Well-known fashion designer Linda Allard offers a charmingly illustrated cookbook featuring recipes for more than 150 easy-to-make, sure-fire interpretations of classic dishes. Lovingly illustrated in Allard's own watercolors.


From the Hardcover edition.

This comprehensive step-by-step guide to producing landscapes and seascapes in watercolour is a natural progression in learning from Matthew Palmer's previous title Watercolour for the Absolute Beginner. Providing a more complete course in painting, this latest book explores in further detail the key techniques used in watercolour painting, including the application of resists; colour mixing; applying natural-looking foliage to trees and woodlands; use of dry-brush technique in depicting intricate detail, and using scratch-out techniques to add sparkle and movement to water. A six-step exercise helps demonstrate the stages of creating a landscape scene of snowy hills and dales - including laying the initial wash, lifting out highlights on the hills, and applying shadow. The book also features five full step-by-step projects to help readers develop their watercolour painting skills, featuring a waterfall scene, a poppy field with country cottage and New York in autumn-time; each accompanied with a full-size outline. Matthew Palmer's Step-by-Step Guide to Watercolour Painting is the perfect companion for artists who have mastered the rudiments of the medium but are keen to improve their skills, develop their own style, and progress further on their journey to painting success.

Discover your artistic talents with this guide to practicing and expanding your watercolor pencil techniques. For beginners as well as experienced artists wanting to explore a new medium, an introduction covers the basics, explains techniques, and offers tips and tricks to help you achieve your visions. The 62 full-page outline drawings allow learners to practice the techniques of their choice, including gradients; shading; color theory; using salt, coffee grounds, alcohol, and sugar water; and dry brushing. Printed on watercolor paper, the images can be removed from the book for painting and framing. They cover a variety of themes, including animals, seasons, nautical motifs, food, faces, and many others.

A new, fully revised edition of the bestselling publication exploring J.M.W. Turner's spectacular array of watercolours.  The lifetime of J.M.W. Turner (1775-1851) was also the classic age of English watercolour, and the artist's mastery and perfection of the medium coincided with its establishment as an independent art form. This volume examines the unique body of watercolours Turner produced.  Few can doubt that J.M.W. Turner was the greatest exponent of English watercolour in its golden age. An inveterate traveller in search of the ideal vista, he rarely left home without a rolled up, loosebound sketchbook, pencils and a small travelling case of watercolours in his pocket. He exploited, as no one before him, the medium's luminosity and transparency, conjuring light effects on English meadows and Venetian lagoons and gauzy mists over mountains and lakes. Extraordinary in his own time, he has continued to thrill his countless admirers since.  David Blayney Brown, one of the world's leading experts on Turner, reveals the role watercolours played in Turner's life and work, from those he sent for exhibition to the Royal Academy to the private outpourings in which he compulsively experimented with light and colour, which for a modern audience are among his most radical and accomplished works.

John Singer Sargent's approach to watercolor was unconventional. Going beyond turn-of-the-century standards for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer of an exhibition in London proclaimed him "an eagle in a dove-cote"; another called his work "swagger" watercolors. For Sargent, however, the watercolors were not so much about swagger as about a renewed and liberated approach to painting. In watercolor, his vision became more personal and his works more interconnected, as he considered the way one image--often of a friend or favorite place--enhanced another. Sargent held only two major watercolor exhibitions in the United States during his lifetime. The contents of the first, in 1909, were purchased in their entirety by the Brooklyn Museum of Art. The paintings exhibited in the other, in 1912, were scooped up by the Museum of Fine Arts, Boston. "John Singer Sargent Watercolors" reunites nearly 100 works from these collections for the first time, arranging them by themes and subjects: sunlight on stone, figures reclining on grass, patterns of light and shadow. Enhanced by biographical and technical essays, and lavishly illustrated with 175 color reproductions, this publication introduces readers to the full sweep of Sargent's accomplishments in this medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
The international art star of the Gilded Age, John Singer Sargent (1856-1925) was born in Italy to American parents, trained in Paris and worked on both sides of the Atlantic. Sargent is best known for his dramatic and stylish portraits, but he was equally active as a landscapist, muralist, and watercolor painter. His dynamic and boldly conceived watercolors, created during travels to Tuscan gardens, Alpine retreats, Venetian canals and Bedouin encampments, record unusual motifs that caught his incisive eye.

Author of Everyday Watercolor and Instagram darling Jenna Rainey presents a beautiful step-by-step guide to painting botanicals from lilies to daffodils in a wide variety of styles.

