An original exploration of the 2003 Iraq war and geopolitics more
broadly through the prism of art. Offers a reappraisal of one of
the most contentious and consequential events of the early
twenty-first century Advances an original perspective on Britain's
role in the 2003 invasion and subsequent occupation of Iraq Maps
out new ways of thinking about geopolitical events through art
Examines the work of artists, curators and activists in light of
Britain's role as a colonial power in Iraq and the importance of
oil Reflects on the significance, limits and dilemmas of art as a
form of critical intervention Questions the implications of art in
colonialism and modernity
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