|
Books > Fiction > Genre fiction > Westerns
 |
Texas Outlaw
(Paperback)
James Patterson; As told to Andrew Bourelle
|
R535
R500
Discovery Miles 5 000
Save R35 (7%)
|
Ships in 10 - 15 working days
|
|
Oakley Hall's legendary "Warlock" revisits and reworks the
traditional conventions of the Western to present a raw, funny,
hypnotic, ultimately devastating picture of American unreality.
First published in the 1950s, at the height of the McCarthy era,
Warlock is not only one of the most original and entertaining of
modern American novels but a lasting contribution to American
fiction.
"Tombstone, Arizona, during the 1880's is, in ways, our national
Camelot: a never-never land where American virtues are embodied in
the Earps, and the opposite evils in the Clanton gang; where the
confrontation at the OK Corral takes on some of the dry purity of
the Arthurian joust. Oakley Hall, in his very fine novel Warlock
has restored to the myth of Tombstone its full, mortal, blooded
humanity. Wyatt Earp is transmogrified into a gunfighter named
Blaisdell who . . . is summoned to the embattled town of Warlock by
a committee of nervous citizens expressly to be a hero, but finds
that he cannot, at last, live up to his image; that there is a flaw
not only in him, but also, we feel, in the entire set of
assumptions that have allowed the image to exist. . . . Before the
agonized epic of Warlock is over with--the rebellion of the
proto-Wobblies working in the mines, the struggling for political
control of the area, the gunfighting, mob violence, the personal
crises of those in power--the collective awareness that is Warlock
must face its own inescapable Horror: that what is called society,
with its law and order, is as frail, as precarious, as flesh and
can be snuffed out and assimilated back into the desert as easily
as a corpse can. It is the deep sensitivity to abysses that makes
"Warlock" one of ourbest American novels. For we are a nation that
can, many of us, toss with all aplomb our candy wrapper into the
Grand Canyon itself, snap a color shot and drive away; and we need
voices like Oakley Hall's to remind us how far that piece of paper,
still fluttering brightly behind us, has to fall." --Thomas Pynchon
Filled with exciting tales of the frontier, the chronicle of the Sackett family is perhaps the crowning achievement of one of our greatest storytellers. In The Warrior's Path L'Amour tells the story of Yance and Kin Sackett, two brothers who are the last hope of a young woman who faces a fate worse than death.…
When Yance Sackett's sister-in-law is kidnapped, Yance and his brother Kin race north from Carolina to find her. They arrive at a superstitious town rife with rumors — and learn that someone very powerful was behind Diana's disappearance.
To bring the culprit to justice, one brother must sail to the exotic West Indies. There, among pirates, cutthroats, and ruthless "businessmen," he will apply the skills he learned as a frontiersman to an unfamiliar world ... a world where one false move means instant death.
Lance Gordon's running out of room and time. Back in the Sierras he
killed the man who murdered his father. Unfortunately that man
turned out to be a Deputy Marshal, and now Lance has a price on his
head. Like Alan Ladd as Shane, Lance wants only to live in peace,
but he'll have to go through hell to get there.
Running from the law and the cavalry, Lance heads for the one place
no sheriff or soldier will go--into the territory ruled by The
Baron of Coyote River. The Baron is the king of the cattle
rustlers--as feared and hated as he is powerful. No one dares take
him on . . . until now.
Lance is sick of running, and taking on the Baron is his last
chance for a second chance. Before the battle is over, Coyote River
will run red with blood, as Lance has vowed to redeem himself . . .
or die trying.
Hubbard often reminisced about his rough and tumble childhood in
Montana. "At the age of three-and-a-half I could ride quite well. .
. . They never let me ride any blooded stock; they always insisted
that I only ride range broncs and mustangs. It did not matter how
often I was thrown when a mustang exploded under me, it was I who
was always scolded and cautioned not to be mean to the horses."
Memories such as this remind us that Hubbard himself inhabited the
world of The Baron of Coyote River.
