Anselm's Proslogion has sparked controversy from the time it was written (c.1077) to the present day. Attempts to provide definitive accounts of its argument have led to a wide and contradictory variety of interpretations. In this book, Ian Logan goes back to basics, to the Latin text of the Proslogion with an original parallel English translation, before tracing the twists and turns of this controversy. Helping us to understand how the same argument came to be regarded as based on reason alone by some and on faith alone by others, as a logically sound demonstration by its supporters and as fatally flawed by its opponents, Logan considers what Anselm is setting out to do in the Proslogion, how his argument works, and whether it is successful.

The Naqshbandiyya is one of the most widespread and influential Sufi orders in the Muslim world. Having its origins in the Great Masters tradition of Central Asia almost a millennium ago, it played a significant role in the pre-modern history of the Indian subcontinent and the Ottoman Empire, and is still spreading today. This volume seeks to present a broad picture of the evolution of the ideas and organizational forms of the Naqshbandi order throughout its history. It combines a synthesis of the vast literature on the order with original research, and shall be an important contribution for those interested in Sufism, Islamic history and Muslim-Christian relations.

The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline - and also those whose research is on the art and culture of the Italian Renaissance itself - with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.

Sten Ebbesen has contributed many works in the field of ancient and medieval philosophy over decades of dedicated research. His crisp and lucid style and his philosophical penetration of often difficult concepts and issues is both clear and intellectually impressive. Ashgate is proud to present this thematically arranged three volume set of his collected essays, each thoroughly revised and updated. Volume Two: Topics in Latin Philosophy from the 12th -14th Centuries explores issues in medieval philosophy from the time nominalists and other schools competed in twelfth-century Paris to the mature scholasticism of Boethius of Dacia, Radulphus Brito and other 'modist' thinkers of the late thirteenth century and, finally, the new nominalism of John Buridan in the fourteenth century.

Sten Ebbesen has contributed many works in the field of ancient and medieval philosophy over many decades of dedicated research. His style is crisp and lucid and his philosophical penetration and exposition of often difficult concepts and issues is both clear and intellectually impressive. Ashgate is proud to present this three volume set of his collected essays, all of them thoroughly revised and updated. Each volume is thematically arranged. Volume One: Greek-Latin Philosophical Interaction explores issues of relevance to the history of logic and semantics, and in particular connections and/or differences between Greek and Latin theory and scholarly procedures, with special emphasis on late antiquity and the Middle Ages.

Book Two of the Summa Contra Gentiles series examines God's freedom in creation, his power as creator of all things, and the nature of man, particularly the unity of soul and body within man.

Thomas Paine, defender of freedom, independence, and rational common sense during America's turbulent revolutionary period, offers insights into religion which ring sharply true more than two centuries later. This unabridged edition of "The Age of Reason" sets forth Paine's provocative observations on the place of religion in society.

"Learned ignorance," the recognition that God is beyond us and our knowing capacities is the theological concept for which Nicholas of Cusa is most famous. Despite God's apparent absence Nicholas offers original ways to think about God that would unite his presence with his absence. He called these proposals "conjectures" (coniecturae). Conjecture and conjecturing are central to the methodology of Nicholas's philosophical theology and to his thinking about human knowledge. By using concrete examples from the everyday life of his times as symbolic imagery Nicholas makes what we say about God imaginatively available and theoretically plausible. He called such conjectural symbols "aenigmata" (= "symbolic or 'enigmatic' conjectures") because they partially clarify and likewise point to an exact truth that is beyond us. Novel and imaginative, Nicholas's conjectural examples break with the traditional medieval Aristotelian examples and provide further evidence of his role as a figure bridging medieval and Renaissance thought. Following his earlier book, Reading Cusanus (The Catholic University of America Press, 2003), Clyde Lee Miller here examines and comments on the meaning of "conjecture" in Nicholas of Cusa. The Art of Conjecture: Nicholas of Cusa on Knowledge explores what Nicholas meant by conjecture and its import as demonstrated in his treatises and sermons. Beginning with Nicholas' On Conjectures, Miller analyzes a series of conjectural symbols and proposals across Nicholas's less frequently discussed texts and recently published sermons. This early Renaissance thinker offers an original and ground-breaking way of framing speculation in philosophical theology and more generally in philosophy itself.

