For Alain Badiou, theatre--unlike cinema--is the place for the
staging of a truly emancipatory collective subject. In this sense
theatre is, of all the arts, the one strictly homologous to
politics: both theatre and politics depend on a limited set of
texts or statements, collectively enacted by a group of actors or
militants, which put a limit on the excessive power of the state.
This explains why the history of theatre has always been
inseparable from a history of state repression and censorship.
This definitive collection includes not only Badiou's pamphlet
Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on
the political destiny of contemporary theatre, and on Badiou's own
work as a playwright, as author of the Ahmed Tetralogy.
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