The Death Jazz is a collection of poems and short stories clustered
around the character of Joe Oroborus, a hapless 21st-Century
everyman who works a regular job and dreams of being the All Being.
Written over the course of five years, the book was conceived in
the spirt of Surrealist revolt, Dadaist subversion and good old
American ingenuity. Alex S. Johnson's influences cross an esoteric
spectrum, from Arthur Rimbaud, Alfred Jarry, T.S. Eliot, Federico
Garcia Lorca and Walt Whitman to Michael McLure, Philip Lamantia,
Lydia Lunch, Henry Rollins, Charles Bukowski, Scandinavian heavy
metal and gangsta rap.
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