A practical guide to using gouache in botanical painting, by a leading botanical painter.Gouache is an opaque water-based medium, often called body colour, that produces crisp and vibrant paintings, and is becoming increasingly popular in botanical painting. Leading botanical painter, Simon Williams, specializes in painting in gouache and this is his first book.Botanical Painting in Gouache is full of practical advice on all aspects of using the exciting medium of gouache and contains many step-by-step demonstration paintings. In addition to the sumptuous flower paintings there are also sections on painting butterflies, birds and exotic and unusual plants from the rainforest.

Well-known fashion designer Linda Allard offers a charmingly illustrated cookbook featuring recipes for more than 150 easy-to-make, sure-fire interpretations of classic dishes. Lovingly illustrated in Allard's own watercolors.


From the Hardcover edition.

In May of 1832 Swiss artist Karl Bodmer (1809-93) set out with Maximilian, Prince of Wied, on a twenty-eight-month expedition along the Ohio and Missouri Rivers. Along the way, Bodmer produced more than four hundred watercolours and sketches of Native American people, landscapes, animals, and plants. Engravings of many of the images were subsequently used to illustrate Travels in the Interiors of North America, Prince Maximilian's well-known historical account. Paying homage to the great painter who captured for the rest of the world so many important natural details of early America, Karl Bodmer presents all eighty-one engravings used to illustrate Maximilian's book, as well as the original watercolours, sketches, and photographs collected during the passage. Bodmer's detailed work is among the most important documents of Native American culture of the nineteenth century, and this richly illustrated volume brings to life a monumental event in both art history and the history of early America. Text in English and German.

This comprehensive step-by-step guide to producing landscapes and seascapes in watercolour is a natural progression in learning from Matthew Palmer's previous title Watercolour for the Absolute Beginner. Providing a more complete course in painting, this latest book explores in further detail the key techniques used in watercolour painting, including the application of resists; colour mixing; applying natural-looking foliage to trees and woodlands; use of dry-brush technique in depicting intricate detail, and using scratch-out techniques to add sparkle and movement to water. A six-step exercise helps demonstrate the stages of creating a landscape scene of snowy hills and dales - including laying the initial wash, lifting out highlights on the hills, and applying shadow. The book also features five full step-by-step projects to help readers develop their watercolour painting skills, featuring a waterfall scene, a poppy field with country cottage and New York in autumn-time; each accompanied with a full-size outline. Matthew Palmer's Step-by-Step Guide to Watercolour Painting is the perfect companion for artists who have mastered the rudiments of the medium but are keen to improve their skills, develop their own style, and progress further on their journey to painting success.

Conventionally, a Grand Tour leads from somewhere north of the Alps to the historical sights of Italy. In the case of Emel'jan Michailovich Korneev (1780-1843), the journey began in St. Petersburg, took him through Siberia to the border with Mongolia and eventually to Crimea, from where he traveled onward to Greece and Asia Minor. His trip concluded with the classic tour through Italy. Years later, he even circumnavigated the globe as an expedition illustrator on board a Russian ship. The premiere presentation of the drawings from E.M. Korneev's journey through Italy at Munich's Stadtmuseum is an apt occasion to familiarize a broader public outside Russia with the output of this fascinating artistic figure for the first time.

Watercolour has an anomalous position in the visual arts. Its association with Victorian lady-amateurs, the (incorrect) idea that it is a fugitive medium and will fade over time, as well as the contradictory ideas that it is very difficult to use and that it is a beginner's medium, mean that it has long been sidelined in favour of oil and acrylic paints. But 'Watercolour', a recent blockbuster show at the Tate Britain, and the contemporary interest in less conventional media point to a renewed interest in this underrated art-form. Watercolour painting does have particular difficulties - it is transparent and therefore fairly unforgiving, for a start - but its advantages are huge. It is light and easy to carry the kit about, it is easy to clean and to prepare, it is unobtrusive, and a lot of the material you need you will already have around the house - a jam jar, water and don't forget the most important item: toilet tissue! Watercolour is also a great and constantly evolving challenge, and can be used in all sorts of ways. Within these pages a range of artists share their very diverse approaches to painting in watercolour, to give the reader an idea of how adaptable and enjoyable this medium really is.

In Working South, renowned watercolorist Mary Whyte captures in exquisite detail the essence of vanishing blue-collar professions from across ten states in the American South with sensitivity and reverence for her subjects. From the textile mill worker and tobacco farmer to the sponge diver and elevator operator, Whyte has sought out some of the last remnants of rural and industrial workforces declining or altogether lost through changes in our economy, environment, technology, and fashion. She shows us a shoeshine man, a hat maker, an oysterman, a shrimper, a ferryman, a funeral band, and others to document that these workers existed and in a bygone era were once ubiquitous across the region.

"When a person works with little audience and few accolades, a truer portrait of character is revealed," explains Whyte in her introduction. As a genre painter with skills and intuition honed through years of practice and toil, she shares much in common with the dedication and character of her subjects. Her vibrant paintings are populated by men and women, young and old, black and white to document the range southerners whose everyday labors go unheralded while keeping the South in business. By rendering these workers amid scenes of their rough-hewn lives, Whyte shares stories of the grace, strength, and dignity exemplified in these images of fading southern ways of life and livelihood.

Working South includes a foreword by Martha Severens, curator of the Greenville County Museum of Art in Greenville, South Carolina.

