Ho Chi Minh is one of the towering figures of the twentieth century, considered an icon and father of the nation by many Vietnamese. Pierre Brocheux's biography of Ho Chi Minh is a brilliant feat of historical engineering. In a concise and highly readable account, he negotiates the many twists and turns of Ho Chi Minh's life and his multiple identities, from impoverished beginnings as a communist revolutionary to his founding of the Indochina Communist Party and the League for the Independence of Vietnam, and ultimately to his leadership of the Democratic Republic of Vietnam and his death in 1969. Biographical events are adroitly placed within the broader historical canvas of colonization, decolonization, communism, war, and nation building. Brocheux's vivid and convincing portrait of Ho Chi Minh goes further than any previous biography in explaining both the myth and the man, as well as the times in which he was situated.

International lawyers and distinguished scholars consider the question: Is it legally justifiable to treat the Vietnam War as a civil war or as a peculiar modern species of international law? Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Initially stationed at the U.S. Army's counterintelligence headquarters in Saigon, David Noble was sent north to launch the army's first covert intelligence-gathering operation in Vietnam's Central Highlands. Living in the region of the Montagnards-Vietnam's indigenous tribal people, deemed critical to winning the war-Noble documented strategic hamlets and Green Beret training camps, where Special Forces teams taught the Montagnards to use rifles rather than crossbows and spears. In this book, he relates the formidable challenges he confronted in the course of his work. Weaving together memoir, excerpts from letters written home, and photographs, Noble's compelling narrative throws light on a little-known corner of the Vietnam War in its early years-before the Tonkin Gulf Resolution and the deployment of combat units-and traces his transformation from a novice intelligence agent and believer in the war to a political dissenter and active protester.

In the fall of 1965, Army cadet Tom Carhart and five others at West Point Academy pulled off a feat of precision and ingenuity that made them famous: the theft of the Navy's Billy-Goat mascot from their rival academy, Annapolis, just before the biggest game of the year. With U.S. forces in Vietnam swollen to nearly 200,000 and American casualties steadily growing, it was an unnerving time to join the military. At West Point, the young men preparing to graduate the following June were well aware that they would be called upon to serve, and quite possibly die, in that far-off country where war raged. That November would be the last Army-Navy football game any of the six cadets would ever participate in, so they had to make it count. After an embarrassing theft of their mascot ten years earlier, the Navy went to extraordinary lengths to make sure it could never happen again. Formal agreements were made between the two superintendents, who subsequently threatened fire and brimstone to any of their charges who dared go near the other Academy. To reinforce those orders, during the week before The Big Game, the Navy placed their goat in an effectively impregnable lockup under 24/7 guard by U.S. Marines at an intimidating Naval Security Station--a modern day Golden Fleece. The Golden Fleece by Tom Carhart is the incredible true story, told by one of the participants, of how six West Point cadets in the Class of 1966 set out to steal that Golden Fleece, and how they succeeded against all odds. The Golden Fleece is a rollicking non-fiction military caper about a famous prank conducted by these cadets as their one last hurrah before shipping off to a war they might not come back from.

Donut Dolly puts you in the Vietnam War face down in the dirt under a sniper attack, inside a helicopter being struck by lightning, at dinner next to a commanding general, and slogging through the mud along a line of foxholes. You see the war through the eyes of one of the first women officially allowed in the combat zone. When Joann Puffer Kotcher left for Vietnam in 1966, she was fresh out of the University of Michigan with a year of teaching, and a year as an American Red Cross Donut Dolly in Korea. All she wanted was to go someplace exciting. In Vietnam, she visited troops from the Central Highlands to the Mekong Delta, from the South China Sea to the Cambodian border. At four duty stations, she set up recreation centers and made mobile visits wherever commanders requested. That included Special Forces Teams in remote combat zone jungles. She brought reminders of home, thoughts of a sister or the girl next door. Officers asked her to take risks because they believed her visits to the front lines were important to the men. Every Vietnam veteran who meets her thinks of her as a brother-at-arms. Donut Dolly is Kotcher's personal view of the war, recorded in a journal kept during her tour, day by day as she experienced it. It is a faithful representation of the twists and turns of the turbulent, controversial time. While in Vietnam, Kotcher was once abducted; dodged an ambush in the Delta; talked with a true war hero in a hospital who had charged a machine gun; and had a conversation with a prostitute. A rare account of an American Red Cross volunteer in Vietnam, Donut Dolly will appeal to those interested in the Vietnam War, to those who have interest in the military, and to women aspiring to go beyond the ordinary.

