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Qupai in Chinese Music - Melodic Models in Form and Practice (Hardcover)
Loot Price: R4,439
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Qupai in Chinese Music - Melodic Models in Form and Practice (Hardcover)
Series: Routledge Studies in Ethnomusicology
Expected to ship within 12 - 17 working days
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Presenting the latest research in the area, this volume explores
the fundamental concept of qupai , melodic models upon which most
traditional Chinese instrumental music (and some vocal music) is
based. The greater part of the traditional instrumental repertoire
has emerged from qupai models by way of well-established
'variation' techniques. These melodies and techniques are alive
today and still performed in 'silk-bamboo' types of ensemble music,
zheng , pipa and other solo traditions, all opera types, narrative
songs, and Buddhist and Daoist ritual music. With a view toward
explaining qupai as a musical system, contributors explore the
concept from multiple directions, notably its historic development,
patterns of structural organization, compositional usage in Kunqu
classical opera, influence on the growth of traditional ensemble
and solo repertoires, and indeed on 19th-century European music as
well. Related essays examine the use of shan'ge folksongs as qupai
models in one local opera tradition and the controversial
relationship between qupai forms and the metrically-organized
banqiang forms of organization in Beijing opera. The final three
essays are focused upon traditional suite forms in which qupai and
non-qupai tunes are mixed, examples drawn from the Minnan nanguan
repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music
of North China.This is the first Western-language study on the
nature and background of the qupai tradition, and the methods by
which model melodies have been varied in creation of repertoire.
The volume is essential reading for East Asian music specialists
and contributes to the fields of ethnomusicology, musicology, music
theory, music composition, and Chinese music and performing arts.
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