By January 1968 the fighting in Vietnam seemed to be at a stalemate. Yet General William Westmoreland, commander of American forces, announced a new phase of the war in which 'the end begins to come into view.' The North Vietnamese had different ideas. In mid-1967, the leadership in Hanoi had started planning an offensive intended to win the war in a single stroke. Part military action and part popular uprising, the Tet Offensive included attacks across South Vietnam, but the most dramatic and successful would be the capture of Hue, the country's cultural capital. At 2:30 a.m. on January 31, 10,000 National Liberation Front troops descended from hidden camps and surged across the city of 140,000. By morning, all of Hue was in Front hands save for two small military outposts. The commanders in country and politicians in Washington refused to believe the size and scope of the Front's presence. After several futile and deadly days, Lieutenant Colonel Ernie Cheatham would finally come up with a strategy to retake the city, block by block and building by building, in some of the most intense urban combat since World War II. With unprecedented access to war archives in the U.S. and Vietnam and interviews with participants from both sides, Bowden narrates each stage of this crucial battle through multiple points of view. Played out over twenty-four days of terrible fighting and ultimately costing 10,000 combatant and civilian lives, the Battle of Hue was by far the bloodiest of the entire war. When it ended, the American debate was never again about winning, only about how to leave. In Hue 1968, Bowden masterfully reconstructs this pivotal moment in the American war in Vietnam.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

The March 1965 landing of the US Marine Corps at Da Nang, South Vietnam, marked the first large-scale deployment of US forces to the region. From then on, the Marine Corps fought continuously until May 1975, when two Marines became the last US servicemen killed in that war during the Mayaguez battle. With over 200 archival photos, many never before published, the weapons, vehicles, and equipment of the Marines in theater are documented in this volume. Small arms, mortars and artillery, tanks, amphibious, armored and soft-skinned vehicles, helicopters, uniforms, and personal and specialist equipment are featured in superb-quality photos and detailed captions, including photos from such legendary Marine Corps battles as Hue and Khe Sanh.

Elite units carried out many dangerous operations during the Vietnam War, the most secret and hazardous of which were conducted by the Studies and Observations Group, formed in 1964. In the years since the Vietnam War, the elite unit known as SOG has spawned many myths, legends and war stories. Special Forces medic Joe Parnar served with SOG during 1968 in FOB2/CCC near the tri-border area that gave them access to the forbidden areas of Laos and Cambodia. Parnar recounts his time with the recon men of this highly classified unit, as his job involved a unique combination of soldiering and lifesaving. His stories capture the extraordinary commitment made by all the men of SOG and reveal the special dedication of the medics, who put their own lives at risk to save the lives of their teammates. Parnar also discusses his medical training with the Special Forces. During his tour with SOG, Parnar served as a dispensary medic, chase medic, Hatchet Force medic and as a recon team member. This variety of roles gave him experience not only in combat but in dealing with and treating the civilians and indigenous peoples of that area. There is a graphic account of a Laotian operation involving America's most decorated soldier, Robert Howard, during which Parnar had to treat a man with a blown-off foot alongside nearly fifty other casualties. It is a reminder of the enormous responsibility and burden that a medic carried. This new edition of SOG Medic makes this highly-praised and sought-after book available again once more, with additional photos and maps.

Jerry Rose, a young journalist and photographer in Vietnam, exposed the secret beginnings of America's Vietnam War in the early 1960s. Putting his life in danger, he interviewed Vietnamese villagers in a countryside riddled by a war of terror and intimidation and embedded himself with soldiers on the ground, experiences that he distilled into the first major article to be written about American troops fighting in Vietnam. His writing was acclaimed as "war reporting that ranks with the best of Ernest Hemingway and Ernie Pyle," and in the years to follow, Time, The New York Times, The Reporter, New Republic, and The Saturday Evening Post regularly published his stories and photographs. In spring 1965, Jerry's friend and former doctor, Phan Huy Quat, became the new Prime Minister of Vietnam, and he invited Jerry to become an advisor to his government. Jerry agreed, hoping to use his deep knowledge of the country to help Vietnam. In September 1965, while on a trip to investigate corruption in the provinces of Vietnam, he died in a plane crash in Vietnam, leaving behind a treasure trove of journals, letters, stories, and a partially completed novel. The Journalist is the result of his sister, Lucy Rose Fischer, taking those writings and crafting a memoir in "collaboration" with her late brother-giving the term "ghostwritten" a whole new meaning.