(Book Jacket Status: Jacketed)
Written on the front lines in Vietnam, "Dispatches "became an immediate classic of war reportage when it was published in 1977.
From its terrifying opening pages to its final eloquent words, "Dispatches "makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr's unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time.
"Dispatches "is among the most blistering and compassionate accounts of war in our literature.

'A remarkable story of subterfuge and brainwashing that few Hollywood scriptwriters could have made up' Simon Heffer, author of The Age of Decadence

In 1967, at the height of the Vietnam War, an exodus begins. A thousand American deserters and draft-resisters escape the brutal fighting for the calm shores of Stockholm. These defectors are young, radical and want to start a revolution. The Swedes treat their new guests like rock stars - but the CIA is going to put a stop to that.

It's a job for the deep-cover men of Operation Chaos and their allies - agents who know how to invade radical organizations and crush them from the inside. And within a few months, the GIs have turned on each other - and the interrogations and recriminations begin.

A gripping espionage story filled with a host of extraordinary and unbelievable plays, Operation Chaos is the incredible but true account of the men who left the war, how they betrayed each other and how they became lost in a world where anything seemed possible - even the idea that the CIA had secretly programmed them to kill their friends.

This is a fascinating and truly groundbreaking study of the Vietnamese experience and memory of the Vietnam War through the lens of popular imaginings about the wandering souls of the war dead. These ghosts of war play an important part in postwar Vietnamese historical narrative and imagination and Heonik Kwon explores the intimate ritual ties with these unsettled identities which still survive in Vietnam today as well as the actions of those who hope to liberate these hidden but vital historical presences from their uprooted social existence. Taking a unique approach to the cultural history of war, he introduces gripping stories about spirits claiming social justice and about his own efforts to wrestle with the physical and spiritual presence of ghosts. Although these actions are fantastical, this book shows how examining their stories can illuminate critical issues of war and collective memory in Vietnam and the modern world more generally.

The F-105D Thunderchief was originally designed as a low-altitude nuclear strike aircraft, but the outbreak of the Vietnam War led to it being used instead as the USAF's primary conventional striker against the exceptionally well-defended targets in North Vietnam and Laos. F-105 crews conducted long-distance missions from bases in Thailand, refuelling in flight several times and carrying heavy external bombloads.

The MiG-17 was the lightweight, highly manoeuvrable defending fighter it encountered most often in 1965-68 during Operation Rolling Thunder. A development of the MiG-15, which shocked UN forces during the Korean War, its emphasis was on simplicity and ease of maintenance in potentially primitive conditions.

Fully illustrated with stunning artwork, this book shows how these two aircraft, totally different in design and purpose, fought in a series of duels that cost both sides dearly.

The legacy and memory of wartime South Vietnam through the eyes of Vietnamese refugees In 1975, South Vietnam fell to communism, marking a stunning conclusion to the Vietnam War. Although this former ally of the United States has vanished from the world map, Long T. Bui maintains that its memory endures for refugees with a strong attachment to this ghost country. Blending ethnography with oral history, archival research, and cultural analysis, Returns of War considers Returns of War argues that Vietnamization--as Richard Nixon termed it in 1969--and the end of South Vietnam signals more than an example of flawed American military strategy, but a larger allegory of power, providing cover for U.S. imperial losses while denoting the inability of the (South) Vietnamese and other colonized nations to become independent, modern liberal subjects. Bui argues that the collapse of South Vietnam under Vietnamization complicates the already difficult memory of the Vietnam War, pushing for a critical understanding of South Vietnamese agency beyond their status as the war's ultimate "losers." Examining the lasting impact of Cold War military policy and culture upon the "Vietnamized" afterlife of war, this book weaves questions of national identity, sovereignty, and self-determination to consider the generative possibilities of theorizing South Vietnam as an incomplete, ongoing search for political and personal freedom.

