First published in 1960, Albert B. Lord's The Singer of Tales
remains the fundamental study of the distinctive techniques and
aesthetics of oral epic poetry. Based upon pathbreaking fieldwork
conducted in the 1930s and 1950s among oral epic singers of Bosnia,
Croatia, and Serbia, Lord analyzes in impressive detail the
techniques of oral composition in performance. He explores the
consequences of this analysis for the interpretation of numerous
works of traditional verbal art, including-in addition to South
Slavic epic songs-the Homeric Iliad and Odyssey, Beowulf, the
Chanson de Roland, and the Byzantine epic Digenis Akritas. A
cardinal text for the study of oral traditions, The Singer of Tales
also represents an exemplary use of the comparative method in
literary criticism. This third edition offers a corrected text of
the second edition and is supplemented by an open-access website
(in lieu of the second edition's CD-ROM), providing all the
recordings discussed by Lord, as well as a variety of other
multimedia materials.
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