Exploring the relationship between dramatic language and its
theatrical aspects, Reading Modern Drama provides an accessible
entry point for general readers and academics into the world of
contemporary theatre scholarship. This collection promotes the use
of diverse perspectives and critical methods to explore the common
theme of language as well as the continued relevance of modern
drama in our lives.
Reading Modern Drama offers provocative close readings of both
canonical and lesser-known plays, from Hedda Gabler to e.e.
cummings' Him. Taken together, these essays enter into an ongoing,
fruitful debate about the terms 'modern' and 'drama' and build a
much-needed bridge between literary studies and performance
studies.
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