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Dialectic of Pop (Paperback)
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Dialectic of Pop (Paperback)
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A philosophical exploration of pop music that reveals a rich,
self-reflexive art form with unsuspected depths. In the first major
philosophical treatise on the subject, Agnes Gayraud explores all
the paradoxes of pop-its inauthentic authenticity, its mass
production of emotion and personal resonance, its repetitive
novelty, its precision engineering of seduction-and calls for pop
(in its broadest sense, encompassing all genres of popular recorded
music) to be recognized as a modern, technologically mediated art
form to rank alongside cinema and photography. In a thoroughgoing
engagement with Adorno's fierce critique of "standardized light
popular music," Dialectic of Pop tracks the transformations of the
pop form and its audience over the course of the twentieth century,
from Hillbilly to Beyonce, from Lead Belly to Drake. Inseparable
from the materiality of its technical media, indifferent and
intractable to the perspectives of high culture, pop subverts
notions of authenticity and inauthenticity, original and copy, aura
and commodity, medium and message. Gayraud demonstrates that, far
from being the artless and trivial mass-produced pabulum denigrated
by Adorno, pop is a rich, self-reflexive artform that recognises
its own contradictions, incorporates its own productive negativity,
and often flourishes by thinking "against itself." Dialectic of Pop
sings the praises of pop as a constitutively impure form resulting
from the encounter between industrial production and the human
predilection for song, and diagnoses the prospects for twenty-first
century pop as it continues to adapt to ever-changing technological
mediations.
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