From the defeat of the Army of the Republic of Vietnam at Ap Bac to the battles of the Ia Drang Valley, Khe Sanh, and more, Storms over the Mekong offers a reassessment of key turning points in the Vietnam War. Award-winning historian William P. Head not only reexamines these pivotal battles but also provides a new interpretation on the course of the war in Southeast Asia. In considering Operation Rolling Thunder, for example-which Head dubs as "too much rolling and not enough thunder"-readers will grasp the full scope of the campaign, from specifically targeted bridges in North Vietnam to the challenges of measuring success or failure, the domestic political situation, and how over time, Head argues, "slowly, but surely, Rolling Thunder dug itself into a hole." Likewise, Head shows how the battles for Saigon and Hue during the Tet Offensive of 1968 were tactical defeats for the Communist forces with as many as 40,000 killed and no real gains. At the same time, however, Tet made it clear to many in Washington that victory in Vietnam would require a still greater commitment of men and resources, far more than the American people were willing to invest. Storms over the Mekong is a blow-by-blow account of the key military events, to be sure. But beyond that, it is also a measured reconsideration of the battles and moments that Americans thought they already knew, adding up to a new history of the Vietnam War.

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America's engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

The combatants in the three Vietnam wars from 1945 to 1975 employed widely contrasting supply methods. This fascinating book reveals that basic traditional techniques proved superior to expensive state of the art systems. During the Indochina or French' war, France's initial use of wheeled transport and finally air supply proved vulnerable given the terrain, climate and communist adaptability . The colonial power gave up the unequal struggle after the catastrophic defeat at Dien Bien Phu. To stem the advance of Communism throughout the region, the Americans stepped in to support the pro-Western South Vietnam regime and threw vast quantities of manpower and money at the problem. The cost became increasingly unpopular at home. General Giap's and Ho Chi Minh's ruthless use of coolies most famously on the Ho Chi Minh Trail proved resistant to carpet-bombing and Agent Orange defoliation. The outcome of the final war between the Communist North Vietnam and the corrupt Southern leadership, now with minimal US support, was almost a forgone conclusion. The Author is superbly qualified to examine these three wars from the logistic perspective. His conclusions make for compelling reading and will be instructive to acting practitioners and enquiring minds.

Western historians have long speculated about Chinese military intervention in the Vietnam War. It was not until recently, however, that newly available international archival materials, as well as documents from China, have indicated the true extent and level of Chinese participation in the conflict of Vietnam. For the first time in the English language, this book offers an overview of the operations and combat experience of more than 430,000 Chinese troops in Indochina from 1968-73. The Chinese Communist story from the "other side of the hill" explores one of the missing pieces to the historiography of the Vietnam War. The book covers the chronological development and Chinese decision-making by examining Beijing's intentions, security concerns, and major reasons for entering Vietnam to fight against the U.S. armed forces. It explains why China launched a nationwide movement, in Mao Zedong's words, to "assist Vietnam and resist America" in 1965-72. It details PLA foreign war preparation, training, battle planning and execution, tactical decisions, combat problem solving, political indoctrination, and performance evaluations through the Vietnam War. International Communist forces, technology, and logistics proved to be the decisive edge that enabled North Vietnam to survive the U.S. Rolling Thunder bombing campaign and helped the Viet Cong defeat South Vietnam. Chinese and Russian support prolonged the war, making it impossible for the United States to win. With Russian technology and massive Chinese intervention, the NVA and NLF could function on both conventional and unconventional levels, which the American military was not fully prepared to face. Nevertheless, the Vietnam War seriously tested the limits of the communist alliance. Rather than improving Sino-Soviet relations, aid to North Vietnam created a new competition as each communist power attempted to control Southeast Asian communist movement. China shifted its defense and national security concerns from the U.S. to the Soviet Union.

A poignantly written and heartfelt memoir that recounts the author's hair raising-and occasionally hilarious-experience as a young Marine artilleryman in Vietnam. Gritty, unvarnished and often disturbing at times, the book provides a unique window into the lasting physical and emotional wounds of war. Realistic and highly readable, the story is not the typical gung-ho narrative of a combat Marine eager to die for God and country. A somewhat different and interesting perspective and a must read for veterans, Marine Corps buffs, students of the 1960's culture as well as those seeking a better understanding of the influence and relevancy of America's long and indecisive misadventure in Vietnam.

Going beyond the dominant orthodox narrative to incorporate insight from revisionist scholarship on the Vietnam War, Michael G. Kort presents the case that the United States should have been able to win the war, and at a much lower cost than it suffered in defeat. Presenting a study that is both historiographic and a narrative history, Kort analyzes important factors such as the strong nationalist credentials and leadership qualities of South Vietnam's Ngo Dinh Diem; the flawed military strategy of 'graduated response' developed by Robert McNamara; and the real reasons South Vietnam collapsed in the face of a massive North Vietnamese invasion in 1975. Kort shows how the US commitment to defend South Vietnam was not a strategic error but a policy consistent with US security interests during the Cold War, and that there were potentially viable strategic approaches to the war that might have saved South Vietnam.

