geographic information system (GIS) data and uses aerial, high-altitude, and satellite imagery to render otherwise inscrutable sites as living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.