Albert Bates Lord here offers an unparalleled overview of the
nature of oral-traditional epic songs and the practices of the
singers who composed them. Shaped by the conviction that theory
should be based on what singers actually do, and have done in times
past, the essays collected here span half a century of Lord's
research on the oral tradition from Homer to the twentieth
century.
Drawing on his extensive fieldwork in living oral traditions and
on the theoretical writings of Milman Parry, Lord concentrates on
the singers and their art as manifested in texts of performance. In
thirteen essays, some previously unpublished and all of them
revised for book publication, he explores questions of composition,
transmittal, and interpretation and raises important comparative
issues. Individual chapters discuss aspects of the Homeric poems,
South Slavic oral-traditional epics, the songs of Avdo Metedovic,
Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas
and other medieval epics, central Asiatic and Balkan epics, the
Finnish Kalevala, and the Bulgarian oral epic.
The work of one of the most respected scholars of his
generation, Epic Singers and Oral Tradition will be an invaluable
resource for scholars and students of myth and folklore,
classicists, medievalists, Slavists, comparatists, literary
theorists, and anthropologists.
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