Some hot property Mal's crew desperately need another payday, but not desperately enough to transport a Blue Sun flightcase to Badger, no questions asked, when the area is swarming with Alliance spacecraft equally keen to regain the stolen property. Yet Jayne refuses to miss out, and sneaks the case aboard Serenity. Lucid dreams Within hours of secreting the case Jayne suddenly finds himself back on the Cobb homestead with his brother Matty miraculously cured of the damplung. Wash is at the controls of the highest-spec cruiser money can buy, the billionaire head of a 'verse-spanning business empire. All of the crew but River are soon immersed in vivid hallucinations of their deepest desires, while their bodies lie insensible on the ship. Fantasies gone sour Wash's empire begins to crumble; the Cobb ranch is under attack by merciless bandits. As everyone's daydreams turn nightmare, Serenity floats on a crash course towards a barren moon, with only River standing between the crew and certain oblivion.

First you had movies like, Outlaw of Josey Whales, and Posse, and a book called Cole, now you have, A Family of Out Laws. This book is about a black western, in which the family refuses to let anyone take their land. It has a mixture of Western and Southern cowboys combine. From one crooked town's mayor after another, bounty hunters, and outlaws, the killing just continues to grow. Just remember, there were some black cowboys who didn't take any s**t. Their stories just weren't documented, until now. So saddle up and enjoy the book.

Shortlisted for the Historical Writers' Association Gold Crown A gritty and lyrical American epic about a young woman who disguises herself as a boy and heads West. In the spring of 1885, seventeen-year-old Jessilyn Harney finds herself orphaned and alone on her family's homestead. Desperate to fend off starvation and predatory neighbours, she cuts her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her gun-slinging fugitive brother Noah and bring him home. A talented sharpshooter herself, Jess's quest lands her in the employ of the territory's violent, capricious governor, whose militia is also hunting Noah - dead or alive. Wrestling with her brother's outlaw identity, and haunted by questions of her own, Jess must outmanoeuvre those who underestimate her, ultimately rising to become a hero in her own right. Told in Jess's wholly original and unforgettable voice, the story brims with page-turning Western action, but its approach is modern and nuanced, touching on powerful issues from gender and sexuality to family and identity. In the sweeping storytelling tradition of Larry McMurtry's Lonesome Dove and Charles Frazier's Cold Mountain, Whiskey When We're Dry transcends the straight-and-narrow Western to land among the classics.

Peter D. Buckow hadn't had much luck in his short life. An abused and neglected child, he struggled hard to overcome the disadvantages of his upbringing. He worked hard as Henry Blough's ranch hand; he labored from sunup 'til sundown; he never shirked a task. But when Henry Blough tries to cheat the sixteen-year-old Buck of his pay, he decides to take his wages out in steers... Caught red handed by the deputy Sheriff, poor Peter Buckow is hanged with his own rope and left for dead. Except Buckow didn't die. He survived and was given an extraordinary chance at a second life. And now he had to choose between the easy path of violence and vengeance, or a life of honest hard work with no guarantee of success.

Falcon Hunt awakens without a past, or at least not one he can recall. He's got brothers he can't remember, and he's interested in the prettiest woman in the area, Cheyenne. Only trouble is, a few flashes of memory make Falcon wonder if he's already married. He can't imagine abandoning a wife. But his pa did just that--twice. When Falcon claims his inheritance in the West, Cheyenne is cut out of the ranch she was raised on, leaving her bitter and angry. And then Falcon kisses her, adding confusion and attraction to the mix. Soon it's clear someone is gunning for the Hunt brothers. When one of his brothers is shot, Falcon and Cheyenne set out to find who attacked him. They encounter rustled cattle, traitorous cowhands, a missing woman, and outlaws that take all their savvy to overcome. As love grows between these two independent people, Falcon must piece together his past if they're to have any chance at a future.

In a lonely valley, deep in the mountains, a ranger watches over the last surviving grizzly bear. With the natural world exhausted and in tatters, Ben has dedicated himself to protecting this single fragment of the wild. One night, he hears voices in the valley - poachers, come to hunt his bear. A heart-pounding chase begins, crossing forests and mountainsides, passing centuries of human ruins. Sometimes hunter, sometimes prey - Ben must choose the bear's fate and his own. Is he willing to lay down his life for a dying breed? Is he willing to kill for it?

Back in the winter of '77 I was deputying up in Two Scalp, Dakota Territory; waiting for my friend Clete Shannon-who was the Sheriff there at the time-to say the word for us to quit our jobs and head south...Being Clete's deputy give me mighty little to do but think things over, morning or night. Two Scalp's deader'n a sucker in a sandstorm. This lazy peace would not last. Willie Goodwin had seen a lot of life; he knew how the death wind could blow into a man's life on a clear sunny day without a sip of warning. He thought he knew how treacherous life could be...that's why he drank. When Nell Larson complained that someone was spooking her cattle late at night, neither Willie nor Clete recognized the danger....When Nell's cabin was burned and Nell murdered, and when Clete was shot by the same faceless enemy, Willie saddled his horse and went looking for justice and for the answer to the puzzle of why these horrible crimes were committed. Willie's manhunt would become an odyssey of death and vengeance. It would stretch over mountains, rivers and plains; it would take him through towns, ranches and farms. Along the way, Willie Goodwin would have to decide if friendship was stronger than honor or desire. Willie Goodwin was a simple man with some hard choices...

In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark realities of the American West play out in a mesmerizing love triangle. Stubborn rancher Gideon Fry, resilient Molly Taylor, and awkward ranch hand Johnny McCloud struggle with love and jealousy as the years pass.

