From Let Me Hear You Outside is inside now. The pyramid whose point
we are is weightless and invisible and has become itself the night
in which alone together on a high plateau we go on shouting out
whatever name those winds keep blowing back into the mouth that's
shouting it. Alan Shapiro's newest book of poetry is situated at
the intersection between private and public history, as well as
individual life and the collective life of middle-class America in
the twentieth and twenty-first centuries. Whether writing about an
aged and dying parent or remembering incidents from childhood and
adolescence, Shapiro attends to the world in ways that are as
deeply personal as they are recognizable and freshly social both
timeless and utterly of this particular moment.
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