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Books > Fiction > Genre fiction > Westerns
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Ridgeline
(Paperback)
Michael Punke
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R263
R240
Discovery Miles 2 400
Save R23 (9%)
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'An exciting, vividly-imagined reconstruction of an extraordinary
moment in the history of the American West' Ian McGuire,
bestselling author of THE NORTH WATER and INCREDIBLE BODIES 'A
highly compelling page turner; you won't be able to put it down'
Philipp Meyer, author of THE SON and AMERICAN RUST The thrilling,
long-awaited return of the #1 New York Times bestselling author of
The Revenant In 1866, with the country barely recovered from the
Civil War, new war breaks out on the western frontier - a clash of
cultures between a young, ambitious nation and the Native tribes
who have lived on the land for centuries. Colonel Henry Carrington
arrives in Wyoming's Powder River Valley to lead the US Army in
defending the opening of a new road for gold miners and settlers.
Carrington intends to build a fort in the middle of critical
hunting grounds, the home of the Lakota. Red Cloud, one of the
Lakota's most respected chiefs, and Crazy Horse, a young but
visionary warrior, understand full well the implications of this
invasion. For the Lakota, the stakes are their home, their culture,
their lives. Throughout this taut saga - based on real people and
events - Michael Punke brings the same immersive, vivid
storytelling and historical insight that made his breakthrough
debut so memorable. As Ridgeline builds to its epic conclusion, it
grapples with essential questions of conquest and justice that
still echo today.
A stunning literary debut, Horseman, Pass By (1961) exhibits the
"full-blooded Western genius" (Publishers Weekly) that would come
to define McMurtry's incomparable sensibility. In the dusty north
Texas town of Thalia, young Lonnie Bannon quietly endures the pangs
of maturity as a persistent rivalry between his grandfather and
step-uncle, Hud, festers, and a deadly disease spreads among their
cattle like wildfire.
Kathryn Scanlan's Kick the Latch vividly captures the arc of one
woman's life at the racetrack-the flat land and ramshackle
backstretch; the bad feelings and friction; the winner's circle and
the racetrack bar; the fancy suits and fancy boots; and the
"particular language" of "grooms, jockeys, trainers, racing
secretaries, stewards, pony people, hotwalkers, everybody"-with
economy and integrity. Based on transcribed interviews with Sonia,
a horse trainer, the novel investigates form and authenticity in a
feat of synthesis reminiscent of Charles Reznikoff's Testimony. As
Scanlan puts it, "I wanted to preserve-amplify, exaggerate-Sonia's
idiosyncratic speech, her bluntness, her flair as a storyteller. I
arrived at what you could call a composite portrait of a self."
Whittled down with a fiercely singular artistry, Kick the Latch
bangs out of the starting gate and carries the reader on a
careening joyride around the inside track.
Introducing high-octane drama for fans of Lee Child, Jeffery Deaver
and Vince Flynn: IT'S TIME TO DISCOVER A NEW HERO! Clyde Barr, the
drifter with lethal skills, is alone again, wandering the highways
of the American West in search of something to believe in. As
summer turns to autumn, he heads for the mountains, planning to
clear his head and regain his edge with some hunting. But when he
runs across an elderly sick man-a Ute Indian from a nearby
reservation-Clyde's dream of solitude is quickly dashed. On the
reservation, Clyde finds the old man's daughter, Lawana, and
grandson, Taylor, as well as a group of menacing bikers called
Reapers running wild in the struggling, half-abandoned village.
Gripped by the desire to do good in a hard world, Clyde offers to
stay on Lawana's ranch to help out until her father is better. As
tensions rise between the locals and the Reapers, Clyde's efforts
to protect the reservation become a fight for his, Lawana's and
Taylor's lives... A Promise to Kill is an edge-of-the-seat
thriller, pushing its no-hold-barred hero to new levels of
improvisation and bare-knuckled blunt force. Praise for Clyde Barr
and Erik Storey: 'Clyde Barr - remember the name, because he could
just become as famous as Lee Child's anti-hero Jack Reacher.
Utterly compelling from the first page...for my money, it will
become a worldwide sensation' DAILY MAIL 'Very, very good. Reacher
is keeping an eye on this guy' LEE CHILD 'A singular new talent!
Nothing short of brilliant. It grabs you from page one and simply
doesn't let go. This man is a born storyteller!' JEFFERY DEAVER
'Erik Storey's writing is exceptional. This is a splendid debut,
harsh and gripping throughout' THE TIMES '...the best debut
thriller of the year - and don't be surprised if before long Erik
Storey ranks among the giants of the genre' THE WASHINGTON TIMES
"River of Tears" enters the heart of the two women in the life of
an impassioned man who took part in the massacre at Bute Inlet.
