This colourful and exotic setting of Samuel Taylor Coleridge's epic
poem is a welcome addition to the English choral repertory. The
absence of Rawsthorne's original orchestral score (destroyed in
1940 during a bombing raid) had, until 2007, prevented the
performance of this extraordinary work. However, a new
orchestration by Edward Harper (available on hire from Oxford
University Press) has allowed Rawsthorne's dream-like evocation of
an exotic land to take its rightful place on the concert platform.
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