Fought as fiercely by politicians and the public as by troops in Southeast Asia, the Vietnam War--its origins, its conduct, its consequences--is still being contested. In what will become the classic account, based on newly opened archival sources, David Kaiser rewrites what we know about this conflict. Reviving and expanding a venerable tradition of political, diplomatic, and military history, he shows not only why we entered the war, but also why our efforts were doomed to fail. American Tragedy is the first book to draw on complete official documentation to tell the full story of how we became involved in Vietnam--and the story it tells decisively challenges widely held assumptions about the roles of Eisenhower, Kennedy, and Johnson. Using an enormous range of source materials from these administrations, Kaiser shows how the policies that led to the war were developed during Eisenhower's tenure and nearly implemented in the closing days of his administration in response to a crisis in Laos; how Kennedy immediately reversed course on Laos and refused for three years to follow recommendations for military action in Southeast Asia; and how Eisenhower's policies reemerged in the military intervention mounted by the Johnson administration. As he places these findings in the context of the Cold War and broader American objectives, Kaiser offers the best analysis to date of the actual beginnings of the war in Vietnam, the impact of the American advisory mission from 1962 through 1965, and the initial strategy of General Westmoreland. A deft re-creation of the deliberations, actions, and deceptions that brought two decades of post-World War II confidence to an ignominious end, American Tragedy offers unparalleled insight into the Vietnam War at home and abroad--and into American foreign policy in the 1960s.

Historian and collector Michael Green shows in this fascinating and graphically illustrated book that the two wars that engulfed Indochina and North and South Vietnam over 30 years were far more armoured in nature than typically thought of. By skilful use of imagery and descriptive text he describes the many variants deployed and their contribution. The ill-fated French Expeditionary Force was largely US equipped with WW2 M3 and M5 Stuart, M4 Sherman and M24 light tanks as well as armoured cars and half-tracks. Most of these eventually went to the Army of the Republic of Vietnam but were outdated and ineffective due to lack of logistics and training. The US Army and Marine Corps build-up in the 1960s saw vast quantities of M48 Pattons, M113 APCs and many specialist variants and improvised armoured vehicles arrive in theatre. The Australians brought their British Centurion tanks. But it was the Russians, Chinese and North Vietnamese who won the day and their T-38-85 tanks, ZSU anti-aircraft platforms and BTR-40 and -50 swept the Communists to victory. This fine book brings details and images of all these diverse weaponry to the reader in one volume.

Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For seven long years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire and enemy MiG planes. Many American airmen were shot down, killed, or captured and taken to the infamous "Hanoi Hilton" POW camp. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, courage, audacity, and sometimes luck, sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

More than a quarter of a century after the last Marine Corps Huey left the American embassy in Saigon, the lessons and legacies of the most divisive war in twentieth-century American history are as hotly debated as ever. Why did successive administrations choose little-known Vietnam as the "test case" of American commitment in the fight against communism? Why were the "best and brightest" apparently blind to the illegitimacy of the state of South Vietnam? Would Kennedy have pulled out had he lived? And what lessons regarding American foreign policy emerged from the war?

"The Columbia Guide to the Vietnam War" helps readers understand this tragic and complex conflict. The book contains both interpretive information and a wealth of facts in easy-to-find form. Part I provides a lucid narrative overview of contested issues and interpretations in Vietnam scholarship. Part II is a mini-encyclopedia with descriptions and analysis of individuals, events, groups, and military operations. Arranged alphabetically, this section enables readers to look up isolated facts and specialized terms. Part III is a chronology of key events. Part IV is an annotated guide to resources, including films, documentaries, CD-ROMs, and reliable Web sites. Part V contains excerpts from historical documents and statistical data.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

Presenting new perspectives on the Vietnam War, its global repercussions, and its role in modern history, this volume reveals "America's War" as an international event that reverberated worldwide. The essays address political, military, and diplomatic issues and the cultural and intellectual consequences of "Vietnam." They compare the Vietnam War to other major conflicts in world history. "America's War" is depicted as a global event whose origins and characteristics deserve an interdisciplinary treatment.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.

J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.

Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.