Ahen he died, Florida mob boss Frank DiCilia left his gorgeous widow, Karen, everything, but with strings attached. If she ever gets involved with another man, she loses the millions, the cars, and the palatial Gold Coast mansion. A crazy cowboy-wannabe thug named Roland, who's acting as Frank's eyes beyond the grave, is making sure Karen doesn't dally, with serious muscle if necessary. But now Cal Maguire's come into the picture. A sexy, street-smart Detroit ex-con, Cal's got a line and a scam for every occasion. And he's got the perfect plan for getting Karen DiCilia her money and her freedom . . . if it doesn't get them both killed first.

The Arkansas Regulators is a rousing tale of frontier adventure, first published in German in 1846, but virtually lost to English readers for well over a century. Written in the tradition of James Fenimore Cooper, but offering a much darker and more violent image of the American frontier, this was the first novel produced by Friedrich Gerstacker, who would go on to become one of Germany's most famous and prolific authors. A crucial piece of a nineteenth-century transatlantic literary tradition, this long-awaited translation and scholarly edition of the novel offers a startling revision of the frontier myth from a European perspective.

This novel plunges the reader into the last agonizing years of the Civil War. Cattle from the Florida plains are needed to save a desperate South from starvation. But quicksand and snake-filled swamps, Yankee raiders, and vicious outlaws block the trails between Florida and the rest of the Confederacy. Men like Tree Hooker, tough as alligator hide and quick with gun, knife, or whip, reckon with Union forces and renegades when they take on the job of driving the herds.

They laughed at Roberto Valdez and then ignored him. But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem--and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice--and some money for the dead man's woman--they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die.

The Civil War was a time of brutal conflict in Missouri, leaving deep scars that festered for years afterwards. Some killed for revenge and survival in battle, others out of malevolence. This is a story about redemption for some and continuation for others. William Quantrill's lieutenant, Jonathan, a venerated combatant, becomes an assassin in St. Louis after the Civil War. After agreeing to kill a powerful politician, he knows that he must disappear, fearing that those who hired him will not want to leave any loose ends. Ten years later, Will and Betsy McGee, a young couple who have recently inherited a small ranch in southwestern Missouri, come into Cassville for supplies. There they are encounter Chunk and Virgil Jennings, both local ruffians. Chunk, the town bully, is embarrassed when he picks a street fight with Will. The Jennings retaliate in the most nefarious manner. Will is left to die and is rescued by John Turner, the wealthiest rancher in the territory. In the Box-T bunkhouse, his body recuperates, but not his mind. The story evolves to an eventual confrontation between decency and depravity, pulling Jonathan out of the shadows.

"River of Tears" enters the heart of the two women in the life of an impassioned man who took part in the massacre at Bute Inlet.

In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.

Lizzie Randall, the preacher s pretty daughter, has been discovered brutally murdered. The young Mexican boy Paco Morales is found close to the scene making him a convenient scapegoat to hang for the heinous crime. When the town drunkard Willie Turner claims that Morales is innocent, Sheriff Ward Vincent is forced to investigate the heinous crime more closely. As his investigation progresses, the dark underbelly of the small western town is exposed, and the guilty seem to outnumber the innocent."

Corey Bowen is an innocent man. Wrongly convicted, and imprisoned in the brutal labor camp at Five Shadows run by a sadistic embezzler willing to kill to keep his scheme running, Bowen is determined to break out or die trying. The trackers have already caught him once, dragged him back through the mesquite and rocks, and beat him bloody and near dead after his last attempt. But this time he'll have help--from a lady with murder on her mind and a debt to pay back. They say that breaking out of Five Shadows is impossible--but Bowen is a different breed, and this time he will go to any extreme to escape.

Johnny Montana was tall and dark, and sport a thin, neatly trimmed mustache and he had midnight black eyes. He was particular about his person; he shaved regular and put rosewater in his hair and preferred clean shirts when he could get them...Johnny Montana was the kind of man who made things happen. "You planning on sticking around these parts for the rest of your days?" That question completely changed Katie Swensen's life....She knew in an instant that her answer would be 'no' if Johnny Montana was asking her to go away with him. They left in the late hours of a warm evening, her daddy snoring in the other room. Johnny Montana was the handsomest man she'd ever met. It wasn't until a few days later that she learned he was also a gambler, a road agent and a killer. Henry Dollar was a man that knew horses and knew how to ride them, and he knew guns and how to use them. He'd been tested by gunfire in the sixteen years he'd spent with the D Company of the Texas Rangers. Henry Dollar never shirked his duty, he never backed down, and he never took what wasn't his...but then, he just hadn't been tempted enough, yet. Eli Stagg was a hard, cruel, friendless man with a talent for hunting, tracking and killing. The family of William F. Gray, the late Senator of Arkansas, engaged Stagg to find and kill the man who shot the Senator and left him to die in the dust of the road... Pete Winter, a young lawman, was asked to escort two prisoners across Indian Territory to the court of 'Hanging Judge' Parker... In this rich and complex novel of the Great American Frontier, these characters cross paths and raise arms as they each seek their individual destinies and desires-some will emerge victorious while others will be defeated by harsh climes and hardened men.

This book is a cultural history of the interplay between the Western genre and American gun rights and legal paradigms. From muskets in the hands of landed gentry opposing tyrannical government to hidden pistols kept to ward off potential attackers, the historical development of entwined legal and cultural discourses has sanctified the use of gun violence by private citizens and specified the conditions under which such violence may be legally justified. Gunslinging justice explores how the Western genre has imagined new justifications for gun violence which American law seems ever-eager to adopt. -- .