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Music > Classical & Classical Crossover
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Purcell Henry / John Blow [Composer] - Purcell CD (2011) (CD)
Loot Price: R573
Discovery Miles 5 730
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Purcell Henry / John Blow [Composer] - Purcell CD (2011) (CD)
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Loot Price R573
Discovery Miles 5 730
Expected to ship within 10 - 17 working days
|
General
| Label: |
Musical Concepts/premeire
|
| Release date: |
December 2011 |
| Originally released: |
August 2008 |
| Authors: |
Alfred Deller
|
| Performers: |
Dupr?, Desmond,Granville Jones,Malcolm, George,Marriner, Sir Neville,Peter Gibbs
• Alfred Deller,Bevan, Maurice,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Malcolm, George
• Alfred Deller,Cantelo, April,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Malcolm, George
• Alfred Deller,Bevan, Maurice,Cantelo, April,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Malcolm, George
• Alfred Deller,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Walter Bergmann
|
| Conductors: |
Gustav Leonhardt,Leonhardt, Gustav
|
| Performers: |
Alfred Deller,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Gustav Leonhardt,Leonhardt, Gustav
• Dupr?, Desmond,Granville Jones,Malcolm, George,Peter Gibbs
• Malcolm, George,Marriner, Sir Neville
• Malcolm George
• Bevan, Maurice,Ellen Dales,Harold Lester,Honor Sheppard,Mary Thomas,Mary Thomas [Soprano Vocal],Sheppard, Honor,Tear, Robert,Thomas, Mary [Soprano Vocal]
|
| Conductors: |
Michael Tippett
|
| Performers: |
A.R. Shuttleworth,Alfred Deller,Bevan, Maurice,Brown, Wilfred,Cantelo, April,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Denis Vaughan,Dennis Clift,Edward Selwyn,Eli Goren,Francis Baines,George Eskdale,Leonard Friedman,Peter Graeme,Peter Salmon,Philip Jones,Philip Jones [Trumpet/Conductor],Richard Taylor [Recorder],Taylor, Richard [Recorder / Flute],Taylor, S. Alan,Taylor, Stanley,Vaughan, Denis,Wilfred Brown
• Walter Bergmann
• English, Gerald
• Alfred Deller,Bevan, Maurice,Cantelo, April,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Eileen McLoughlin,English, Gerald,Owen Grundy,Walter Bergmann
|
| Conductors: |
Alfred Deller,Deller, Alfred,Harnoncourt, Nikolaus
|
| Performers: |
Alfred Deller,Bevan, Maurice,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Honor Sheppard,Max Worthley,Sally le Sage,Sheppard, Honor,Todd, Philip
• Alfred Deller,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals]
• Alfred Deller,Deller, Alfred,Deller, Alfred [Counter Tenor Vocals],Deller, Mark,Mark Deller,Mary Thomas,Mary Thomas [Soprano Vocal],Thomas, Mary [Soprano Vocal]
|
| Composers: |
Purcell Henry
|
| Conductors: |
Alfred Deller,Deller, Alfred
|
| Composers: |
John Blow [Composer]
|
| Performers: |
Deller Alfred
|
| Dimensions: |
110 x 136 x 5mm (L x W x T) |
| Format: |
|
| Categories: |
Music >
Classical & Classical Crossover
Promotions
|
| LSN: |
X2C-290-BF2-6 |
| Barcode: |
0851950001940 |
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Disk 1
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
Disk 2
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
Disk 3
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
Disk 4
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
Disk 5
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
Disk 6
| 1 |
Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 1. Solo & Choru,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 2 |
Music for a While (from "Oedipus"), song, Z. 583/2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 2. Air. Let the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 3 |
I love and I must, song, Z. 382,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 3. Duet. Come,,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 4 |
Let the dreadful engines (from "Don Quixote"), song, Z. 578/3,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 4. Chorus. Beho,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 5 |
Thrice Happy Lovers (Epithalamium from "The Fairy Queen"), aria for soprano, Z. 629/39bc,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 5. Paspe (passe,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 6 |
If music be the food of love, song, Z. 379 (3 settings),The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 6. Duet. Oh the,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 7 |
Great God and just, sacred song for soprano, chorus & continuo, Z. 186,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 7. Air & Chorus,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 8 |
Not all my torments can your pity move, song, Z. 400,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 8. DuetMake roo,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 9 |
Close thine eyes and sleep secure, sacred song for soprano, bass & continuo, Z. 184,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 9. Solo, Trio &,Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: |
| 10 |
Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 10. Dance of Ba,Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. |
| 11 |
Sweeter than roses (from "Pausanius"), song, Z. 585/1,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 11. Air. Still,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Ouverture |
| 12 |
The fatal hour comes on apace, song, Z. 421,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 12. (Ritornello,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved sp |
| 13 |
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 13. Canaries. I,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For, lo, the |
| 14 |
I attempt from Love's Sickness to Fly (from "The Indian Queen"), Z630/17h,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 14. Dialogue. T,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The time of t |
| 15 |
O lead me to some peaceful gloom (from "Bonduca"), song, Z. 574/17,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 15. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the voice |
| 16 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: What Shall I Do to Show All Much I Lov,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 16. Air & Choru,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: The fig tree |
| 17 |
From rosie bow'rs (from "Don Quixote"), song, Z. 578/9,The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 17. Dance. Inst,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Arise |
| 18 |
The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39: Act 5. 18. Trio & Chor,My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is |
| 19 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Music,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Mark how the |
| 20 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. First Act Tune or Hornpipe,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: But in the cl |
| 21 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Instrumental Interlude,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: So ceas'd the |
| 22 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 1. Dance of the Furies,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: We beg not He |
| 23 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 2. Second Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The pow'r of |
| 24 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. The Chair Dance,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: The heav'nly |
| 25 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Third Act Tune,Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo: Ye brethren o |
| 26 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 3. Instrumental Interlude |
| 27 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 4. Butterfly Dance |
| 28 |
Prophetess, or The History of Dioclesian, semi-opera, Z. 627: Act 5. Country Dance |
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