Do our lives have meaning? Should we create more people? Is death bad? Should we commit suicide? Would it be better to be immortal? Should we be optimistic or pessimistic? Since Life, Death, and Meaning: Key Philosophical Readings on the Big Questions first appeared, David Benatar's distinctive anthology designed to introduce students to the key existential questions of philosophy has won a devoted following among users in a variety of upper-level and even introductory courses. While many philosophers in the "continental tradition"-those known as "existentialists"-have engaged these issues at length and often with great popular appeal, English-speaking philosophers have had relatively little to say on these important questions. Yet, the methodology they bring to philosophical questions can, and occasionally has, been applied usefully to "existential" questions. This volume draws together a representative sample of primarily English-speaking philosophers' reflections on life's big questions, divided into six sections, covering (1) the meaning of life, (2) creating people, (3) death, (4) suicide, (5) immortality, and (6) optimism and pessimism. These key readings are supplemented with helpful introductions, study questions, and suggestions for further reading, making the material accessible and interesting for students. In short, the book provides a singular introduction to the way that philosophy has dealt with the big questions of life that we are all tempted to ask.

The nature and properties of angels occupied a prominent place in medieval philosophical inquiry. Creatures of two worlds, angels provided ideal ground for exploring the nature of God and his creation, being perceived as 'models' according to which a whole range of questions were defined, from cosmological order, movement, and place, to individuation, cognition, volition, and modes of language. This collection of essays is a significant scholarly contribution to angelology, centred on the function and significance of angels in medieval speculation and its history. The unifying theme is that of the role of angels in philosophical inquiry, where each contribution represents a case study in which the angelic model is seen to motivate developments in specific areas and periods of medieval philosophical thought.

This is the first complete English translation of On the Purity of the Art of Logic, a handbook of logic written in Latin by English philosopher Walter Burley (c. 1275-1344/5). The work circulated in the Middle Ages in two versions, a shorter and a longer one, both translated here by Paul Vincent Spade. The translations arc based on the only complete edition of Burley's treatises, corrected by Spade on the basis of one of the surviving manuscripts. The book also includes an extensive introduction, explanatory notes, a table of corresponding passages between the two versions, a select annotated bibliography, and three indexes.

A contemporary of John Duns Scotus and William of Ockham, Burley was active at the universities of both Paris and Oxford. He became one of the most important figures in the transformation of medieval logic and semantics that took place in the early fourteenth century. Burley used new tools and techniques of logical and semantical analysis, yet in many cases he used them in defense of traditional views, such as a realist metaphysical theory of "universals". On the Purity of the Art of Logic shows both these sides of Burley -- the innovator and the conservative -- as well as some of the ways in which his views corresponded or clashed with those of William of Ockham.

It has been over a decade since the first edition of The Cambridge Companion to Augustine was published. In that time, reflection on Augustine's life and labors has continued to bear much fruit: significant new studies into major aspects of his thinking have appeared, as well as studies of his life and times and new translations of his work. This new edition of the Companion, which replaces the earlier volume, has eleven new chapters, revised versions of others, and a comprehensive updated bibliography. It will furnish students and scholars of Augustine with a rich resource on a philosopher whose work continues to inspire discussion and debate.

The book analyses the medieval vision of the world as depicted in Dante Alighieri's poetic works. In detail it discusses two works, The Banquet and The Divine Comedy, and offers a view on politics, faith and the universe of the medieval period. For modern people that period with its debates, polemics and visions represents something exceedingly remote, obscure and unknown. While admiring Dante's poetic artistry, we often fail to recognize the inspirations that permeated the works of medieval scholars and poets. Although times are constantly changing, every generation has to face the same fundamental questions of meaning, purpose and value of human existence: Dante's cosmological and poetical picture turns out to be surprisingly universal.