Shortlisted for the Historical Writers' Association Gold Crown A
gritty and lyrical American epic about a young woman who disguises
herself as a boy and heads West. In the spring of 1885,
seventeen-year-old Jessilyn Harney finds herself orphaned and alone
on her family's homestead. Desperate to fend off starvation and
predatory neighbours, she cuts her hair, binds her chest, saddles
her beloved mare, and sets off across the mountains to find her
gun-slinging fugitive brother Noah and bring him home. A talented
sharpshooter herself, Jess's quest lands her in the employ of the
territory's violent, capricious governor, whose militia is also
hunting Noah - dead or alive. Wrestling with her brother's outlaw
identity, and haunted by questions of her own, Jess must
outmanoeuvre those who underestimate her, ultimately rising to
become a hero in her own right. Told in Jess's wholly original and
unforgettable voice, the story brims with page-turning Western
action, but its approach is modern and nuanced, touching on
powerful issues from gender and sexuality to family and identity.
In the sweeping storytelling tradition of Larry McMurtry's Lonesome
Dove and Charles Frazier's Cold Mountain, Whiskey When We're Dry
transcends the straight-and-narrow Western to land among the
classics.
Owen Wister's powerful story of the silent stranger who rides into the uncivilized West and defeats the forces of evil embodies one of the most enduring themes in American mythology. Set in the vast Wyoming territory, The Virginian (1902) captures both the grandeur and the loneliness of the frontier experience, brilliantly evoking the tension between the romantic freedom of the great, untamed landscape and mankind's deep-seated desire for community and social order. Wister brings to life the honesty and rough justice that ruled the range and the civilizing influence of determined women in frontier settlements that imposed a sense of society on an unruly population. For Wister, the West tested a man's true worth. His hero-influenced by those of Sir Walter Scott and James Fenimore Cooper-is a man who lives by the classic code of chivalry, ruled by quiet courage and a deeply felt sense of honor.
An enormously entertaining classic, THE WAY WEST brings to life the adventure of the western passage and the pioneer spirit. The sequel to THE BIG SKY, this celebrated novel charts a frontiersman's return to the untamed West in 1846. Dick Summers, as pilot of a wagon train, guides a group of settlers on the difficult journey from Missouri to Oregon. In sensitive but unsentimental prose, Guthrie illuminates the harsh trials and resounding triumphs of pioneer life. With THE WAY WEST, he pays homage to the grandeur of the western wilderness, its stark and beautiful scenery, and its extraordinary people.
This book is a cultural history of the interplay between the
Western genre and American gun rights and legal paradigms. From
muskets in the hands of landed gentry opposing tyrannical
government to hidden pistols kept to ward off potential attackers,
the historical development of entwined legal and cultural
discourses has sanctified the use of gun violence by private
citizens and specified the conditions under which such violence may
be legally justified. Gunslinging justice explores how the Western
genre has imagined new justifications for gun violence which
American law seems ever-eager to adopt. -- .
At once a love story and a lush comic masterpiece, Martha Moody is
a speculative western which embraces the ordinary and gritty
details - as well as the magic - of women's lives in the old west.
The new novel in Craig Johnson's beloved New York Times bestselling
Longmire series. "It's the scenery-and the big guy standing in
front of the scenery-that keeps us coming back to Craig Johnson's
lean and leathery mysteries." -The New York Times Book Review
Recovering from his harrowing experiences in Mexico, Sheriff Walt
Longmire returns to Absaroka County, Wyoming, to lick his wounds
and try once again to maintain justice in a place with grudges that
go back generations. When a shepherd is found dead, Longmire
suspects it could be suicide. But the shepherd's connection to the
Extepares, a powerful family of Basque ranchers with a history of
violence, leads the sheriff into an intricate investigation of a
possible murder. As Walt searches for information about the
shepherd, he comes across strange carvings on trees, as well as
play money coupons from inside Mallo Cup candies, which he
interprets as messages from his spiritual guide, Virgil White
Buffalo. Longmire doesn't know how these little blue cards are
appearing, but Virgil usually reaches out if a child is in danger.
So when a young boy with ties to the Extepare clan arrives in town,
the stakes grow even higher. Even more complicating, a renegade
wolf has been haunting the Bighorn Mountains, and the townspeople
are out for blood. With both a wolf and a killer on the loose,
Longmire follows a twisting trail of evidence, leading to dark and
shocking conclusions.
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