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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > Watercolours
Be inspired to paint beautiful flowers in watercolour by the four
respected artists featured in this comprehensive guide. Each artist
has their own individual style and provides detailed instruction on
the tools, materials and techniques they use. Learn about painting
wild flowers from Wendy Tait, including composition, sketching,
painting backgrounds, and expert tips on how to improve your flower
portraits. There's a fascinating section on achieving light in
flower painting by Jackie Barrass, and an exploration of creative
techniques with Richard Bolton. Finally, Ann Mortimer guides you
through depicting flowers in the landscape with four stunning
projects. With a total of 12 gorgeous projects to choose from, this
highly practical book will provide all the instruction and
inspiration you need to create amazing watercolour flower paintings
in a range of styles. This book uses material previously published
in the highly successful Step-by-Step Leisure Arts series and the
Watercolour Tips and Techniques series.
The characteristics of watercolour naturally complement botanical
art and this beautiful book shows you how to make the most of this
versatile medium. It starts by guiding you through the complexities
of painting flowers, with advice on materials and colour mixing,
using colour to achieve translucency and clarity, building
confidence with step-by-step examples and the importance of
observation and botancial accuracy. It then creates detailed and
beautiful compositions for the more experienced botanical artist.
This new book has ideas and tips on composition and how to include
animal life and is structured by season to include a range of
flowers and plants.
Conventionally, a Grand Tour leads from somewhere north of the Alps
to the historical sights of Italy. In the case of Emel'jan
Michailovich Korneev (1780-1843), the journey began in St.
Petersburg, took him through Siberia to the border with Mongolia
and eventually to Crimea, from where he traveled onward to Greece
and Asia Minor. His trip concluded with the classic tour through
Italy. Years later, he even circumnavigated the globe as an
expedition illustrator on board a Russian ship. The premiere
presentation of the drawings from E.M. Korneev's journey through
Italy at Munich's Stadtmuseum is an apt occasion to familiarize a
broader public outside Russia with the output of this fascinating
artistic figure for the first time.
Native Places is a collection of sixty-four watercolor sketches
paired with mini-essays about architecture, landscape, everyday
objects, and nature. The sketches relate the delight found in
ordinary places. The short essays, rather than repeat what is
visible in the sketch, illustrate ideas and thoughts sparked by
that image and offer a fresh interpretation of ordinary things. The
goal of Native Places is, in part, to transform the way we see.
Through its pages, barns become a guidebook to crops and weather; a
country church is redolent of the struggle for civil rights and
human dignity; a highway rest stop offers a glimpse of egalitarian
society. Also exploring the belief that hand drawing and writing
are not obsolete skills, both disciplines offer us the opportunity
to develop a natural grace in the way we view the world and take
part in it.
"As I looked about me I felt that the grass was the country, as the
water is the sea. The red of the grass made all the great prairie
the colour of wine-stains, or of certain seaweeds when they are
first washed up. And there was so much motion in it; the whole
country seemed, somehow, to be running."--"My Antonia," Willa
Cather
It is often called "Catherland"--Webster County, Nebraska, where
the quintessential American novelist Willa Cather spent her
childhood and found inspiration for her stories of European
immigrants on the prairie. Richard Schilling, with his watercolor
paintings and ink sketches, conducts us to that land, to scenes
that might have influenced Cather, but as they appear today.
Schilling's images take us to Red Cloud, Cather's childhood home;
to the Willa Cather Memorial Prairie, a botanical jewel of
mixed-grass prairie restored to its pre-1900 condition; and on to
"the divide," the high prairie land between the Little Blue River
to the north and the Republican River to the south. Each evocative
original watercolor is paired with an excerpt from Cather's work
and with the author's own musings on the history, geography, and
ecology of the landscape.
This inspiring book on painting coastal landscapes is part of the
exciting and innovative Paint Pad Artist series. Whether a beginner
or more experienced artist, you will be amazed at how quickly you
will acquire the skills needed to produce beautiful paintings. With
the initial outlines for the six stunning projects provided on
watercolour paper, you can start creating amazing works of art
straight away. Written by professional artist Charles Evans, this
guide begins with notes on how to use the pre-printed watercolour
paper and how to make copies of the outlines should you want to
attempt the projects again. Following this there is a short 'what
you need' section, enabling you to gather together the paints,
brushes and basic equipment required to start painting, and some
brief guidance on general techniques such as how to mix your
watercolours, how to make the most of your palette and enhance your
watercolours with the addition of gouache. The six stunning
step-by-step projects build in difficulty as you work through the
book, introducing new techniques and incorporating numerous handy
hints and tips to help you progress on your painting journey. The
six sheets of watercolour paper, supplied by Daler-Rowney, are
pre-printed with the initial outline drawing for each of the
projects, enabling you to start painting straight away and giving
you the best possible chance of producing a gorgeous coastal
painting.
The watercolours in this volume are an expression of the author's
affection and fascination for the Middle East, painted during her
many sojourns there starting in the mid-1950s and continuing to
today. They are unashamedly romantic and the antithesis of the
turmoil in the region. The 89 watercolours and photographs are
woven together with a brief narrative that brings the context in
which they were painted or photographed to the reader. The book is
divided into four areas where the author painted: Lebanon, North
Africa, Egypt and the Holy Land.
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Carol Rama (Bilingual edition)
(Hardcover)
Brigitte Hausmann; Text written by Brigitte Reinhardt; Edited by Alexandra Wetzel; Designed by Sarah Noellenheidt Noellenheidt, BUERO NOC
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R672
Discovery Miles 6 720
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Ships in 12 - 17 working days
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Carol Rama is one of the most exciting artistic rediscoveries of
the 20th century. Her creative period spanned more than 70 years -
tirelessly testing different materials, styles, and media. Among
other things, the artist created a body of graphic works and unique
watercolors that will be presented at Berlin's Gutshaus Steglitz.
This overview publication on the work of the self-taught artist is
being published at the same time. The Italian artist received
attention for her unique oeuvre only at an advanced age and
posthumously. In the 1940s, Rama caused a sensation with the
permissive and, at the time, progressive portrayal of her
protagonists. In her late work she returned to the depictions of
her youth.
This is the stunning story of how Divine Intervention quietly
stepped in and shattered the classic boundaries of watercolours. It
happened to one artist in one magnificent flash, in one
inconsequential basement studio, in one precise magical stroke.
Without looking, Christy reached for a brush and, instead, a deity
plunked a clumsy old palette knife in her right hand. Without
thinking, and because she was exasperated with the easel work
staring back at her, she x'd out the still-wet painting, turning it
into trash. Frustration quickly turned to awe. Quivering squiggles
of watercolours played among themselves, creating mesmerising
shapes and scapes of their own making. One thundering thought
suddenly grabbed her imagination: What if I took control of the
knife and painted a whole watercolour with palette knives and a
puddle? A decade of trials and errors, of failures and successes,
has catapulted her distinctive watercolours to a new, original,
contemporary 21st-century style called "Knifed Watercolors (R)."
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