According to the doctrine of the Trinity, the Father, Son, and Spirit are supposed to be distinct from each other, and yet be one and the same God. As if that were not perplexing enough, there is also supposed to be an internal process of production that gives rise to the Son and Spirit: the Son is said to be 'begotten' by the Father, while the Spirit is said to 'proceed' either from the Father and the Son together, or from the Father, but through the Son. One might wonder, though, just how this sort of divine production is supposed to work. Does the Father, for instance, fashion the Son out of materials, or does he conjure up the Son out of nothing? Is there a middle ground one could take here, or is the whole idea of divine production simply unintelligible? In the late 13th and early 14th centuries, scholastic theologians subjected these questions to detailed philosophical analysis, and those discussions make up one of the most important, and one of the most neglected, aspects of late medieval trinitarian theology. This book examines the central ideas and arguments that defined this debate, namely those of Henry of Ghent, John Duns Scotus, and William Ockham. Their discussions are significant not only for the history of trinitarian theology, but also for the history of philosophy, especially regarding the notions of production and causal powers.

The Naqshbandiyya is one of the most widespread and influential Sufi orders in the Muslim world. Having its origins in the Great Masters tradition of Central Asia almost a millennium ago, it played a significant role in the pre-modern history of the Indian subcontinent and the Ottoman Empire, and is still spreading today. This volume seeks to present a broad picture of the evolution of the ideas and organizational forms of the Naqshbandi order throughout its history. It combines a synthesis of the vast literature on the order with original research, and shall be an important contribution for those interested in Sufism, Islamic history and Muslim-Christian relations.

Plotinus (c.205-70) was a Neoplatonist philosopher, his work posthumously published by Porphyry and divided into six books, nine tractates each, called the Enneads. In this book Majumdar makes a valuable addition to the literature on his work, especially Ennead III.7(45)11-13 - in particular explaining Plotinus' cosmology using the genus-species model of soul, coordinating the literature on the appearance of time and the cosmos with that on the larger issue of Plotinian "emanation" and examining the role of tolma and the restless nature of soul in this conjoint appearance. This book investigates Plotinian "emanation," its laws of poiesis (contemplative making ) and the roles of nature, matter, logos, (rational formative principle) and contemplation and highlights the subtler details of Plotinus' cosmology by disentangling conceptual issues about the nature of soul and self ("we") and their impact on the process of generation of time and the cosmos.

The notions of mental representation and intentionality are central to contemporary philosophy of mind and it is usually assumed that these notions, if not originated, at least were made essential to the philosophy of mind by Descartes in the seventeenth century. The authors in this book challenge this assumption and show that the history of these ideas can be traced back to the medieval period. In bringing out the contrasts and similarities between early modern and medieval discussions of mental representation the authors conclude that there is no clear dividing line between western late medieval and early modern philosophy; that they in fact represent one continuous tradition in the philosophy of mind.

In this book, Henrik Lagerlund offers students, researchers, and advanced general readers the first complete history of what is perhaps the most famous of all philosophical problems: skepticism. As the first of its kind, the book traces the influence of philosophical skepticism from its roots in the Hellenistic schools of Pyrrhonism and the Middle Academy up to its impact inside and outside of philosophy today. Along the way, the book covers skepticism during the Latin, Arabic, and Greek Middle Ages and during the Renaissance before moving on to cover Descartes' methodological skepticism and Pierre Bayle's super-skepticism in the seventeenth century. In the eighteenth century, it deals with Humean skepticism and the anti-skepticism of Reid, Shepherd, and Kant, taking care to also include reflections on the connections between idealism and skepticism (including skepticism in German idealism after Kant). The book covers similar themes in a chapter on G.E. Moore and Ludwig Wittgenstein, and then ends its historical overview with a chapter on skepticism in contemporary philosophy. In the final chapter, Lagerlund captures some of skepticism's impact outside of philosophy, highlighting its relation to issues like the replication crisis in science and knowledge resistance.

One of the most influential philosophers and theologians in the history of Western thought, St Thomas Aquinas established the foundations for much of modern philosophy of religion, and is famous for his arguments for the existence of God. In this cogent and multifaceted introduction to the great Saint's work, Edward Feser argues that you cannot fully understand Aquinas's philosophy without his theology and vice-versa. Covering his thoughts on the soul, natural law, metaphysics, and the interaction of faith and reason, this will prove a indispensible resource for students, experts or the general reader.