Artist Jenna Rainey shares easy-to-follow ways to paint a wide range of botanicals, all in her fresh, modern style that appeals to the next generation of watercolor artists and creatives, from beginners to hobbyists. With gorgeously illustrated instructions for both loose and realistic watercolor depictions of more than 25 flowers, leaves, and plants, organized by form and shape, Everyday Watercolor Flowers is every nature-lover's answer to capturing that beauty on paper.

*Exciting, colourful and vibrant watercolours from well- known artist Jenny Wheatley *Step-by-step demonstrations encourage creativity and experimentation with your watercolours *Jenny Wheatley shares her unique studio secrets and working methodsJenny Wheatley is renowned for her exciting, colourful and highly original paintings. In Adventurous Watercolours, her first book, Jenny discusses in detail the various aspects that contribute to her distinctive style of painting in watercolour.Jenny talks about how she gets her initial inspiration, the impact and importance of colour in her work, the different working processes she uses on location in her studio, right through to her design considerations.The stunning illustrations feature paintings in watercolour and mixed media, covering a wide range of subjects, including buildings, still life and landscapes. In addition, there are several step-by-step demonstrations explaining the key stages of Jenny's working process.Adventurous Watercolours will encourage readers to use their watercolours more creatively and to experiment with different techniques to achieve exciting and dramatic effects.

The painter Carl Haag (1820-1915) gained acclaim for his colorful scenes of the Orient and true-to-life portraits, in which Nubian slaves, Arabian camel drivers or Egyptian snake charmers enliven the visual topography. After attending art school in Nuremberg, the son of a baker advanced to become a sought-after portraitist in Munich, and later refined his art with watercolor painting in Brussels and London. As court painter to the duke of Saxe-Coburg and Gotha, he worked for Britain's Queen Victoria. His watercolors that portray the life of the royal family in the Scottish Highlands are now part of the royal collection. Always searching for new motifs, Haag traveled extensively through Europe. In 1859 he headed to the Orient, visiting Cairo, Jerusalem, Damascus, Palmyra and Baalbek. In this first biography about the painter, Walter Karbach conveys a vivid impression of society in the Victorian age, discussing Haag's artistic influences, personal preferences, as well as his artist friends and patrons. At the same time, he elicits enthusiasm for Haag's landscape sketches, portraits and drawings of ruins, which oscillate between documentary representations and romantic or idealized scenic views.

This inspiring book on painting coastal landscapes is part of the exciting and innovative Paint Pad Artist series. Whether a beginner or more experienced artist, you will be amazed at how quickly you will acquire the skills needed to produce beautiful paintings. With the initial outlines for the six stunning projects provided on watercolour paper, you can start creating amazing works of art straight away. Written by professional artist Charles Evans, this guide begins with notes on how to use the pre-printed watercolour paper and how to make copies of the outlines should you want to attempt the projects again. Following this there is a short 'what you need' section, enabling you to gather together the paints, brushes and basic equipment required to start painting, and some brief guidance on general techniques such as how to mix your watercolours, how to make the most of your palette and enhance your watercolours with the addition of gouache. The six stunning step-by-step projects build in difficulty as you work through the book, introducing new techniques and incorporating numerous handy hints and tips to help you progress on your painting journey. The six sheets of watercolour paper, supplied by Daler-Rowney, are pre-printed with the initial outline drawing for each of the projects, enabling you to start painting straight away and giving you the best possible chance of producing a gorgeous coastal painting.

A focused investigation of Whistler's watercolors that introduces readers to a rarely seen aspect of the artist's creative output In the 1880s, James McNeill Whistler (1834-1903) reinvented himself through the medium of watercolor. At the time, excellence in watercolor was most often associated with British artists, and most notably with the work of J. M. W. Turner (1775-1851). Whistler's embrace of watercolor allowed the expatriate artist to present himself as an heir to the great Turner, while at the same time creating easily portable works that could supply an American market and, the artist hoped, help secure his art-historical legacy in his home country. Indeed, it was the American Gilded Age industrialist Charles Lang Freer who would amass the largest collection of Whistler's watercolors, eventually bequeathing them to the Smithsonian in 1906. This publication is the first systematic study of Freer's amazing treasure trove of more than 50 watercolors by Whistler and includes figures, landscapes, nocturnes, and interiors. Providing both an art-historical context that looks into the contemporary reception of the works, as well as rigorous scientific analysis of Whistler's materials and techniques, this volume offers a groundbreaking look into an overlooked segment of the celebrated artist's oeuvre.

