In the 1880s, a new medical term flashed briefly into public
awareness in the United States. Children who had trouble
distinguishing between similar speech sounds were said to suffer
from "sound-blindness." The term is now best remembered through
anthropologist Franz Boas, whose work deeply influenced the way we
talk about cultural difference. In this fascinating work of
literary and cultural history, Alex Benson takes the concept as an
opening onto other stories of listening, writing, and
power—stories that expand our sense of how a syllable, a word, a
gesture, or a song can be put into print, and why it matters.
Benson interweaves ethnographies, memoirs, local-color stories,
modernist novels, silent film scripts, and more. Taken together,
these seemingly disparate texts—by writers including John M.
Oskison, Helen Keller, W. E. B. Du Bois, F. Scott Fitzgerald, and
Elsie Clews Parsons—show that the act of transcription, never
neutral, is conditioned by the histories of race, land, and
ability. By carefully tracing these conditions, Benson argues, we
can tease out much that has been left off the record in narratives
of American nationhood and American literature.
General
Imprint: |
The University of North Carolina Press
|
Country of origin: |
United States |
Release date: |
October 2023 |
Authors: |
Alex Benson
|
Dimensions: |
235 x 155mm (L x W) |
Pages: |
256 |
ISBN-13: |
978-1-4696-7462-9 |
Categories: |
Books
|
LSN: |
1-4696-7462-9 |
Barcode: |
9781469674629 |
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