'This is busy, colourful, packed with information and thoroughly inspiring and I love it...buy this book.' Artbookreview.net Strongly influenced by the changing landscape, Carole Robson's artwork is packed with colour, atmosphere, texture and light. An experienced teacher and artist, Carole explores how to build from basic techniques to producing wonderful expressive and semi-abstract landscapes. Combining watercolour with other watersoluble media and collage material, the three detailed step-by-step projects demonstrate perfectly Carole's expertise and innovative methods. They take you from materials and tools needed through to using masking fluid, salt, spattering techniques, modelling paste, cellophane and much more. A stimulating mix of colour and watercolour techniques for all skill levels, this guide helps the artist develop a free and flowing style to their art.

Critical response to Lear's literary, journalistic, musical and artistic output. This book is a history of how critics from the nineteenth century on have regarded Lear's extensive work. The survey includes not only what has been written in Great Britain and North America; it is also includes that which has come out of Spain, Italy, Germany, France, Greece, India and the Ukraine. In addition to offering a chronological sense of the various responses to Lear's work, the book identifies patterns of thought that run through the numerous critical reactions.

Discover your artistic talents with this guide to practicing and expanding your watercolor pencil techniques. For beginners as well as experienced artists wanting to explore a new medium, an introduction covers the basics, explains techniques, and offers tips and tricks to help you achieve your visions. The 62 full-page outline drawings allow learners to practice the techniques of their choice, including gradients; shading; color theory; using salt, coffee grounds, alcohol, and sugar water; and dry brushing. Printed on watercolor paper, the images can be removed from the book for painting and framing. They cover a variety of themes, including animals, seasons, nautical motifs, food, faces, and many others.

*Exciting, colourful and vibrant watercolours from well- known artist Jenny Wheatley *Step-by-step demonstrations encourage creativity and experimentation with your watercolours *Jenny Wheatley shares her unique studio secrets and working methodsJenny Wheatley is renowned for her exciting, colourful and highly original paintings. In Adventurous Watercolours, her first book, Jenny discusses in detail the various aspects that contribute to her distinctive style of painting in watercolour.Jenny talks about how she gets her initial inspiration, the impact and importance of colour in her work, the different working processes she uses on location in her studio, right through to her design considerations.The stunning illustrations feature paintings in watercolour and mixed media, covering a wide range of subjects, including buildings, still life and landscapes. In addition, there are several step-by-step demonstrations explaining the key stages of Jenny's working process.Adventurous Watercolours will encourage readers to use their watercolours more creatively and to experiment with different techniques to achieve exciting and dramatic effects.

The painter Carl Haag (1820-1915) gained acclaim for his colorful scenes of the Orient and true-to-life portraits, in which Nubian slaves, Arabian camel drivers or Egyptian snake charmers enliven the visual topography. After attending art school in Nuremberg, the son of a baker advanced to become a sought-after portraitist in Munich, and later refined his art with watercolor painting in Brussels and London. As court painter to the duke of Saxe-Coburg and Gotha, he worked for Britain's Queen Victoria. His watercolors that portray the life of the royal family in the Scottish Highlands are now part of the royal collection. Always searching for new motifs, Haag traveled extensively through Europe. In 1859 he headed to the Orient, visiting Cairo, Jerusalem, Damascus, Palmyra and Baalbek. In this first biography about the painter, Walter Karbach conveys a vivid impression of society in the Victorian age, discussing Haag's artistic influences, personal preferences, as well as his artist friends and patrons. At the same time, he elicits enthusiasm for Haag's landscape sketches, portraits and drawings of ruins, which oscillate between documentary representations and romantic or idealized scenic views.

Waves battering the weathered rocks on a shore, young boys sailing carefree on open waters: Winslow Homer's raw, evocative seascapes are among the most distinctive and powerful in American art. "Winslow Homer: Poet of the Sea" offers here a fresh exploration of Homer and his career-long preoccupation with the relationship between humans and the waters that define their world. This exhibition catalogue organizes Homer's sea-centered works by four periods that correspond to geographic locations: Gloucester, Massachusetts and other early East Coast seascapes; Cullercoats, England; Prout's Neck in Maine; and notations from his trips to tropical regions, such as the Bahamas and fishing retreats, such as the Adirondacks in New York. Distinguished European and American scholars, in a series of incisive essays, argue that Homer's seascapes need to be reevaluated. While acknowledging that most understand his paintings as premier examples of American realism, the contributors show that they are also distinctly modern in a way that set Homer radically apart from his contemporaries. Nowhere is this more evident than in his seascapes, where abstractions and expression battle his pictorial realism. The moving emotional undertones of his seascapes emerge in the compelling full-colour reproductions featured in the catalogue, as his paintings simultaneously capture the unique landscape of their geographic settings, the universality of man's relationship to the sea, and issues of pictorial representation in general. Published in conjunction with exhibitions in 2006 at London's Dulwich Picture Gallery and the Musee d'Art Americain in Giverny, "Winslow Homer: Poet of the Sea" offers a new view of an American master.

A unique calendar with beautiful images from locations across the whole of the UK.The ever-popular People's friend Calendar has a new theme this year. As always, twelve of Britain's most scenic locations have been carefully selected from the delightful paintings of the People's Friend's favourite artist: J. Campbell Kerr.The People's Friend magazine circulation is 283,000. Dates are in specially clear type. Canadian, Australian and New Zealand holiday dates are included, in addition to those of the UK and Ireland.