Reflection on natural law reaches a highpoint during the Middle Ages. Not only do Christian thinkers work out the first systematic accounts of natural law and articulate the framework for subsequent reflection, the Jewish and Islamic traditions also develop their own canonical statements on the moral authority of reason vis-à-vis divine law. In the view of some, they thereby articulate their own theories of natural law. These various traditions of medieval reflection on natural law, and their interrelation, merit further study, particularly since they touch upon many current philosophical concerns. They grapple with the problem of ethical and religious pluralism. They consider whether universally valid standards of action and social life are accessible to those who rely on reason rather than divine law. In so doing, they develop sophisticated accounts of many central issues in metaethics, action theory, jurisprudence, and the philosophy of religion. However, do they reach a consensus about natural law, or do they end up defending incommensurable ethical frameworks? Do they confirm the value of arguments based on natural law or do they cast doubt on it? This collection brings together contributions from various expert scholars to explore these issues and the pluralism that exists within medieval reflection on natural law. It is the first one to study the relation between the natural law theories of these various traditions of medieval philosophy: Jewish, Islamic, Byzantine, and Latin. Each of the first four essays surveys the 'natural law theory' of one of the religious traditions of medieval philosophy—Jewish, Islamic, Byzantine, and Latin—and its relation to the others. The next four essays explore some of the alternative accounts of natural law that arise within the Latin tradition. They range over St. Bonaventure, Peter of Tarentaise, Matthew of Aquasparta, John Duns Scotus, and Marsilius of Padua.

This new introduction replaces Marenbon's best-selling editions Early Medieval Philosophy (1983) and Later Medieval Philosophy (1987) to present a single authoritative and comprehensive study of the period. It gives a lucid and engaging account of the history of philosophy in the Middle Ages, discussing the main writers and ideas, the social and intellectual contexts, and the important concepts used in medieval philosophy. Medieval Philosophy gives a chronological account which: treats all four main traditions of philosophy that stem from the Greek heritage of late antiquity: Greek Christian philosophy, Latin philosophy, Arabic philosophy and Jewish philosophy provides a series of 'study' sections for close attention to arguments and shorter 'interludes' that point to the wider questions of the intellectual context combines philosophical analysis with historical background includes a helpful detailed guide to further reading and an extensive bibliography All students of medieval philosophy, medieval history, theology or religion will find this necessary reading.

Peter Abelard (1079-1142) is one of the greatest philosophers of the medieval period. Although best known for his views about universals and his dramatic love affair with Heloise, he made a number of important contributions in metaphysics, logic, philosophy of language, mind and cognition, philosophical theology, ethics, and literature. The essays in this volume survey the entire range of Abelard's thought, and examine his overall achievement in its intellectual and historical context. They also trace Abelard's influence on later thought and his relevance to philosophical debates today.

Thomas Aquinas is one of the foremost thinkers in Western philosophy and Christian scholarship, recognized as a significant voice in both theological discussions and secular philosophical debates. Alongside a revival of interest in Thomism in philosophy, scholars have realized its relevance when addressing certain contemporary issues in bioethics. This book offers a rigorous interpretation of Aquinas's metaphysics and ethical thought, and highlights its significance to questions in bioethics.
Jason T. Eberl applies Aquinas's views on the seminal topics of human nature and morality to key questions in bioethics at the margins of human life - questions which are currently contested in the academia, politics and the media such as:
- When does a human person's life begin? How should we define and clinically determine a person's death?
- Is abortion ever morally permissible? How should we resolve the conflict between the potential benefits of embryonic stem cell research and the lives of human embryos?
- Does cloning involve a misuse of human ingenuity and technology?
- What forms of treatment are appropriate for irreversibly comatose patients? How should we care for patients who experience unbearable suffering as they approach the end of life?
- What ethical mandates and concerns underlie the practice of organ donation?
"Thomistic Principles and Bioethics" ""presents a significant philosophical viewpoint which should motivate further dialogue amongst religious and secular arenas of inquiry concerning such complex issues of both individual and public concern. It will be illuminating reading for scholars, postgraduate and research students of philosophy, metaphysics, ethics, bioethics and moral theology.