0
Your cart

Your cart is empty

Books > Arts & Architecture > Music > Theory of music & musicology

Buy Now

The Ashgate Research Companion to Japanese Music (Hardcover, New Ed) Loot Price: R4,189
Discovery Miles 41 890
The Ashgate Research Companion to Japanese Music (Hardcover, New Ed): Alison McQueen Tokita

The Ashgate Research Companion to Japanese Music (Hardcover, New Ed)

Alison McQueen Tokita; David W. Hughes

Series: SOAS Studies in Music

 (sign in to rate)
Loot Price R4,189 Discovery Miles 41 890 | Repayment Terms: R393 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

Music is a frequently neglected aspect of Japanese culture. It is in fact a highly problematic area, as the Japanese actively introduced Western music into their modern education system in the Meiji period (1868-1911), creating westernized melodies and instrumental instruction for Japanese children from kindergarten upwards. As a result, most Japanese now have a far greater familiarity with Western (or westernized) music than with traditional Japanese music. Traditional or classical Japanese music has become somewhat ghettoized, often known and practised only by small groups of people in social structures which have survived since the pre-modern era. Such marginalization of Japanese music is one of the less recognized costs of Japan's modernization. On the other hand, music in its westernized and modernized forms has an extremely important place in Japanese culture and society, Beethoven's Ninth Symphony, for example, being so widely known and performed that it is arguably part of contemporary Japanese popular and mass culture. Japan has become a world leader in the mass production of Western musical instruments and in innovative methodologies of music education (Yamaha and Suzuki). More recently, the Japanese craze of karaoke as a musical entertainment and as musical hardware has made an impact on the leisure and popular culture of many countries in Asia, Europe and the Americas. This is the first book to cover in detail all genres including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods. The book is a collaborative effort, involving both Japanese and English speaking authors, and was conceived by the editors to form a balanced approach that comprehensively treats the full range of Japanese musical culture.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: SOAS Studies in Music
Release date: October 2008
First published: 2008
Editors: Alison McQueen Tokita
Authors: David W. Hughes
Dimensions: 251 x 179 x 37mm (L x W x T)
Format: Hardcover
Pages: 472
Edition: New Ed
ISBN-13: 978-0-7546-5699-9
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Music > Theory of music & musicology > General
LSN: 0-7546-5699-3
Barcode: 9780754656999

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners