The award-winning author of The River Wife returns with a multigenerational family saga set in the unforgiving Nebraska Sand Hills in the years following the massacre at Wounded Knee--an ambitious tale of history, vengeance, race, guilt, betrayal, family, and belonging, filled with a vivid cast of characters shaped by violence, love, and a desperate loyalty to the land.Ten years after the Seventh Cavalry massacred more than two hundred Lakota men, women, and children at Wounded Knee, J.B. Bennett, a white rancher, and Star, a young Native American woman, are murdered in a remote meadow on J.B.'s land. The deaths bring together the scattered members of the Bennett family: J.B.'s cunning and hard father, Drum; his estranged wife, Dulcinea; and his teenage sons, Cullen and Hayward. As the mystery of these twin deaths unfolds, the history of the dysfunctional Bennetts and their damning secrets is revealed, exposing the conflicted heart of a nation caught between past and future.At the center of The Bones of Paradise are two remarkable women. Dulcinea, returned after bitter years of self-exile, yearns for redemption and the courage to mend her broken family and reclaim the land that is rightfully hers. Rose, scarred by the terrible slaughters that have decimated and dislocated her people, struggles to accept the death of her sister, Star, and refuses to rest until she is avenged.A kaleidoscopic portrait of misfits, schemers, chancers, and dreamers, Jonis Agee's bold novel is a panorama of America at the dawn of a new century. A beautiful evocation of this magnificent, blood-soaked land--its sweeping prairies, seas of golden grass, and sandy hills, all at the mercy of two unpredictable and terrifying forces, weather and lawlessness--and the durable men and women who dared to tame it. Intimate and epic, The Bones of Paradise is a remarkable achievement: a mystery, a tragedy, a romance, and an unflagging exploration of the beauty and brutality, tenderness and cruelty that defined the settling of the American West.

Since Dracula's rise to power a shadow has swept across the nation, but nowhere is it darker than in the Deep South. Throughout the plantations, swamps, and cities, rumours abound of grotesque rituals, hooded figures, and bizarre creatures. Most terrifying of all, however, are the whispers of ancient magic - unspeakable arcane rituals and occult powers that can lead those who wield them towards mystical supremacy. or reduce them to gibbering wrecks.

This new supplement for Dracula's America: Shadows of the West introduces two new factions: the corrupt cultists of the Church of Dagon and the Salem Sisterhood, occult practitioners whose history dates back to the early Colonies. New stealth rules allow for all manner of sneaky and underhanded tactics, while expanded rules for arcane powers offer glory but could cost you your sanity. Alongside these are a host of new scenarios, Hired Guns, monsters, skills, and gear to challenge or assist those who dare venture into the Deep South of Dracula's America.

A stirring, provocative novel of the American Northwest in the 1920s, written with the same buoyant vigor, the sharp characterization, and the pungent wisdom that captivated readers of H.L. Davis' great Pulitzer Prize winning novel, Honey In The Horn H.L. Davis' captivating novel is narrated by Amos Clarke who recounts back to thirty years when he was barely twenty and was a hot-headed young sheriff's assistant. For Amos, it is one experience that stands out the most for him during his time spent as a sheriff's deputy. While delivering a summons, Amos stumbles upon a shooting that at first appears to be accidental. Busick, a ranch hand, has killed an old Indian. Amos takes Busick into custody. An open-and-shut case of manslaughter, Busick is tried and gets off. But when Busick decides to give up his rights to a small patch of grazing land, the sheriff instructs Amos to round up Busick's horses and lead them up to public pasture with the help of Hendricks, an old man who was looking after them. As Amos and Hendricks head north with the horses, they find themselves on the hunt for a murderer when a wealthy rancher who was married to one of Hendricks' daughters is shot dead. Their search for a killer proves to be an epiphany for both men-and for Amos, this fascinating journey will forever change him.

A BOOKLIST EDITOR'S CHOICE BOOK OF THE YEAR Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion. In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners-Rosa's family among them-will be allowed to keep their assets, their land, and ultimately, their freedom. By 1830, Rosa is living among the Crow Nation in Bighorn, Montana with her children and her husband, Edward Rose, a Crow chief. Her son Victor is of the age where he must seek his vision and become a man. But his path forward is blocked by secrets Rosa has kept from him. So Rosa must take him to where his story began and, in turn, retrace her own roots, acknowledging along the way, the painful events that forced her from the middle of an ocean to the rugged terrain of a far-away land.

The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).

In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust. In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence. In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna's parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows. Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act "civilized." Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land. Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember-strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become-in the eyes of the law-a kidnapper himself.