Left with little back in Missouri, Kevin Hunt takes his younger siblings on a journey to Wyoming when he receives news that he's inheriting part of a ranch. The catch is that the ranch is also being given to a half brother he never knew existed. Turns out, Kevin's supposedly dead father led a secret and scandalous life. But danger seems to track Kevin along the way, and he wonders if his half brother, Wyatt, is behind the attacks. Finally arriving at the ranch, everyone is at each other's throats and the only one willing to stand in between is Winona Hawkins, a nearby schoolmarm. Despite being a long-time friend to Wyatt, Winona can't help but be drawn to the earnest, kind Kevin--and that puts her in the cross hairs of somebody's dangerous plot. Will they all be able to put aside their differences long enough to keep anyone from getting truly hurt?

The fourth book in bestselling author Kelly Elliott's Cowboys and Angels series. Jonathon Turner is going to be the death of me. Maybe not the death of me . . . but my panties for sure! They seem to disintegrate the moment he touches me. Looks at me. Smiles at me. Talks to me. It's more than physical. He's breaking through an impenetrable wall. There's a problem though - he's younger than me. Six. Years. Younger. Let's not forget he's also one of my brother's best friends. Oh, the other problem I forgot to mention . . . I never wanted to fall in love again. But you know what they say . . . never say never. Cowboys & Angels series: 1. Lost Love 2. Love Profound 3. Tempting Love 4. Love Again 5. Blind Love 6. This Love 7. Reckless Love

The award-winning author of The River Wife returns with a multigenerational family saga set in the unforgiving Nebraska Sand Hills in the years following the massacre at Wounded Knee--an ambitious tale of history, vengeance, race, guilt, betrayal, family, and belonging, filled with a vivid cast of characters shaped by violence, love, and a desperate loyalty to the land.Ten years after the Seventh Cavalry massacred more than two hundred Lakota men, women, and children at Wounded Knee, J.B. Bennett, a white rancher, and Star, a young Native American woman, are murdered in a remote meadow on J.B.'s land. The deaths bring together the scattered members of the Bennett family: J.B.'s cunning and hard father, Drum; his estranged wife, Dulcinea; and his teenage sons, Cullen and Hayward. As the mystery of these twin deaths unfolds, the history of the dysfunctional Bennetts and their damning secrets is revealed, exposing the conflicted heart of a nation caught between past and future.At the center of The Bones of Paradise are two remarkable women. Dulcinea, returned after bitter years of self-exile, yearns for redemption and the courage to mend her broken family and reclaim the land that is rightfully hers. Rose, scarred by the terrible slaughters that have decimated and dislocated her people, struggles to accept the death of her sister, Star, and refuses to rest until she is avenged.A kaleidoscopic portrait of misfits, schemers, chancers, and dreamers, Jonis Agee's bold novel is a panorama of America at the dawn of a new century. A beautiful evocation of this magnificent, blood-soaked land--its sweeping prairies, seas of golden grass, and sandy hills, all at the mercy of two unpredictable and terrifying forces, weather and lawlessness--and the durable men and women who dared to tame it. Intimate and epic, The Bones of Paradise is a remarkable achievement: a mystery, a tragedy, a romance, and an unflagging exploration of the beauty and brutality, tenderness and cruelty that defined the settling of the American West.

Nobody was more surprised than Mattie herself when Luke Spenser, considered the great catch of their small Iowa town, asked her to marry him. Less than a month later, they are wed and setting off in a covered wagon to build a home on the Colorado frontier. Mattie's only company, aside from a taciturn and slightly mysterious new husband, is her private journal, where she records the joys and frustrations not just of frontier life, but also of marriage to a handsome but distant stranger. As Mattie and Luke make a life together on the harsh and beautiful prairie, battling the fierce odds imposed by weather, illness, and lawlessness, Mattie learns some bitter truths about her husband and the woman he left behind, and finds love where she least expects it.

In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust. In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence. In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna's parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows. Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act "civilized." Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land. Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember-strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become-in the eyes of the law-a kidnapper himself.

A stirring, provocative novel of the American Northwest in the 1920s, written with the same buoyant vigor, the sharp characterization, and the pungent wisdom that captivated readers of H.L. Davis' great Pulitzer Prize winning novel, Honey In The Horn H.L. Davis' captivating novel is narrated by Amos Clarke who recounts back to thirty years when he was barely twenty and was a hot-headed young sheriff's assistant. For Amos, it is one experience that stands out the most for him during his time spent as a sheriff's deputy. While delivering a summons, Amos stumbles upon a shooting that at first appears to be accidental. Busick, a ranch hand, has killed an old Indian. Amos takes Busick into custody. An open-and-shut case of manslaughter, Busick is tried and gets off. But when Busick decides to give up his rights to a small patch of grazing land, the sheriff instructs Amos to round up Busick's horses and lead them up to public pasture with the help of Hendricks, an old man who was looking after them. As Amos and Hendricks head north with the horses, they find themselves on the hunt for a murderer when a wealthy rancher who was married to one of Hendricks' daughters is shot dead. Their search for a killer proves to be an epiphany for both men-and for Amos, this fascinating journey will forever change him.

A BOOKLIST EDITOR'S CHOICE BOOK OF THE YEAR Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion. In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners-Rosa's family among them-will be allowed to keep their assets, their land, and ultimately, their freedom. By 1830, Rosa is living among the Crow Nation in Bighorn, Montana with her children and her husband, Edward Rose, a Crow chief. Her son Victor is of the age where he must seek his vision and become a man. But his path forward is blocked by secrets Rosa has kept from him. So Rosa must take him to where his story began and, in turn, retrace her own roots, acknowledging along the way, the painful events that forced her from the middle of an ocean to the rugged terrain of a far-away land.

The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).

Oakley Hall's legendary "Warlock" revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.
"Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine novel Warlock has restored to the myth of Tombstone its full, mortal, blooded humanity. Wyatt Earp is transmogrified into a gunfighter named Blaisdell who . . . is summoned to the embattled town of Warlock by a committee of nervous citizens expressly to be a hero, but finds that he cannot, at last, live up to his image; that there is a flaw not only in him, but also, we feel, in the entire set of assumptions that have allowed the image to exist. . . . Before the agonized epic of Warlock is over with--the rebellion of the proto-Wobblies working in the mines, the struggling for political control of the area, the gunfighting, mob violence, the personal crises of those in power--the collective awareness that is Warlock must face its own inescapable Horror: that what is called society, with its law and order, is as frail, as precarious, as flesh and can be snuffed out and assimilated back into the desert as easily as a corpse can. It is the deep sensitivity to abysses that makes "Warlock" one of ourbest American novels. For we are a nation that can, many of us, toss with all aplomb our candy wrapper into the Grand Canyon itself, snap a color shot and drive away; and we need voices like Oakley Hall's to remind us how far that piece of paper, still fluttering brightly behind us, has to fall." --Thomas Pynchon