Although Elizabeth Barrett Browning has been the subject of many
biographies her worth as a poet tends to be given short shrift. Her
dramatic life-story has obscured her more lasting importance as a
forceful and imaginative writer, a bold experimenter in language
and poetic technique, an advocate of social reform, an advanced and
eccentric political thinker, a Byzantine scholar and something of a
mystic. It is to these aspects of Mrs Browning, and above all to
the quality of her poetry that the present book is dedicated. It
places her in the literary and intellectual life of her time, as
revealed by her correspondence with Ruskin, Thackeray and Benjamin
Haydon, her discussions on prosody with Hugh Stuart Boyd and
Uvedale Price and on aesthetics with R. H. Horne and Mary Russell
Mitford; and, of course, with Robert Browning. Her great talent as
a letter writer, and her influence on the prosody of poets of the
late nineteenth and twentieth centuries, are also considered.
Alethea Hayter's reconsideration of Elizabeth Barrett Browning
restores her to her proper place as a poet, writer and thinker, as
well as providing a portrait of an original, captivating and much
misunderstood personality.
Julian Barnes has celebrated Alethea Hayter as belonging to that
rare breed, 'the independent scholar, unaffected by the fashions
and orthodoxies of academe.' Equally important he says 'is a sturdy
independence of mind'. Alethea Hayter had that in abundance as all
her Faber Finds reissues - "Horatio's Version," "Opium and the
Romantic Imagination," "A Sultry Month," "A Voyage in Vain" and
"Mrs Browning" - demonstrate.
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