Waves battering the weathered rocks on a shore, young boys sailing carefree on open waters: Winslow Homer's raw, evocative seascapes are among the most distinctive and powerful in American art. "Winslow Homer: Poet of the Sea" offers here a fresh exploration of Homer and his career-long preoccupation with the relationship between humans and the waters that define their world. This exhibition catalogue organizes Homer's sea-centered works by four periods that correspond to geographic locations: Gloucester, Massachusetts and other early East Coast seascapes; Cullercoats, England; Prout's Neck in Maine; and notations from his trips to tropical regions, such as the Bahamas and fishing retreats, such as the Adirondacks in New York. Distinguished European and American scholars, in a series of incisive essays, argue that Homer's seascapes need to be reevaluated. While acknowledging that most understand his paintings as premier examples of American realism, the contributors show that they are also distinctly modern in a way that set Homer radically apart from his contemporaries. Nowhere is this more evident than in his seascapes, where abstractions and expression battle his pictorial realism. The moving emotional undertones of his seascapes emerge in the compelling full-colour reproductions featured in the catalogue, as his paintings simultaneously capture the unique landscape of their geographic settings, the universality of man's relationship to the sea, and issues of pictorial representation in general. Published in conjunction with exhibitions in 2006 at London's Dulwich Picture Gallery and the Musee d'Art Americain in Giverny, "Winslow Homer: Poet of the Sea" offers a new view of an American master.

The Swiss artist Johannes Itten (1888 - 1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonne covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre. Paintings, graphic works, sculptures, textiles and furniture - Johannes Itten was an unusually versatile artist who during the six decades of his creative career also produced one of the most important works on the theory of colours in the twentieth century. His artistic work is examined here for the first time scientifically on the basis of 120,00 0 biographical documents and sources and is being expanded in comparison with the catalogue raisonne of 1972 by more than 1,000 works from all creative periods. The three-volume catalogue raisonne includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten three-volume catalogue raisonne includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten.

John Marx's watercolours, first published in the Architectural Review, are a captivating example of an architect's way of thinking. Subtle and quiet they are nonetheless compelling works in how they tackle a sense of place, of inhabiting space and time all the while resonating with the core of one's inner being. There is an existential quality to these watercolours that is rare to be found in this medium. Something akin to the psychologically piercing observational quality of artists like De Chirico or Hopper. As architects strive to communicate their ideas, it is interesting to explore the world of Marx's watercolours as an example of a humane approach to conveying emotional meaning in relation to our environment. Marx's subject matter read like"built landscape" heightening the role of the manmade yet wholly in balance with the natural world. This is a message and sentiment that is perhaps more important than ever to relay to audiences.

Conventionally, a Grand Tour leads from somewhere north of the Alps to the historical sights of Italy. In the case of Emel'jan Michailovich Korneev (1780-1843), the journey began in St. Petersburg, took him through Siberia to the border with Mongolia and eventually to Crimea, from where he traveled onward to Greece and Asia Minor. His trip concluded with the classic tour through Italy. Years later, he even circumnavigated the globe as an expedition illustrator on board a Russian ship. The premiere presentation of the drawings from E.M. Korneev's journey through Italy at Munich's Stadtmuseum is an apt occasion to familiarize a broader public outside Russia with the output of this fascinating artistic figure for the first time.

Following in the steps of Gerhard Richter's catalogue raisonne of drawings, published 20 years ago, HENI Publishing's new monograph devoted to Gerhard Richter's recent drawings will illustrate 80 works produced between 1999 and 2021. Drawings 1999-2021 highlights a recent period of extraordinary creativity and inventiveness that includes expansive series of graphite drawings on paper, vivid watercolours and overpainted photographs of forests. Like the accompanying exhibition at the Hayward Gallery, London, this publication offers a rare chance to study the most intimate aspect of Gerhard Richter's work.

The second in a series of seasonal watercoloring books based on artist Kristy Rice's cutting gardens, this book celebrates summer's languid blossoms such as anemone, hollyhocks, coneflowers, and fuchsia. Her easy-to-learn, joy-driven approach includes simple tutorials on how to use watercolor and where to find affordable materials. A stationery-industry tastemaker, Kristy believes that making art, regardless of skill level, has the power to reconnect us to each other and ourselves. Touching brush to paper with water and color releases an inexplicable calm that so many of us long for, and making art, even in short bursts, brings us back to ourselves by slowing time.With 25 detailed, yet whimsical illustrations, artists are invited to continue the journey begun in her first watercoloring book series, Painterly Days.