With the knowledge born of firsthand experience, James H. Willbanks tells the story of the 60-day siege of An Loc. In 1972, late in the Vietnam War, a small group of South Vietnamese held off three North Vietnamese divisions and helped prevent a direct attack on Saigon. The battle can be considered one of the major events during the gradual American exit from Vietnam. An advisor to the South Vietnamese during the battle, Willbanks places the battle in the context of the shifting role of the American forces and a policy decision to shift more of the burden of fighting the war onto the Vietnamese troops. He presents an overview of the 1972 North Vietnamese Easter Offensive, a plan to press forward the attack on U.S. and ARVN positions throughout the country, including Binh Long province and Saigon. The North Vietnamese hoped to strike a decisive blow at a time when most American troops were being withdrawn. The heart of Willbanks's account concentrates on the fighting in Binh Long province, Saigon, and the siege of An Loc. It concludes with a discussion of the Paris peace talks, the significance of the fighting at An Loc, and the eventual fall of South Vietnam.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

Running Toward the Guns is an autobiographical story and an accounting of Chanty Jong's personal inner self-healing journey that lead to a successfully unexpected discovery. Jong survived the Cambodian genocide during the Khmer Rouge regime of 1975-1979, witnessing the horrors of the killing fields, torture, starvation and much more. His vivid narrative recounts the suffering under the Khmer Rouge, his perseverance to survive physically and emotionally and his perilous escape to America. His memoir relives the traumatic memories of his experiences and traces his arduous personal transformation toward a life of inner peace through intensive meditation.

'Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. Essential reading for every journalist and aspiring journalist the world over' John le Carre In the early 1950s, teenage Seymour Hersh was finishing high school and university - while running the family's struggling dry cleaning store in a Southside Chicago ghetto. Today, he is one of America's premier investigative journalists, whose fearless reporting has earned him fame, front-page bylines in virtually every newspaper in the world, a staggering collection of awards, and no small amount of controversy. Reporter is the story of how he did it. It is a story of slog, ingenuity and defiance, following Hersh from his first job as a crime reporter for the Chicago City News Bureau, through his Pulitzer Prize-winning freelance investigative exposes, to the heights of his reporting for The New York Times and the New Yorker. It is a tale of night-time encounters with great Civil Rights leaders, unauthorised meetings with Pentagon officials, raucous dinners with Canadian soldiers in Hanoi, tense phone calls with Secretaries of State, desperate to save face; of exposing myriad military and political wrongdoing, from My Lai to Watergate to Abu Ghraib, and the cynical cover-ups that followed in Washington and New York. Here too are unforgettable encounters with some of the most formidable figures from recent decades, from Saul Bellow to Martin Luther King Jr., from Henry Kissinger to Bashar al-Assad. Ultimately, in unfurling Seymour Hersh's life and career, Reporter tells a story of twentieth-century America, in all its excitement and darkness.

Although US involvement in the Vietnam conflict began long before 1965, Lyndon Johnson's substantial large commitment of combat troops that year marked the official beginning of America's longest twentieth-century war. By 1969, after years of intense fighting and thousands of casualties, an increasing number of Americans wanted the United States out of Vietnam. Richard Nixon looked for a way to pull out while preserving the dignity of the United States at home and abroad, and at the same time, to support the anticommunist Republic of Vietnam. Ultimately, he settled on the strategy of Vietnamization—the gradual replacement of US soldiers with South Vietnamese forces. Drawing on newly declassified documents and international archives, Unwilling to Quit dissects the domestic and foreign contexts of America's withdrawal from the Vietnam War. David L. Prentice demonstrates how congressional and presidential politics were a critical factor in Nixon's decision to abandon his hawkish sensibilities in favor of de-escalation. Prentice reframes Nixon's choices, emphasizes Secretary of Defense Melvin Laird's outsized yet subtle role in the decision-making process, and considers how South Vietnam's Nguyen Van Thieu and North Vietnam's Le Duan decisively shaped the American exit. Prentice brings Vietnamese voices into the discussion and underscores the unprecedented influence of American civilians on US foreign policy during the Vietnamization era.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

