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Books > Fiction > Genre fiction > Westerns
The white man had burned their land, raped their women, and slaughtered their children. He had made them a nation of slaves, and those he could not enslave, he promised to destroy. The Apache had one hope: vengeance.
Out of the scattered remnants of the Apache tribes rose a man whose cunning, ferocity, and genuis for warfare would make him their leader in a last tragic struggle for survival. The Apache gave him their arms, their strength, and their absolute devotion. The white man gave him his name: Geronimo!
The critically acclaimed, bestselling author of News of the World
and Enemy Women returns to Texas in this atmospheric story, set at
the end of the Civil War, about an itinerant fiddle player, a
ragtag band of musicians with whom he travels trying to make a
living, and the charming young Irish lass who steals his heart. In
March 1865, the long and bitter War between the States is winding
down. Till now, twenty-three-year-old Simon Boudlin has evaded
military duty thanks to his slight stature, youthful appearance,
and utter lack of compunction about bending the truth. But
following a barroom brawl in Victoria, Texas, Simon finds himself
conscripted, however belatedly, into the Confederate Army. Luckily
his talent with a fiddle gets him a comparatively easy position in
a regimental band. Weeks later, on the eve of the Confederate
surrender, Simon and his bandmates are called to play for officers
and their families from both sides of the conflict. There the
quick-thinking, audacious fiddler can't help but notice the lovely
Doris Mary Dillon, an indentured girl from Ireland, who is
governess to a Union colonel's daughter. After the surrender, Simon
and Doris go their separate ways. He will travel around Texas
seeking fame and fortune as a musician. She must accompany the
colonel's family to finish her three years of service. But Simon
cannot forget the fair Irish maiden, and vows that someday he will
find her again. Incandescent in its beauty, told in Paulette
Jiles's trademark spare yet lilting style, Simon the Fiddler is a
captivating, bittersweet tale of the chances a devoted man will
take, and the lengths he will go to fulfill his heart's yearning.
"Jiles' sparse but lyrical writing is a joy to read. . . . Lose
yourself in this entertaining tale." - Associated Press
Imagine a place populated by criminals - people plucked from their
lives, with their memories altered, who've been granted new
identities and a second chance. Welcome to The Blinds, a dusty town
in rural Texas populated by misfits who don't know if they've
perpetrated a crime or just witnessed one. All they do know is that
they opted into the programme and that if they try to leave, they
will end up dead.For eight years, Sheriff Calvin Cooper has kept an
uneasy peace - but after a suicide and a murder in quick
succession, the town's residents revolt. Cooper has his own secrets
to protect, so when his new deputy starts digging, he needs to keep
one step ahead of her - and the mysterious outsiders who threaten
to tear the whole place down. The more he learns, the more the hard
truth is revealed: The Blinds is no sleepy hideaway, it's simmering
with violence and deception, heartbreak and betrayal, and it's fit
to burst.
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Cutthroats
(Paperback)
William W Johnstone, J. A Johnstone
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R189
Discovery Miles 1 890
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Ships in 18 - 22 working days
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All Through the Night stakes a claim to be the first 'Welsh
Western' and suggests that cowboys were as much invented in Wales
as in Wyoming. This tale of Welsh drovers taking a large herd of
cattle from the 'wild west' of North Wales to London in the 1790s
and stakes a claim for these interesting characters to be the first
cowboys. What happens in Westerns happened here to Welsh drovers on
their cattle drives. Running through this Welsh Western, with its
personalities, adventures and incidents, the story incorporates
cultural, emotional and human elements that make Westerns so
appealing. Written very much in the style of an old-fashioned
Western, All Through the Night explores how people act in the drama
of their own lives.
Horses were in Annie Bronn's blood. For as long as she could remember, she had been fascinated by the spirited wild mustangs that roamed free throughout the West. So when greedy cattlemen started to round up the mustangs for slaughter, Annie knew it was up to her to save the breed. The true story of Wild Horse Annie's crusade to save the mustangs is inspiring. Readers will cheer her on, all the way to the White House, in her struggle to preserve these beautiful creatures from extinction.
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El Cazador
(Spanish, Hardcover)
Stuart G. Yates; Translated by Jose Gregorio Vasquez Salazar
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R619
R559
Discovery Miles 5 590
Save R60 (10%)
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Ships in 18 - 22 working days
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The Captive
(Paperback)
Fiona King Foster
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R475
R195
Discovery Miles 1 950
Save R280 (59%)
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Ships in 9 - 17 working days
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Of Cattle and Men
(Paperback)
Ana Paula Maia; Translated by Zoe Perry
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R395
R309
Discovery Miles 3 090
Save R86 (22%)
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Ships in 10 - 15 working days
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In a landscape worthy of Cormac McCarthy, the river runs septic
with blood. Edgar Wilson makes the sign of the cross on the
forehead of a cow, then stuns it with a mallet. He does this over
and over again, as the stun operator at Senhor Milo's
slaughterhouse: reliable, responsible, quietly dispatching cows and
following orders, wherever that may take him. It's important to
calm the cows, especially now that they seem so unsettled: they
have begun to run in panic into walls and over cliffs. Bronco Gil,
the foreman, thinks it's a jaguar or a wild boar. Edgar Wilson has
other suspicions. But what is certain is that there is something in
this desolate corner of Brazil driving men, and animals, to murder
and madness.
A master of narrative momentum and suspense, Zane Grey sweeps readers into his stories and makes them feel that things are out of control, that boundaries are being burst. In Riders of the Purple Sage, the most famous novel of the American West, Grey creates a hero of epic proportions, a villain of legendary evil and a world in which the landscape is rendered with such force that it seems to express thoughts and feelings, to become a character in its own right. Indeed, Riders of the Purple Sage derives much of its depth and power from passions whose forbidden and overwhelming nature cannot be expressed by human beings and are therefore embodied in the natural world. In his depiction of the relationship between Lassiter, the hero, and Jane Withersteen, Grey breaks other literary barriers: Jane, modelled on the heroines of the nineteenth-century novel, must come to terms with the values expressed by Lassiter - the harsh, "masculine" values of the twentieth century. Their struggles together represent the tumultuous changes society itself was confronting.
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