As the recent presidential campaign revealed, the Vietnam War remains a political lightning rod. In the 1980s, even as a Gallup poll listed Fonda as one of the most admired women in the country, "Hanoi Jane" had become a reviled figure among conservatives for her highly publicized trip to North Vietnam in 1972. Today, according to a recent poll, millions of Americans continue to link Fonda's name to Vietnam--yet the true history of her antiwar work has been largely obscured.

One of the most popular movie actresses of the 1960s and 1970s, Fonda was also among the most committed and visible antiwar activists of the era. Coming on the heels of Jane Fonda's own memoir, this is the first book to document one of the most interesting (and least known) chapters in Fonda's life--including the first comprehensive account of her controversial trips to Hanoi, as well as her extensive efforts on behalf of American GIs.

Based on unprecedented access to Fonda's twenty-foot-thick FBI files, interviews with the former POWs Fonda met with in Hanoi in 1972, and a broad range of contemporary press reports, "Jane Fonda's War" is a fascinating and little-understood chapter in the extraordinary life of an American icon.

Charged with monitoring the huge civilian press corps that descended on Hue during the Vietnam War's Tet offensive, US Army Captain George W. Smith witnessed firsthand a vicious twenty-five day battle. Smith recounts in harrowing detail the separate, poorly coordinated wars that were fought in the retaking of the Hue. Notably, he documents the little-known contributions of the South Vietnamese forces, who prevented the Citadel portion of the city from being overrun, and who then assisted the US Marine Corps in evicting the North Vietnamese Army. He also tells of the social and political upheaval in the city, reporting the execution of nearly 3,000 civilians by the NVA and the Vietcong. The tenacity of the NVA forces in Hue earned the respect of the troops on the field and triggered a sequence of attitudinal changes in the United States. It was those changes, Smith suggests, that eventually led to the US abandonment of the war.

The conflict in Vietnam has been rewritten and reframed into many corners of American life and has long shadowed contemporary political science and foreign policy. The war and its aftermath have engendered award-winning films and books. It has held up a mirror to the twentieth century and to the wars of the twenty-first. Set in wartime Vietnam and contemporary Vietnam, in wartime America and in America today, the stories that comprise Memorial Days were written from 1973 to the present. As our continuing reappraisals of the war's shadow have unspooled over the last half-decade, so too has Wayne Karlin returned to the subject in his fiction, collected and published together here for the first time. A girl in Maryland runs away from Civil War reenactors she imagines to be American soldiers in Vietnam, while a woman in Vietnam hides in the jungle from an American helicopter and another tries to bury the relics of the war. A man mourns a friend lost in Iraq while a helicopter crewman in Quang Tri loads the broken and dead into his aircraft. Extras playing soldiers in a war film in present-day Vietnam model themselves after other war films while a Marine in a war sees himself as a movie character. A snake coiled around the collective control of a helicopter in Vietnam uncoils in a soldier come home from Iraq. The chronology is the chronology of dreams or nightmares or triggered flashbacks: images and incidents triggering other images and incidents in a sequence that seems to make no sense-which is exactly the sense it makes. Some stories burn with the fresh experiences of a Marine witnessing war firsthand. Some stories radiate a long-abiding grief. All the stories reflect and reconfigure the Vietnam War as it echoes into the present century, under the light of retrospection.

By the end of the American War in Vietnam, the coastal province of PhU YEn was one of the least-secure provinces in the Republic of Vietnam. It was also a prominent target of the American strategy of pacification-an effort, purportedly separate and distinct from conventional warfare, to win the "hearts and minds" of the Vietnamese. In Robert J. Thompson III's analysis, the consistent, and consistently unsuccessful, struggle to place PhU YEn under Saigon's banner makes the province particularly fertile ground for studying how the Americans advanced pacification and why this effort ultimately failed. In March 1970 a disastrous military engagement began in PhU YEn, revealing the enemy's continued presence after more than three years of pacification. Clear, Hold, and Destroy provides a fresh perspective on the war across multiple levels, from those making and implementing policy to those affected by it. Most pointedly, Thompson contends that pacification, far from existing apart from conventional warfare, actually depended on conventional military forces for its application. His study reaches back into PhU YEn's storied history with pacification before and during the French colonial period, then focuses on the province from the onset of the American war in 1965 to its conclusion in 1975. A sharply focused, fine-grained analysis of one critical province during the Vietnam War, Thompson's work demonstrates how pacification is better understood as the foundation of U.S. fighting in Vietnam.