"A GRIPPING CLASSIC. Exhaustively researched, The Hunter Killers puts you directly into a Wild Weasel fighter cockpit during the Vietnam War. Dan Hampton lets you feel it for yourself as no one else could."--Colonel LEO THORSNESS, Wild Weasel pilot and Medal of Honor recipient At the height of the Cold War, America's most elite aviators bravely volunteered for a covert program aimed at eliminating an impossible new threat. Half never returned. All became legends. From New York Times bestselling author Dan Hampton comes one of the most extraordinary untold stories of aviation history. Vietnam, 1965: On July 24 a USAF F-4 Phantom jet was suddenly blown from the sky by a mysterious and lethal weapon-a Soviet SA-2 surface-to-air missile (SAM), launched by Russian "advisors" to North Vietnam. Three days later, six F-105 Thunderchiefs were brought down trying to avenge the Phantom. More tragic losses followed, establishing the enemy's SAMs as the deadliest anti-aircraft threat in history and dramatically turning the tables of Cold War air superiority in favor of Soviet technology. Stunned and desperately searching for answers, the Pentagon ordered a top secret program called Wild Weasel I to counter the SAM problem-fast. So it came to be that a small group of maverick fighter pilots and Electronic Warfare Officers volunteered to fly behind enemy lines and into the teeth of the threat. To most it seemed a suicide mission-but they beat the door down to join. Those who survived the 50 percent casualty rate would revolutionize warfare forever. "You gotta be sh*#@ing me!" This immortal phrase was uttered by Captain Jack Donovan when the Wild Weasel concept was first explained to him. "You want me to fly in the back of a little tiny fighter aircraft with a crazy fighter pilot who thinks he's invincible, home in on a SAM site in North Vietnam, and shoot it before it shoots me?" Based on unprecedented firsthand interviews with Wild Weasel veterans and previously unseen personal papers and declassified documents from both sides of the conflict, as well as Dan Hampton's own experience as a highly decorated F-16 Wild Weasel pilot, The Hunter Killers is a gripping, cockpit-level chronicle of the first-generation Weasels, the remarkable band of aviators who faced head-on the advanced Soviet missile technology that was decimating fellow American pilots over the skies of Vietnam.

Outspoken, professional and fearless, Lt.Col.John Paul Vann went to Vietnam in 1962, full of confidence in America's might and right to prevail. He was soon appalled by the South Vietnamese troops' unwillingness to fight, by their random slaughter of civilians and by the arrogance and corruption of the US military. He flouted his supervisors and leaked his sharply pessimistic - and, as it turned out, accurate - assessments to the US press corps in Saigon. Among them was Sheehan, who became fascinated by the angry Vann, befriended him and followed his tragic and reckless career.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.

The involvement of the United States in the Vietnam War has been the most polarizing issue within post-war American history. It was divisive at the time, both domestically and internationally, and debates continue to the present day. At the heart of the disputes has always been the question of 'failure' - why was the United States unable to achieve its objectives? Was failure inherent in the decision to go to war? Was it inherently an unwinnable war, or was failure the result of inept strategy, poor leadership, and a biased media? In Vietnam, Gary R. Hess describes and evaluates the main arguments of scholars, participants, and journalists, both revisionist and orthodox in their approach, as they consider why the United States was unable to achieve its objectives. While providing a clear and well-balanced account of existing historical debate, Hess also offers his own interpretation of the events and opens a dialogue about the usefulness of historical argument in reaching a deeper understanding of the conflict. This concise book is essential reading for students and teachers of the Vietnam War as both a clear and well-balanced account of existing historical debate and a thought-provoking look at the future of historical scholarship.

Featuring modern portraits and first-hand accounts, this book offers a unique perspective on the Vietnam War, bringing together the stories of American Vietnam war veterans, southern Vietnamese war veterans and civilians. The surreal imagery of Thomas Sanders' vivid portraits encourages the viewer to take a closer look at those who experienced the war, giving them a chance to read the haunting, inspirational, and sometimes comical stories of the individuals of the Vietnam War. Set in a surreal jungle environment, the portraits evoke the sense of darkness and uncertainty felt by those who experienced the war. Some of the portraits hold objects that relate to their role or experience during their time in the service. The objects tell a deeper story of a dark and confusing war: the common cigarette pack smoked by the vets while in the jungle; a homemade grenade made by the northern Vietnamese; and a "order to report" document - a piece of paper that changed many a life. Vietnam Portraits serves as a form of catharsis for the many people involved in the Vietnam War and honours them by giving them an opportunity to tell their story, bearing witness to their service, their experiences and the aftermath.

The combat history of the 1st Battalion, 5th Marines--or One Five (1/5)--is long and illustrious, but there are many periods of their combat operations during the Vietnam War about which there is little in print. This history is drawn from many years of research, from the author's personal memories, and from careful study of the battalion's Command Chronologies and Combat After-action Reports and other historical records. Most importantly it includes a collection of true stories told to the author by dozens of U.S. Marines who served in and fought with 1/5 during the Vietnam War, at all levels of the Chain of Command. This book hunkers down with the Mud Marines of Charlie One Five, a small but determined band of American fighting men, and their very human and often painful stories of combat cover a wide range of scenarios and situations. Follow the Marines of 1/5 as they are lulled by the exotic and beautiful countryside, trudge through swamps, jungles, mountains, and rice paddies for seemingly endless days, and struggle to stay alert during their cautious passage through the extreme terrain and weather conditions of this incredibly scenic but deceptive land, only to be shattered by sudden and deadly attacks from Viet Cong snipers, ambushes, and command-detonated bombs. Despite the overwhelming odds against them, the Marines of Charlie One Five always emerge victorious in every battle they fight.

