Books > Arts & Architecture > Performing arts > Films, cinema
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Shivers Down Your Spine - Cinema, Museums, and the Immersive View (Paperback)
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Shivers Down Your Spine - Cinema, Museums, and the Immersive View (Paperback)
Series: Film and Culture Series
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From the architectural spectacle of the medieval cathedral and the
romantic sublime of the nineteenth-century panorama to the
techno-fetishism of today's London Science Museum, humans have
gained a deeper understanding of the natural world through highly
illusionistic representations that engender new modes of seeing,
listening, and thinking. What unites and defines many of these
wondrous spaces is an immersive view-an invitation to step inside
the virtual world of the image and become a part of its universe,
if only for a short time. Since their inception, museums of science
and natural history have mixed education and entertainment, often
to incredible, eye-opening effect. Immersive spaces of visual
display and modes of exhibition send "shivers" down our spines,
engaging the distinct cognitive and embodied mapping skills we
bring to spectacular architecture and illusionistic media. They
also force us to reconsider traditional models of film
spectatorship in the context of a mobile and interactive spectator.
Through a series of detailed historical case studies, Alison
Griffiths masterfully explores the uncanny and unforgettable
visceral power of the medieval cathedral, the panorama, the
planetarium, the IMAX theater, and the science museum. Examining
these structures as exemplary spaces of immersion and
interactivity, Griffiths reveals the sometimes surprising
antecedents of modern media forms, suggesting the spectator's
deep-seated desire to become immersed in a virtual world. Shivers
Down Your Spine demonstrates how immersive and interactive museum
display techniques such as large video displays, reconstructed
environments, and touch-screen computer interactives have redefined
the museum space, fueling the opposition between public and
private, science and spectacle, civic and corporate interests,
voice and text, and life and death. In her remarkable study of
sensual spaces, Griffiths explains why, for centuries, we keep
coming back for more.
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