Also includes the Western adventure, Reign of the Gila Monster, in
which a stranger rides into the roughest, toughest town in the
West--and sets out to show the town who's boss.
""Take a hard ride into a lawless corner of the Arizona territory,
as the audio version of The Baron of Coyote River brings a stampede
of action to life.
"It delivers plenty of action." "--AudioBook News Service"
"
* An International Book Awards Finalist
Montana, 1968: The small town of Paradise Valley is ripped open
when popular rancher and notorious bachelor Tom Butcher is found
murdered one morning, beaten to death by a baseball bat. Suspicion
among the tight-knit community immediately falls on the outsider,
Carl Logan, who recently moved in with his family and his troubled
son Roger. What Carl doesn't realize is that there are plenty of
people in Paradise Valley who have reason to kill Tom Butcher.
Complications arise when the investigating officers discover that
Tom Butcher had a secret-a secret he kept even from Junior Kirby, a
lifelong rancher and Butcher's best friend. As accusations fly and
secrets are revealed one after another, the people of Paradise
Valley learn how deeply Tom Butcher was embedded in their lives,
and that they may not have known him at all. With familiar mastery,
Russell Rowland, the author of In Open Spaces and Fifty-Six
Counties, returns to rural Montana to explore a small town torn
apart by secrets and suspicions, and how the tenuous bonds of
friendship struggle to hold against the differences that would
sever us.
Larry McMurtry burst onto the American literary scene with a force
that would forever redefine how we perceive the American West. His
first three novels- Horseman, Pass By (1961),* Leaving Cheyenne
(1963), and The Last Picture Show (1966)- all set in the north
Texas town of Thalia after World War II, are collected here for the
first time. In this trilogy, McMurtry writes tragically of men and
women trying to carve out an existence on the plains, where the
forces of modernity challenge small- town American life. From a
cattleranch rivalry that confirms McMurtry's "full- blooded Western
genius" (Publishers Weekly) to a love triangle involving a cowboy,
his rancher boss and wife, and finally to the hardscrabble citizens
of an oil- patch town trying to keep their only movie house alive,
McMurtry captures the stark realities of the West like no one else.
With a new introduction, Thalia emerges as an American classic that
celebrates one of our greatest literary masters. *Just named in
2017 by Publishers Weekly the #1 Western novel worthy of
rediscovery.
Long fascinated with the Mexican Revolution and the vicious border
wars of the early twentieth century, Winston Groom brings to life
this period of history in a saga of heroism, injustice and love. El
Paso pits the legendary outlaw and revolutionary Pancho Villa,
against a thrill-seeking railway tycoon known as the Colonel whose
fading fortune is tied up in a colossal ranch in Chihuahua. When
Villa kidnaps the Colonel's grandchildren in the midst of a cattle
drive and absconds into the Sierra Madre, the patriarch and his
adopted son head to El Paso, looking for a group of cowboys brave
enough to hunt the Generalissimo down. Replete with gunfights,
daring escapes and an unforgettable bullfight, El Paso, with its
blend of history and legend, is an indelible portrait of the
American Southwest in the waning days of the frontier.
 |
Shane
(Paperback)
Jack Schaefer
|
R277
R250
Discovery Miles 2 500
Save R27 (10%)
|
Ships in 9 - 17 working days
|
|
'If you read only one western in your life, this is the one' Roland
Smith, author of Peak He rode into our valley in the summer of
1889, a slim man, dressed in black. 'Call me Shane,' he said. He
never told us more. There was a deadly calm in the valley that
summer, a slow, climbing tension that seemed to focus on Shane.
Seen through the eyes of a young boy, Bob Starrett, SHANE is the
classic story of a lone stranger. At first sight, the boy realises
there is something unusual about the approaching man, but as Bob
gets to know Shane, he realises that there is an inner sadness in
him. SHANE is the story of a gunfighter who tries to hang up his
gun but is drawn to the side of the boy's family and other
homesteaders in their struggle to keep from being forced off their
land.
|
|