The traditional view that the rise of Western theoretical
thought in the 1960s and 1970s could be traced back to the Soviet
1920s, once accepted in Russia and the West alike because it
directly associated the academic prestige of contemporary Western
theory with the intellectual climate of post-revolutionary Russia,
is increasingly challenged today. With the gradual retreat in
recent years of theory from the high ground of the Western
humanities, new work has emerged to suggest unexpected parallels
and to undermine others.
This book, with contributions from some of the most visible
specialists in the field, re-examines the significant transfers,
cross-fertilisations and synergies of cultural and literary theory
between Russia and the West, from the 1920s through to the present
day. It focuses primarily on those tendencies which have made the
most significant contribution to critical theory over the last
century, and looks ahead at the theoretical paradigms that are most
likely to shape the future dialogue between Russia and the West in
the humanities.
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