During the Vietnam War, hundreds of American POWs faced years of brutal conditions and horrific torture at the hands of communist interrogators who ruthlessly plied them for military intelligence and propaganda. Determined to maintain their Code of Conduct, the prisoners developed a powerful underground resistance. To quash it, the North Vietnamese singled out its eleven leaders, Vietnam's own "dirty dozen," and banished them to an isolated jail that would become known as Alcatraz. None would leave its solitary cells and interrogation rooms unscathed; one would never return. As these men suffered in Hanoi, their wives launched an extraordinary campaign that would ultimately spark the POW/MIA movement. When the survivors finally returned, one would receive the Medal of Honor, another became a U.S. Senator, and a third still serves in Congress. A story of survival and triumph in the vein of Unbroken and Band of Brothers, Defiant will inspire anyone wondering how courage, faith, and brotherhood can endure even in the darkest of situations.

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.

"Hunt deliciously complicates the history of the 1960s by introducing a protest element not bound to college campuses or the counterculture. . . . It is a disturbing story, one that Hunt tells well."
--"Choice"

"All students of the concluding years of America's longest war should be grateful to Andrew Hunt for the clarity and grace with which he has told V.V.A.W.'s story."
--"Canadian Journal of History"

"This extraordinary and deeply moving history explodes all the encrusted stereotypes of GIs on one side of the barricades and anti-war protestors on the other. At along last we can again hear the voices of the thousands of courageous veterans who refused to be silent about the immoral war in Indochina."
"--Mike Davis, author of City of Quartz"

"A splendid addition to the growing literature on Vietnam veterans and their experiences during and after the war. Hunt's complex and moving history is a vital corrective to accounts which equate the anti-war movement with student activists as well as to those who persist in seeing veterans as passive victims."
"--Marilyn B. Young, author of The Vietnam Wars"

"Explodes one of the most persistent and pernicious myths attached to the 1960s: that the anti-war movement was anti-GI and anti-veteran. How could that be, when, as Hunt shows, many of the most committed and eloquent opponents of the Vietnam war were themselves veterans of the conflict in Southeast Asia. The Vietnam Veterans Against the War were heroes then, and they deserve to be remembered as heroes today."
"--Maurice Isserman, Hamilton College"

"For all kinds of veterans of the Sixties era, this book offers powerful testimony on the meaning of patriotismand moral courage. For younger people, whose images of the Sixties are often caught in the caricatures of the mass media, Hunt's sophisticated account of veterans' anti-war protest evokes new understanding, and I think, hard questions about a difficult time."
"--David Farber, author of The Age of Great Dreams"

The anti-Vietnam War movement in the United States is perhaps best remembered for its young, counterculture student protesters. However, the Vietnam War was the first conflict in American history in which a substantial number of military personnel actively protested the war while it was in progress.

In The Turning, Andrew Hunt reclaims the history of the Vietnam Veterans Against the War (VVAW), an organization that transformed the antiwar movement by placing Vietnam veterans in the forefront of the nationwide struggle to end the war. Misunderstood by both authorities and radicals alike, VVAW members were mostly young men who had served in Vietnam and returned profoundly disillusioned with the rationale for the war and with American conduct in Southeast Asia. Angry, impassioned, and uncompromisingly militant, the VVAW that Hunt chronicles in this first history of the organization posed a formidable threat to America's Vietnam policy and further contributed to the sense that the nation was under siege from within.

Based on extensive interviews and in-depth primary research, including recently declassified government files, The Turning is a vivid history of the men who risked censures, stigma, even imprisonment for a cause they believed to be "an extended tour of duty."

The Vietnam War examines this conflict from its origins up until North Vietnam's victory in 1975. Historian Mitchell K. Hall's lucid account is an ideal introduction to the key debates surrounding a war that remains controversial and disputed in American scholarship and collective memory. The new edition has been fully updated and expanded to include additional material on the preceding French Indochina War, the American antiwar movement, North Vietnamese perspectives and motivations, and the postwar scholarly debate. The text is supported by a documents section and a wide range of study tools, including a timeline of events, glossaries of key figures and terms, and a rich "further reading" section accompanied by a new bibliographical essay. Concise yet comprehensive, The Vietnam War remains the most accessible and stimulating introduction to this crucial 20th-century conflict.

On October 17, 1965, Navy LTJG Porter Halyburton was shot down over North Vietnam on his 76th mission and listed as killed in action. One-and-a-half years later he was found to be alive and a prisoner of war. Halyburton was held captive for more than seven years. Reflections on Captivity, is a collection of fifty short stories about this young naval officer's experiences as a POW in North Vietnam. This book recounts difficult times but focuses more on the positive aspects--the humor, creativity, friendships, courage, and leadership of an amazing group of Americans and how they helped each other survive and even thrive. These vignettes demonstrate how the human mind, body, and spirit can adapt and find meaning in life in the most challenging circumstances. There are powerful lessons learned from this complex experience that continue to guide the author's life to this day. Despite hardship, suffering, and long separation, Halyburton strongly believes one's quality of life is determined more by choices made than by circumstances, and the most liberating choice we can make is to forgive. Reflections on Captivity furthers the reader's understanding about the nature of captivity, race relations, human relations, aspects of the air war against North Vietnam, and highlights the importance of leadership, ethics, and devotion to duty in difficult times.

In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters-sometimes facilitated and sometimes banned by the US military command-restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.